Росс Макдональд - The Goodbye Look

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Lew Archer #15
In The Goodbye Look, Lew Archer is hired to investigate a burglary at the mission-style mansion of Irene and Larry Chalmers. The prime suspect, their son Nick, has a talent for disappearing, and the Chalmerses are a family with money and memories to burn. As Archer zeros in on Nick, he discovers a troubled blonde, a stash of wartime letters, a mysterious hobo. Then a stiff turns up in a car on an empty beach. And Nick turns up with a Colt .45. In The Goodbye Look, Ross Macdonald delves into the world of the rich and the troubled and reveals that the past has a deadly way of catching up to the present.
If any writer can be said to have inherited the mantle of Dashiell Hammett and Raymond Chandler, it is Ross Macdonald. Between the late 1940s and his death in 1983, he gave the American crime novel a psychological depth and moral complexity that his predecessors had only hinted at. And in the character of Lew Archer, Macdonald redefined the private eye as a roving conscience who walks the treacherous frontier between criminal guilt and human sin.

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I drove down Rosecrans to Highway 80 and delivered Nick at the ambulance entrance of the hospital. There had been a recent auto accident, and everybody on the emergency ward was busy. Looking for a stretcher, I opened a door and saw a dead man and closed the door again.

I found a wheeled stretcher in another room, took it outside and heaved Nick onto it. I pushed him up to the emergency desk.

“This boy needs a stomach pump. He’s full of barbiturates.”

“Another one?” the nurse said.

She produced a paper form to be filled out. Then she glanced at Nick’s face and I think she was touched by his inert good looks. She dispensed with red tape for the present. She helped me to wheel Nick into a treatment room and called in a young doctor with an Armenian name.

The doctor checked Nick’s pulse and respiration, and looked at the pupils of his eyes, which were contracted. He turned to me.

“What did he take, do you know?”

I showed him the drug containers I had picked up in the Trasks’ garage. They had Lawrence Chalmers’s name on them, and the names and amounts of the three drugs they had contained: chloral hydrate, Nembutal and Nembu-Serpin.

He looked at me inquiringly. “He hasn’t taken all of these?”

“I don’t know if the prescriptions were full. I don’t think they were.”

“Let’s hope the chloral hydrate wasn’t, anyway. Twenty of those capsules are enough to kill two men.”

As he spoke, the doctor began to thread a flexible plastic tube into Nick’s nostril. He told the nurse to cover him with a blanket, and prepare a glucose injection. Then he turned to me again.

“How long ago did he swallow the stuff?”

“I don’t know exactly. Maybe two hours. What’s Nembu-Serpin, by the way?”

“A combination of Nembutal and reserpine. It’s a tranquilizer used in treating hypertension, also in psychiatric treatment.” His eyes met mine. “Is the boy emotionally disturbed?”

“Somewhat.”

“I see. Are you a relative?”

“A friend,” I said.

“The reason I ask, he’ll have to be admitted. In suicide attempts like this the hospital requires round-the-clock nurses. That costs money.”

“It shouldn’t be any problem. His father’s a millionaire.”

“No kidding.” He was unimpressed. “Also, his regular doctor should see him before he’s admitted. Okay?”

“I’ll do my best, doctor.”

I found a telephone booth and called the Chalmerses’ house in Pacific Point. Irene Chalmers answered.

“This is Archer. May I speak to your husband?”

“Lawrence isn’t here. He’s out looking for Nick.”

“He can stop looking. I found him.”

“Is he all right?”

“No. He took the drugs, and he’s having his stomach pumped out. I’m calling from the San Diego Hospital. Have you got that?”

“The San Diego Hospital, yes. I know the place, I’ll be there as soon as I can.”

“Bring Dr. Smitheram with you, and John Truttwell.”

“I’m not sure I can do that.”

“Tell them it’s a major emergency. It really is, Mrs. Chalmers.”

“Is he dying?”

