Matthew Pearl - The Poe Shadow

Здесь есть возможность читать онлайн «Matthew Pearl - The Poe Shadow» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Исторический детектив, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Poe Shadow: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Poe Shadow»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

MATTHEW PEARL'S second novel is based on what he calls "one of literary history's most persistent gaps." Edgar Allan Poe died, Pearl tells us, "at the age of 40 in a Baltimore hospital on Oct. 7, 1849, four days after being found in distress at Ryan's inn and tavern." The stubbornly unexplained gap occurred in the five days preceding his appearance at the tavern.
Poe was supposed to be almost anywhere other than Baltimore: he was traveling from Richmond to New York with a planned stop in Philadelphia, not Baltimore. No one knows how he came to be in the city – or, for that matter, how he ended up at the tavern. For some of us, this pretty much describes a really great Saturday night, but when it happens to the master of darkness, just days before his untimely death, it has the makings of a mystery.
Pearl takes us back to those few lost days through the inquiries of Quentin Clark, a Poe-mad young Baltimorean who is dismayed not just by the writer's death but by the press's apathetic reponse to the news. Clark takes it upon himself to look into matters and rectify this slight to his hero. The trouble is, Clark is a stock character from the world of commercial thrillers: a man with a lot to lose, imperiled by his own obsession. Engaged to a beautiful young woman, the son of wealthy and very proper parents and pursuing a career as a lawyer, he may sacrifice them all to his devotion to Poe.
Clark haunts the writer's grave, visits the hospital where he lay dying and tracks down the Poe cousins. But wherever he turns, he's met with indifference or outright obstruction. Finally, in desperation, he turns to another source of information: the pages of a book. Clark has always admired Poe's "Murders in the Rue Morgue" and the other mysteries featuring C. Auguste Dupin, the brilliant Frenchman who solves crimes too baffling for the Paris police. "Dupin's reasoning followed a method Poe called ratiocination," Clark reminds himself, "employing one's imagination to achieve analysis, and one's analysis to climb the heights of imagination."
When Clark stumbles on a newspaper item suggesting that Dupin was based on a real Frenchman, he promptly takes off for the Continent. Of course, there turns out to be more than one candidate for this honor, and soon a couple of testy Frenchmen are racing back to America, eager to snatch whatever glory they might from Poe's death.
Baroquely orchestrated complications ensue, up to and including a threat to the future of the French republic. As he demonstrated in his serial-killers-and-philosophers best seller, "The Dante Club," Pearl is a fine scene-setter and a resolute, if not always inspired, plotter. "The Poe Shadow" is thick with intrigue and thicker still with carefully researched (and ostentatiously displayed) details.
Pearl, who taught literature at Harvard before embarking on his literary career, sometimes displays a wonderfully knowing tone, and enjoys playing with 19th-century lingo. When a Baltimore police officer asks Clark if he has a wife and is told that he has a fiancée, the officer warns: "You should have much to occupy yourself without needing to think of this unhappy affair, then. Or your sweetheart might give you the mitten." Sadly, Pearl's plot is not all sweethearts and mittens.
With its bewildered narrator and its attempt to marry the rational and the spooky, "The Poe Shadow" seems to be modeled on Poe's own writing, but it's missing a crucial element: brevity. Although Pearl has a real affinity for 19th-century America, he overwhelms the strengths of his book with a hurricane of ersatz Victorian prose. He doesn't just disinter Poe's story; he disinters the language of Poe's time. After a while, you feel like you're trapped in a sepia-toned faux-daguerrotype. Pearl has created a museum rather than a world. And no one lives in a museum.

The Poe Shadow — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Poe Shadow», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

But there were also twenty or so men, with faces, hands, and throats stained in black soot, repeating, in frightful chants, "Vive la République!" One of my neighbors in the crowd said they were sent by the " Red party" to protest. How shouting "Long live the Republic" was considered a protest or insult in an official Republic was beyond my understanding of the current political state. I suppose it was their tone that made the words threatening, and that made the term "Republic" fearful to the followers of this president, as if they were saying instead, "This is no Republic, for with this man it is a sham, but one day we shall overthrow it and have a true Republic without him!"

Here at his palace he seemed a more contemplative man, quite pale, mild, and thoroughly a gentleman. Napoleon was flushed with satisfaction at the crowd of mostly uniformed people around him, many of whose breasts sparkled with impressively gilded decorations. Yet, I observed, too, a painful sense of awkwardness elicited by the reverence with which the president-prince was treated-one moment a monarch, the next an elected president.

Just then, Prefect of Police Delacourt came in from the next chamber and conferred quietly with President Napoleon. I was surprised to notice the prefect glaring quite impolitely in the direction in which I stood.

That unwanted attention expedited my departure from the Champs-Élysées. There was still the palace of Versailles to see, and my guidebook advised leaving first thing in the morning when traveling there, but I decided that it was not too late in the day to enjoy a full visit to the suburbs of the city. Besides, Duponte had advised me to visit Versailles-perhaps if he knew I had he would be more inclined to speak to me.

