Стюарт Стерлинг - The Black Lizard Big Book of Pulps

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The BIGGEST, the BOLDEST, the MOST COMPREHENSIVE collection of PULP WRITING ever assembled!
Weighing in at over a thousand pages, containing over forty-seven stories and two novels, this book is big baby, bigger and more powerful than a freight train — a bullet couldn’t pass through it. Here are the best stories and every major writer who ever appeared in celebrated Pulps like Black Mask, Dime Detective, Detective Fiction Weekly, and more. These are the classic tales that created the genre and gave birth to hard-hitting detectives who smoke criminals like packs of cigarettes; sultry dames whose looks are as lethal as a dagger to the chest; and gin-soaked hideouts where conversations are just preludes to murder. This is crime fiction at its gritty best.
Including:
• Three stories by Raymond Chandler, Cornell Woolrich, Erle Stanley Gardner, and Dashiell Hammett.
• Complete novels from Carroll John Daly, the man who invented the hard-boiled detective, and Fredrick Nebel, one of the masters of the form.
• A never before published Dashiell Hammett story.
• Every other major pulp writer of the time, including Paul Cain, Steve Fisher, James M. Cain, Horace McCoy, and many, many more of whom you’ve probably never heard.
• Three deadly sections — The Crimefighters, The Villains, and The Dames — with three unstoppable introductions by Harlan Coben, Harlan Ellison, and Laura Lippman.
Featuring:
• Plenty of reasons for murder, all of them good.
• A kid so smart — he’ll die of it.
• A soft-hearted loan shark’s legman learning — the hard way — never to buy a strange blonde a hamburger.
• The uncanny “Moon Man” and his mad-money victims.

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I drove out through Cahuenga Pass a ways and then I had an idea and drove back to the Selwyn Apartments. The idea wasn’t any good. William Raines told the clerk to send me up and he asked me what he could do for me and smiled and offered me a drink.

I said I wanted to get in touch with his brother on a deal that would do us both a lot of good. He said his brother was in Chicago and that he hadn’t seen him for two years. I didn’t tell him he was a liar. It wouldn’t have done any good. I thanked him and went back down to the car.

I drove down to LA and had dinner in a Chinese place. Then I went back by the Santa Fe and found out about trains — I figured on going back to New York the next day.

On the way back to Hollywood I drove by the Garden Court. Not for any particular reason — I thought about Mrs. Healey and it wasn’t much out of the way.

The blue Chrysler was sitting squarely across the street from the entrance.

I parked up the street a little way and got out and went back to be sure. I lit a match and looked at the card on the steering column; the car was registered to another U Drive place, downtown, on South Hope.

I went across the street and walked by the desk with my nose in the air. The Spick elevator boy didn’t even look at the folded bill I slipped him, he grinned self-consciously and said that a little red-haired man had gone up to four just a couple minutes ago. Mrs. Healey was on four and there were only three apartments on a floor.

I listened at the door but could only hear a confused buzz that sounded like fast conversation. I turned the knob very slowly and put a little weight against the door. It was locked. I went down to the end of the hall and went out as quietly as possible through a double door to a fire-escape platform. By standing outside the railing and holding on with one hand and leaning far out I could see into the dining-room of Mrs. Healey’s apartment, could see a couple inches of the door that led, as well as I could remember, into the drawing-room. It was closed.

There is nothing that makes you feel quite so simple as hanging on a fire-escape, trying to look into a window. Particularly when you can’t see anything through the window. After a few minutes I gave it up and climbed back over the railing.

I half sat on the railing and tried to figure things out. What business would the guy who shot Healey have with Mrs. Healey? Did the blackmail angle that Raines and Mackay had held over Healey cover Mrs. Healey, too? Was Raines milking his lowdown for all it was worth? It was too deep for me.

I went back into the hall and listened at the door again. They were a little louder but not loud enough to do me any good. I went around a bend in the hall to what I figured to be the kitchen-door and gave it the slow turn and it opened. I mentally kicked myself for wasting time on the fire-escape, tip-toed into the dark kitchen and closed the door.

