Росс Макдональд - The Goodbye Look

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Lew Archer #15
In The Goodbye Look, Lew Archer is hired to investigate a burglary at the mission-style mansion of Irene and Larry Chalmers. The prime suspect, their son Nick, has a talent for disappearing, and the Chalmerses are a family with money and memories to burn. As Archer zeros in on Nick, he discovers a troubled blonde, a stash of wartime letters, a mysterious hobo. Then a stiff turns up in a car on an empty beach. And Nick turns up with a Colt .45. In The Goodbye Look, Ross Macdonald delves into the world of the rich and the troubled and reveals that the past has a deadly way of catching up to the present.
If any writer can be said to have inherited the mantle of Dashiell Hammett and Raymond Chandler, it is Ross Macdonald. Between the late 1940s and his death in 1983, he gave the American crime novel a psychological depth and moral complexity that his predecessors had only hinted at. And in the character of Lew Archer, Macdonald redefined the private eye as a roving conscience who walks the treacherous frontier between criminal guilt and human sin.

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“I’d like to buy a piece of that treasure hunt.”

She countered rapidly: “You can have my share for a hundred dollars, even.”

“With Randy Shepherd thrown in?”

“I don’t know about that.” The talk of money had brightened her dusty eyes. “This wouldn’t be blood money that we’re talking about?”

“I’m not planning to kill him.”

“Then what’s he so a-scared of? I never saw him scared like this before. How do I know you won’t kill him?”

I told her who I was and showed her my photostat. “Where has he gone, Mrs. Williams?”

“Let’s see the hundred dollars.”

I got two fifties out of my wallet and gave her one of them. “I’ll give you the other after I talk to Shepherd. Where can I find him?”

She pointed south along the road. “He’s on his way to the border. He’s on foot, and you can’t miss him. He only left here about twenty minutes ago.”

“What happened to his car?”

“He sold it to a parts dealer up the hike. That’s what makes me think he’s crossing over to Mexico. I know he’s done it before, he’s got friends to hide him.”

I started for my car. She followed me, moving with surprising speed.

“Don’t tell him I told you, will you? He’ll come back some dark night and take it out of my hide.”

“I won’t tell him, Mrs. Williams.”

With my road map on the seat beside me, I drove due south through farmland. I passed a field where Holstein cattle were grazing. Then the tomato fields began, spreading in every direction. The tomatoes had been harvested, but I could see a few hanging red and wrinkled on the withering vines.

When I had traveled about a mile and a half, the road took a jog and ran through low chaparral. I caught sight of Shepherd. He was tramping along quickly, almost loping, with a bedroll bouncing across his shoulders and a Mexican hat on his head. Not far ahead of him Tijuana sloped against the sky like a gorgeous junk heap.

Shepherd turned and saw my car. He began to run. He plunged off the road into the brush and reappeared in the dry channel of a river. He had lost his floppy Mexican hat but still had his bedroll.

I left my car and went after him. A rattlesnake buzzed at me from under an ocotillo, and focused my attention. When I looked for Shepherd again, he had disappeared.

Making as little noise as possible, and keeping my head down, I moved through the chaparral to the road which ran parallel with the border fence. The road map called it Monument Road. If Shepherd planned to cross the border, he would have to cross Monument Road first. I settled down in the ditch beside it, keeping an alternating watch in both directions.

I waited for nearly an hour. The birds in the brush got used to me, and the insects became familiar. The sun moved very slowly down the sky. I kept looking one way and then the other, like a spectator at a languid tennis match.

When Shepherd made his move, it was far from languid. He came out of the brush about two hundred yards west of me, scuttled across the road with his bedroll bouncing, and headed up the slope toward the high wire fence that marked the border.

The ground between the road and the fence had been cleared. I cut across it and caught Shepherd before he went over. He turned with his back to the fence and said between hard breaths:

“You stay away from me. I’ll cut your gizzard.”

A knife blade stuck out of his fist. On the hillside beyond the fence a group of small boys and girls appeared as if they had sprouted from the earth.

“Drop the knife,” I said a little wearily. “We’re attracting a lot of attention.”

I pointed up the hill toward the children. Some of them pointed back at me. Some waved. Shepherd was tempted to look, and turned his head a little to one side.

I moved hard on his knife arm and put an armlock on it which forced him to drop the knife. I picked it up and closed it and tossed it over the fence into Mexico. One of the little boys came scrambling down the hill for it.

Further up the hill, where the houses began, an invisible musician began to play bullfight music on a trumpet. I felt as if Mexico was laughing at me. It wasn’t a bad feeling.

Shepherd was almost crying. “I’m not going back to a bum murder rap. You put me behind the walls again, it’ll kill me.”

“I don’t think you killed Jean Trask.”

He gave me an astonished look, which quickly faded. “You’re just saying that.”

“No. Let’s get out of here, Randy. You don’t want the border patrol to pick you up. We’ll go some place where we can talk.”

“Talk about what?”

“I’m ready to make a deal with you.”

“Not me. I allus get the short end of the deals.”

He had the cynicism of a small-time thief. I was getting impatient with him.

“Move, con.”

I took him by the arm and walked him down the slope toward the road. A child’s voice nearly as high as a whistle called to us from Mexico above the sound of the trumpet:

“Adios.”

chapter 19

Shepherd and I walked east along Monument Road to its intersection with the road that ran north and south. He hung back when he saw my car. It could take him so fast and so far, all the way back to the penitentiary.

“Get it through your head, Randy, I don’t want you. I want your information.”

“And what do I get out of it?”

“What do you want?”

He answered quickly and ardently, like a man who has been defrauded of his rights: “I want a fair shake for once in my life. And enough money to live on. How can a man help breaking the law if he don’t have money to live on?”

It was a good question.

“If I had my rights,” he went on, “I’d be a rich man. I wouldn’t be living on tortillas and chili.”

“Are we talking about Eldon Swain’s money?”

“It ain’t Swain’s money. It belongs to anybody who finds it. The statute of limitations ran out years ago,” he said in the legalese of a cell-block lawyer, “and the money’s up for grabs.”

“Where is it?”

“Someplace in this very area.” He made a sweeping gesture which took in the dry riverbed and the empty fields beyond. “I been making a study of this place for twenty years, I know it like the back of my hand.” He sounded like a prospector who had worn out his wits in the desert looking for gold. “All I need is to get real lucky and find me the coordinates. I’m Eldon Swain’s legal heir.”

“How so?”

“We made a deal. He was interested in a relative of mine.” He probably meant his daughter. “And so we made a deal.”

The thought of it lifted his spirits. He got into my car without argument, hoisting his bedroll into the back seat.

“Where do we go from here?” he said.

“We might as well stay where we are for the present.”

“And then?”

“We go our separate ways.”

He glanced quickly at my face, as if to catch me in a false expression. “You’re conning me.”

“Wait and see. Let’s get one thing out of the way first. Why did you go to Jean Trask’s house today?”

“Take her some tomatoes.”

“Why did you pick the lock?”

“I thought maybe she was sleeping. Sometimes she sleeps real heavy, when she’s been drinking. I didn’t know she was dead, man. I wanted to talk to her.”

“About Sidney Harrow?”

“That was part of it. I knew the cops would be asking her questions about him. The fact is, I was the one introduce her to Sidney, and I wanted Miss Jean not to mention my name to the cops.”

“Because you were a suspect in Swain’s death?”

“That was part of it. I knew they’d be opening up that old case. If my name came up and they traced my connection with Swain, I’d be right back on the hooks. Hell, my connection with Swain went back thirty years.”

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