Once the railroad tracks exit Paris, the metropolis abruptly disappears, giving itself over to continuous vast open country. Women of all ages, wearing carnation-colored bonnets and laboring in the fields, briefly met my gaze as our train rattled by them.

We stopped at the Versailles railway station. The crowd nearly picked me up and carried me into a stream of hats and trimmed bonnets that ended under the iron gates of the great palace of Versailles, where the running water of the fountains could be heard at play.

Thinking back, I suppose it must have begun while I was touring the palace's suites. I felt the sting of general discomfort, as when wearing a coat a bit too thin for the first winter day. I attributed my uneasiness to the crowds. The mob that had driven away the Duchess d'Angoulême from these walls was surely not as boisterous as this one. As my guide pointed out which battles were depicted in the various paintings, I was distracted by feeling so many sets of eyes on me.

"In this gallery," said my guide, "Louis the Fourteenth displayed all the grandeur of royalty. The court was so splendid that even in this enormous chamber the king would be pressed round by the courtiers of the day." We were in the grand gallery of Louis XIV, where seventeen arched windows overlooking the gardens faced seventeen mirrors across from them. I wondered whether the notion of a monarch was more attractive now that the late revolution had vanquished it.

I think my guide, whom I had hired at a franc an hour, had become tired of my distractedness over the course of the afternoon. I fear he thought I was ignorant of the finer qualities of history and art. The truth was, my distinct sense of being observed had been growing steadily-and in that hall of mirrors prodigal gazes were everywhere.

I began to take note of those people who recurred in the different suites. I had convinced my guide to modify our path through the palace-an alien idea to him, clearly. Meanwhile, he did not help my mental state when he turned to the topic of foreigners in Paris.

"They would know much about how you're spending your time here-you being a young energetic man," he mused, perhaps looking for a way to vex me.

" Who would know about me, monsieur?"

"The police and the government, of course. There is nothing that happens in Paris that is not known to someone."

"But, monsieur, I fear there is nothing so interesting enough about me."

"They would hear all from the masters of your hotel, from the commissionnaires who watch you leave and return, from fiacre drivers, sellers of vegetables, wine-shop masters. Yes, monsieur, I suppose there is nothing you can do that they cannot discover."

In my current state of nervousness, this commentary did not endear me. I paid him what I owed and dismissed him from his service. Without my guide I could now move faster, weaving through the slow gatherings of mobs in each chamber. I noticed behind me some commotion, men huffing and women exclaiming over some disturbance. It seemed some of the tourists were complaining about someone who was rudely pushing through the crowd. I turned into the next chamber, not waiting to see who had been the culprit of the strife. Meanwhile, I dodged every figure and expensive furnishing in my path until I reached the palace's immense gardens.

"Here he is! He's the one plowing through the place!"

As I heard this voice, a hand caught my arm. It was a guard.

"I?" I protested. "Why, I was not pushing anyone!"

After it was reported to the guard that the man rudely pushing through was spotted behind us, I was released into the gardens and quickly created distance between the guard and myself in the event he changed his mind. I would soon wish I had not left the safety of being at his side.

I thought back to Madame Fouché warning me about the dangerous areas of Paris. "There are men and women who will rob you and then throw you over the bridge into the Seine," she had said. It was from this population that the revolutionaries in March 1848 drew most of their "soldiers" to force out King Louis-Philippe and establish the Republic in the name of the people. A hackney cab driver told me that during that uprising he saw one of these villains, surrounded by police and about to be shot, yell, "Je suis bien vengé!" and remove fifteen or sixteen human tongues from his pockets. He tossed them into the air before dying, and they landed on the shoulders and hats of the police, and even in one policeman's mouth, which had dropped open in disbelief at the disgusting sight.

I was in the plush sanctuary of Versailles's immaculate gardens, not in one of these neighborhoods of tongue-cutters. Still, I had the sensation that each step I made was being marked. The sharp hedges and trees of the gardens revealed fragments of faces. Passing rows of statues, vases, and fountains, I came to a standstill at the God of Day, a hideous deity rising up from a splashing fountain of dolphins and sea-monsters. How much more secure I might have been inside the suites of the palace, surrounded by hordes of visitors and my busybody guide! It was then that a man appeared in front and snatched my arm.

***

Here is what I remember after that. I was inside a rickety carriage riding over loose stones. Next to me was the face I last saw before losing consciousness in the gardens of Versailles-a thick, rigid face carved below an emotionless frown. A face I had also noticed in several of the suites of the palace at Versailles. This had been my shadow! I licked my teeth and gums and found it was still present; my tongue, I mean.

Did I think before I reached for the door of the carriage? I cannot recall. I threw myself onto it and tumbled to the road. When I pushed myself to my feet, another coach was barreling at me. It swerved and narrowly squeezed between me and the vehicle that had been carrying me. "Gare!" growled its driver, who seemed to me only a large set of yellow teeth, a slouched hat, and a floppy collar. A lean dog howled from that carriage's window.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Poe Shadow»

Представляем Вашему вниманию похожие книги на «The Poe Shadow» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Poe Shadow»

Обсуждение, отзывы о книге «The Poe Shadow» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x