It suddenly occurred to me that I was in a quaint spot if somebody should come in. What the hell business did I have there! I fixed that, to myself, with some kind of vague slant about protecting Mrs. Healey and edged over to the door, through to the room I’d been looking into from the fire-escape.

The door into the drawing-room was one of those pasteboard arrangements that might just as well not be there. The first thing I heard was a small, suppressed scream like somebody had smacked a hand over somebody else’s mouth, and then something like a piece of furniture being tipped over. It was a cinch someone was fighting in there, quietly — or as quietly as possible.

There wasn’t much time to think about whether I was doing the right thing or not. If I’d thought about it I’d probably have been wrong, anyway. I turned the knob, swung the door open.

Mrs. Healey was standing against the far wall. She was standing flat against the wall with one hand up to her mouth. Her eyes were very wide.

There were two men locked together on the floor near the central table and as I came in they rolled over a turn or so and one broke away and scrambled to his feet. It was Raines. He dived after a nickel-plated revolver that was lying on the floor on the far side of the table, and the other man, who had risen to his knees, dived after it, too. The other man was Gard.

He beat Raines by a hair but Raines was on his feet; he kicked the gun out of Gard’s hand, halfway across the room. Gard grabbed his leg and pulled him down and they went round and round again. They fought very quietly; all you could hear was the sound of heavy breathing and an occasional bump.

I went over and picked up the gun and stooped over the mess of arms and legs and picked out Raines’ red head and took hold of the barrel of the gun. I took dead aim and let Raines have it back of the ear. He relaxed.

Gard got up slowly. He ran his fingers through his hair and jiggled his shoulders around to straighten his coat and grinned foolishly.

I said: “Fancy, meeting you here.”

I turned around and looked at Mrs. Healey. She was still standing against the wall with her hand across her mouth. Then the ceiling fell down on top of my head and everything got dark very suddenly.

Darkness was around me when I opened my eyes, but I could see the outlines of a window and I could hear someone breathing somewhere near me. I don’t know how long I was out. I sat up and my head felt like it was going to explode; I lay down again and closed my eyes.

After a while I tried it again and it was a little better. I crawled towards what I figured to be a door and ran into the wall and I got up on my feet and felt along the wall until I found the light switch.

Raines was lying in the same place I’d smacked him, but his hands and feet were tied with a length of clothes-line and there was a red, white and blue silk handkerchief jammed into his mouth. His eyes were open and he looked at me with an expression that I can only describe as bitter amusement.

Gard was lying belly-down on the floor near the door into the dining-room. He was the hard breather I’d heard in the darkness. He was still out.

I ungagged Raines and sat down. I kept having the feeling that my head was going to blow up. It was a very unpleasant feeling.

In a little while Raines got his jaws limbered up and started talking. The first thing he said was: “What a bright boy you turned out to be!” I was too sick to know very much about what that meant — or care.

He went on like that for some time, talking in a high, squeaky voice, and the idea gradually filtered through the large balloon-shaped ache that my head had turned into.

It seems that Raines and the Mackay gal had juggled Healey into a swell spot. One of their angles was that Healey, in an expansive moment, had entirely forgotten about Mrs. Healey and married Miss Mackay. They had a lot of material besides; everything from the Mann Act to mayhem. When he’d made the hundred and fifty grand lick in Quebec they’d jumped him in Chicago.

Healey had ducked out of Chi and they’d trailed him, first to Salt Lake, then to Caliente. Monday night, Raines had helped Mackay put on the act in the hotel that Healey had told me about.

Raines hadn’t got off the train with her or checked into the hotel with her because they didn’t want to be seen together in case anything went wrong, but he ducked up that handy back stairway and they’d given Healey the act, showing him exactly the color and size of the spot they had him on.

Then, when Healey came down to my room, Raines had gone down and planted across the street in case Healey tried to powder.

Raines hadn’t been there five minutes before Mrs. Healey and a man rolled up in the blue Chrysler. Raines recognized Mrs. Healey because she’d spotted Healey with Miss Mackay and Raines in a cabaret in Chicago once and crowned Miss Mackay with a beer bottle. It seems Mrs. Healey was a nice quiet girl.

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