Matthew Pearl - The Poe Shadow

Здесь есть возможность читать онлайн «Matthew Pearl - The Poe Shadow» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Исторический детектив, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Poe Shadow: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Poe Shadow»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

MATTHEW PEARL'S second novel is based on what he calls "one of literary history's most persistent gaps." Edgar Allan Poe died, Pearl tells us, "at the age of 40 in a Baltimore hospital on Oct. 7, 1849, four days after being found in distress at Ryan's inn and tavern." The stubbornly unexplained gap occurred in the five days preceding his appearance at the tavern.
Poe was supposed to be almost anywhere other than Baltimore: he was traveling from Richmond to New York with a planned stop in Philadelphia, not Baltimore. No one knows how he came to be in the city – or, for that matter, how he ended up at the tavern. For some of us, this pretty much describes a really great Saturday night, but when it happens to the master of darkness, just days before his untimely death, it has the makings of a mystery.
Pearl takes us back to those few lost days through the inquiries of Quentin Clark, a Poe-mad young Baltimorean who is dismayed not just by the writer's death but by the press's apathetic reponse to the news. Clark takes it upon himself to look into matters and rectify this slight to his hero. The trouble is, Clark is a stock character from the world of commercial thrillers: a man with a lot to lose, imperiled by his own obsession. Engaged to a beautiful young woman, the son of wealthy and very proper parents and pursuing a career as a lawyer, he may sacrifice them all to his devotion to Poe.
Clark haunts the writer's grave, visits the hospital where he lay dying and tracks down the Poe cousins. But wherever he turns, he's met with indifference or outright obstruction. Finally, in desperation, he turns to another source of information: the pages of a book. Clark has always admired Poe's "Murders in the Rue Morgue" and the other mysteries featuring C. Auguste Dupin, the brilliant Frenchman who solves crimes too baffling for the Paris police. "Dupin's reasoning followed a method Poe called ratiocination," Clark reminds himself, "employing one's imagination to achieve analysis, and one's analysis to climb the heights of imagination."
When Clark stumbles on a newspaper item suggesting that Dupin was based on a real Frenchman, he promptly takes off for the Continent. Of course, there turns out to be more than one candidate for this honor, and soon a couple of testy Frenchmen are racing back to America, eager to snatch whatever glory they might from Poe's death.
Baroquely orchestrated complications ensue, up to and including a threat to the future of the French republic. As he demonstrated in his serial-killers-and-philosophers best seller, "The Dante Club," Pearl is a fine scene-setter and a resolute, if not always inspired, plotter. "The Poe Shadow" is thick with intrigue and thicker still with carefully researched (and ostentatiously displayed) details.
Pearl, who taught literature at Harvard before embarking on his literary career, sometimes displays a wonderfully knowing tone, and enjoys playing with 19th-century lingo. When a Baltimore police officer asks Clark if he has a wife and is told that he has a fiancée, the officer warns: "You should have much to occupy yourself without needing to think of this unhappy affair, then. Or your sweetheart might give you the mitten." Sadly, Pearl's plot is not all sweethearts and mittens.
With its bewildered narrator and its attempt to marry the rational and the spooky, "The Poe Shadow" seems to be modeled on Poe's own writing, but it's missing a crucial element: brevity. Although Pearl has a real affinity for 19th-century America, he overwhelms the strengths of his book with a hurricane of ersatz Victorian prose. He doesn't just disinter Poe's story; he disinters the language of Poe's time. After a while, you feel like you're trapped in a sepia-toned faux-daguerrotype. Pearl has created a museum rather than a world. And no one lives in a museum.

The Poe Shadow — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Poe Shadow», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

I ran for the fields that sloped down from the road. Beyond that was open country.

Then my captor was out of the coach and starting toward me, terribly fast for so bulky a man. I felt a quick, decisive blow to my head.

My hands were stiff behind my back. I was looking around-or should I say up. Upon waking, I found myself in a wide trench indented some twenty feet into the earth. Above that were towering walls; they were nothing like the petite rows of buildings and homes on every Paris street. It was as though I had been brought to another world, and a monstrous silence stretched around us as in the widest desert.

"Where am I? I demand to know!" I shouted, though I could see no one to shout to.

I heard a voice mutter something in French. I craned my head but could not move enough to see behind me. Only a shadow fell over me, and I believed it was that of my captor.

"Where are we, you blackguard?" I demanded. He made no indication of hearing. He just stood, waiting. Only when the villain in question came from the other side did I realize that this shadow belonged to someone else.

Finally, the shadow moved and he came around to face me. But it was no man.

Here she was, wearing a fresh white bonnet and a plain dress, she who could have been in one of the Parisian gardens. She stopped in front of my chair and leaned over me with what seemed to be caring protectiveness, looking at me with deep-set eyes-in fact, eyes so deep they seemed to reach to the back of her head. She seemed no older than a girl.

"Stop squeaking."

"Who are you?" I whispered, hoarse from hollering.

"Bonjour," said the girl, who then turned her back and walked away.

I returned the greeting, though thinking any attempt at cordialness odd under the circumstances.

"You fool," admonished my first captor, seeming to wish she not hear, as though he would be blamed for my error. "That is her name. Bonjour!"