“He could die. Let’s hope he doesn’t. Incidentally you’d better bring a checkbook. He’s going to need special nurses.”

“Yes, of course. Thank you.” Her voice was blank, and I couldn’t tell if she had really heard me.

“You’ll bring a checkbook, then, or some cash.”

“Yes. Certainly. I was just thinking, life is so strange, it seems to go in circles. Nick was born in that same hospital, and now you say he may die there.”

“I don’t think he will, Mrs. Chalmers.”

But she had begun to cry. I listened to her for a little while, until she hung up on me.

Because it wasn’t good policy to leave a murder unreported, I called the San Diego Police Department and gave the sergeant on duty George Trask’s address on Bayview Avenue. “There’s been an accident.”

“What kind of an accident?”

“A woman got cut.”

The sergeant’s voice became louder and more interested: “What is your name, please?”

I hung up and leaned on the wall. My head was empty. I think I almost fainted. Remembering that I’d missed my breakfast, I wandered through the hospital and found the cafeteria. I drank a couple of glasses of milk and had some toast with a soft-boiled egg, like an invalid. The morning’s events had hit me in the stomach.

I went back to the emergency ward where Nick was still being worked on.

“How is he?”

“It’s hard to tell,” the doctor said. “If you’ll fill out his form we’ll admit him provisionally and put him in a private room. Okay?”

“That’s fine. His mother and his psychiatrist should be here within an hour or so.”

The doctor raised his eyebrows. “How sick is he?”

“You mean in the head? Sick enough.”

“I was wondering.” He reached under his white coat and produced a torn scrap of paper. “This fell out of his breast pocket.”

He handed it to me. It was a penciled note: “I am a murderer and deserve to die. Forgive me, Mother and Dad. I love you Betty.”

“He isn’t a murderer, is he?” the doctor said.

“No.”

My denial sounded unconvincing to me, but the doctor accepted it. “Ordinarily the police would want to see that suicide note. But there’s no use making further trouble for the guy.”

I folded the note and put it in my wallet and got out of there before he changed his mind.

chapter 18

I drove south to Imperial Beach. The cashier of a drive-in restaurant told me how to find Conchita’s Cabins. “You wouldn’t want to stay in them, though,” she advised me.

I saw what she meant when I got there. It was a ruined place, as ancient-looking as an archeological digging. A sign on the office said: “One dollar per person. Children free.” The cabins were small stucco cubes that had taken a beating from the weather. The largest building, with “Beer and Dancing” inscribed across its front, had long since been boarded up.

The place was redeemed by a soft green cottonwood tree and its soft gray shade. I stood under it for a minute, waiting for somebody to discover me.

A heavy-bodied woman came out of one of the cabins. She wore a sleeveless dress which showed her large brown arms, and a red cloth on her head.

“Conchita?”

“I’m Mrs. Florence Williams. Conchita’s been dead for thirty years. Williams and I kept on with her name when we bought the cabins.” She looked around her as if she hadn’t really seen the place for a long time. “You wouldn’t think it, but these cabins were a real moneymaker during the war.”

“There’s a lot more competition now.”

“You’re telling me.” She joined me in the shadow of the tree. “What can I do for you? If you’re selling don’t even bother to open your mouth. I just lost my second-to-last roomer.” She made a farewell gesture toward the open door of the cabin.

“Randy Shepherd?”

She stepped away from me and looked me up and down. “You’re after him, eh? I figured somebody was, the way he took off and left his things. The only trouble is, they’re not worth much. They’re not worth ten per cent of the money he owes me.”

She was looking at me appraisingly, and I returned the look. “How much would that be, Mrs. Williams?”

“It adds up to hundreds of dollars, over the years. After my husband died, he talked me into investing money in his big treasure hunt. That was back around 1950, when he got out of the clink.”

“Treasure hunt?”

“For buried money,” she said. “Randy rented heavy equipment and dug up most of my place and half the county besides. This place has never been the same since, and neither have I. It was like a hurricane went through.”

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