"Bonjour?" I repeated. Then I realized I had seen her before, another time I was in jeopardy. "At Café Belge! I saw you there, holding a basket! Why were you there?"

"Here we are!" a new voice boomed in English, tinged with a French accent but otherwise perfectly fluent. "Is it very necessary to have our welcomed guest from the great United States so restrained?"

The answer was demure enough to identify the latest arrival as the leader. My captor moved closer to him and spoke confidentially, as though I had suddenly lost the power to hear. "He swooned at Versailles, and then he ran from the coach, leaping out the door like a madman. He nearly killed himself-"

"No matter. Here we are all safe. Bonjour, please?" The girl agilely untied the ropes and released my wrists.

I had not up to this point been able to see this new arrival, only glimpses of a long white cloak and light pantaloons. With my hands free, I stood and faced him.

"My apologies for going to such lengths, Monsieur Clark," he said, waving his bejeweled hand at our surroundings as though the whole thing was an accident. "But I am afraid these unfortunate fortresses are among the few places within the environs of Paris where I can still travel with some tranquillity. Most importantly-"

I interrupted. "Now see here! Your rogue has ill-treated me and now-But in the first place, I would like to know where exactly you have had me taken and why…!" I choked on my words, staring at him through a spark of sudden recognition.

"Most importantly, as I say," he continued warmly, a grin pressing out the olive skin of his face, "we finally meet in person."

He took my hand, which fell limp when the truth struck me.

"Dupin!" I cried out in disbelief.

9

YOU WILL RECALLthat there were five or six other men that I seriously examined as potential inspirations for the Dupin character before eliminating them in favor of Duponte.

A Baron Claude Dupin was one of these-a French attorney who, it was said, had never lost a single case, and who boasted distant royal lineage, wherein derived the dubious title of "Baron." He had been among the most prominent jurists of Paris for many years, thought of as a hero for successfully advocating in favor of many accused but sympathetic wrongdoers. He was even a candidate for advocate-general at one time, and almost sent to the chamber of representatives by his district during one of the upheavals in French government. He was alleged by some to employ unsavory tactics and, soon, relinquished his work altogether in favor of biding his time with other enterprises in London. While there, he was sworn in as a special constable during a period of fear of an uprising, and acted bravely enough in that capacity to continue with that title in an honorary capacity.

All of this information had been collected piecemeal during my careful searches of French periodicals. There was a time before I went to Paris when I was quite certain that Claude Dupin was the basis for C. Auguste Dupin, and I had sent several letters to Baron Dupin inquiring into further details of his history and describing the pressing situation at hand in Baltimore. Soon enough, however, I had stumbled upon the articles concerning Auguste Duponte and altered my theory. When Claude Dupin had replied to me, I had mailed him an apologetic letter explaining my mistake.

One of the French periodicals I had seen included an illustrated portrait of Baron Dupin, which I had studied closely. Thus, I knew the man who was pressing my hand as though we were old friends. That's when I yelled in alarm and astonishment: "Dupin!…You're Claude Dupin!"

"Please," said he magnanimously, "call me Baron!"

I yanked my hand away. I looked for my best chance at immediate escape. The carriage that had brought me there was now waiting in a temporary passage in the masonry, but I had no thought of being able to commandeer it, as my first captor had returned to the vehicle and was waiting there.

The trench around Paris was part of the impenetrable fortification built to provide against future assaults on the city. A continuous enclosure surrounded the outskirts of Paris, with embankments for artillery, surrounded by ditches and trenches.

In these daunting surroundings, Dupin now assured me of my complete safety and began explaining that his colleague Hartwick-that was the name of my captor, who'd nabbed me at Versailles and put me in his carriage-had merely wished to ensure my safe presence for this interview.

"Hartwick can outswear Satan, and he has almost bitten a man's arm clean off once, but taken together he's not badly made up. Do forgive him."

"Forgive? Forgive this assault? I'm afraid, Dupin, I shall not do that!" I cried.

"You see, it is already a great relief to know you," said Claude Dupin. "After so much time living in London, I'm afraid it's been a while since a soul has pronounced my name correctly, like a Frenchman!"

"Listen, monsieur," I reprimanded, though I liked the rare compliment to my French. "Do not butter me up. If you wished to speak with me, why not choose some civilized place in the city?"

"It would have been my pleasure to share a demi-tasse of coffee, Monsieur Clark, I assure you. But shall I call you Quentin?" He had a dashing way of talking that conveyed a high degree of ardor.

"No!"

"Be easy, be easy. Let me explain myself more, good Quentin. You see, there are two types of friends in this world: friends and enemies. In Paris, I possess both. I am afraid one of those groups would like to see me a head shorter. I may have been involved with the wrong sort some years ago, and promised certain amounts of money that, at the end of a thorough and unforgiving mathematical evaluation, I failed to possess. I was as poor as Job's turkey. Fortunately, though I was in a bad box, I have enough protection in London to prevent too much worry when I am there. You see where I am reduced to meeting when I wish to visit Paris," he added, waving his hand around at the fortifications. "You have luck enough to have some fortune of your own, I believe, Brother Quentin. Business? Or born with a silver spoon? No matter, I guess."

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Poe Shadow»

Представляем Вашему вниманию похожие книги на «The Poe Shadow» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Poe Shadow»

Обсуждение, отзывы о книге «The Poe Shadow» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x