Matthew Pearl - The Poe Shadow

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The Poe Shadow: краткое содержание, описание и аннотация

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MATTHEW PEARL'S second novel is based on what he calls "one of literary history's most persistent gaps." Edgar Allan Poe died, Pearl tells us, "at the age of 40 in a Baltimore hospital on Oct. 7, 1849, four days after being found in distress at Ryan's inn and tavern." The stubbornly unexplained gap occurred in the five days preceding his appearance at the tavern.
Poe was supposed to be almost anywhere other than Baltimore: he was traveling from Richmond to New York with a planned stop in Philadelphia, not Baltimore. No one knows how he came to be in the city – or, for that matter, how he ended up at the tavern. For some of us, this pretty much describes a really great Saturday night, but when it happens to the master of darkness, just days before his untimely death, it has the makings of a mystery.
Pearl takes us back to those few lost days through the inquiries of Quentin Clark, a Poe-mad young Baltimorean who is dismayed not just by the writer's death but by the press's apathetic reponse to the news. Clark takes it upon himself to look into matters and rectify this slight to his hero. The trouble is, Clark is a stock character from the world of commercial thrillers: a man with a lot to lose, imperiled by his own obsession. Engaged to a beautiful young woman, the son of wealthy and very proper parents and pursuing a career as a lawyer, he may sacrifice them all to his devotion to Poe.
Clark haunts the writer's grave, visits the hospital where he lay dying and tracks down the Poe cousins. But wherever he turns, he's met with indifference or outright obstruction. Finally, in desperation, he turns to another source of information: the pages of a book. Clark has always admired Poe's "Murders in the Rue Morgue" and the other mysteries featuring C. Auguste Dupin, the brilliant Frenchman who solves crimes too baffling for the Paris police. "Dupin's reasoning followed a method Poe called ratiocination," Clark reminds himself, "employing one's imagination to achieve analysis, and one's analysis to climb the heights of imagination."
When Clark stumbles on a newspaper item suggesting that Dupin was based on a real Frenchman, he promptly takes off for the Continent. Of course, there turns out to be more than one candidate for this honor, and soon a couple of testy Frenchmen are racing back to America, eager to snatch whatever glory they might from Poe's death.
Baroquely orchestrated complications ensue, up to and including a threat to the future of the French republic. As he demonstrated in his serial-killers-and-philosophers best seller, "The Dante Club," Pearl is a fine scene-setter and a resolute, if not always inspired, plotter. "The Poe Shadow" is thick with intrigue and thicker still with carefully researched (and ostentatiously displayed) details.
Pearl, who taught literature at Harvard before embarking on his literary career, sometimes displays a wonderfully knowing tone, and enjoys playing with 19th-century lingo. When a Baltimore police officer asks Clark if he has a wife and is told that he has a fiancée, the officer warns: "You should have much to occupy yourself without needing to think of this unhappy affair, then. Or your sweetheart might give you the mitten." Sadly, Pearl's plot is not all sweethearts and mittens.
With its bewildered narrator and its attempt to marry the rational and the spooky, "The Poe Shadow" seems to be modeled on Poe's own writing, but it's missing a crucial element: brevity. Although Pearl has a real affinity for 19th-century America, he overwhelms the strengths of his book with a hurricane of ersatz Victorian prose. He doesn't just disinter Poe's story; he disinters the language of Poe's time. After a while, you feel like you're trapped in a sepia-toned faux-daguerrotype. Pearl has created a museum rather than a world. And no one lives in a museum.

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THE CUNARD STEAMER Humboldt to America had seventy-eight officers and seamen aboard and a sufficient number of accommodations-narrow staterooms entered from the sides of the richly carpeted main saloon-for more than one hundred passengers. There was also a labyrinth of ancillary chambers-the library, the smoking rooms, and the sitting rooms, as well as the sheltered pens for cattle.

Duponte and I had been among the earliest passengers to arrive at this floating palace, and I brimmed with anticipation, gazing upon the ark that would carry us to the New World. Duponte remained standing in place as soon as he reached the upper deck. I froze too. I imagined he was experiencing some sudden doubt, a premonition, and would back out of our voyage.

"Monsieur Duponte?" I said attentively, hoping I could oblige him. "All right?"

"Do request, Monsieur Clark," Duponte said, taking my elbow, "that the steward inform our ship's captain there is a stowaway on board this ship. Armed."

My anxiety flitted away into utter astonishment. When I had sufficiently regained my calm, I commanded an interview with the steward in a private corner.

"Sir, there is a stowaway on board the ship," I whispered urgently, "possibly armed."

He lowered his brow at me, showing no concern. "How do you know that?"

"Whatever does that matter?"

"We checked all stowage and cabins already, sir, as always. Did you see someone on board?"

"No," I replied. "We have only just arrived!"

He nodded, persuaded that he had proven his argument.

I looked back at Duponte across the deck. I could not fail him so soon, not after all that had been required to secure him. I wanted him to feel that anything he asked was no sooner suggested than done. "Sir, what do you know of ratiocination?" I asked the steward.

"Aye. That is a new sea-beast, sir, with six hundred legs and a hunched back."

I ignored this. "It is the rare ability of knowing, by a process of reasoning not only using logic, but through the higher logic of imagination, that which is outside the mental function of most ordinary people. There is-I promise you-an armed and most villainous stowaway here. I suggest the captain be informed double-quick and that you look more carefully."

"I was going to have another look anyway," he said importantly. He walked with a deliberately slow step.

A few minutes later, the steward was calling-or, rather, shrieking -for his superior to come to the mail chamber. Soon the burly old captain and the steward had wrestled a struggling, shouting man from down below.

The stowaway thrust both his elbows out, breaking loose and shoving the steward flat on his back. The few passengers lolling about went immediately scurrying below in fear for their lives, or at least in fear for their jewels. Others, along with Duponte and myself, clustered together to watch the scene. There was a moment of stillness as the captain stood across from the intruder.

"Trying to steal our mail?" the captain barked out. Our steamer, like most crossing the ocean, supplemented its finances in large part by transporting mail.

The stowaway seemed for a moment a phantasm from another world, large and red in the cheeks. Perhaps the captain experienced a similar effect looking at him, as he put his hands in front of him in a soothing gesture. "Peace," said the captain.

"You shall want to know what I know!" warned the stowaway, looking beyond the captain toward the passengers, seeming to be assessing which one of us to take prisoner. We all took a step back, except for Duponte.

The captain did not jump at the man's declaration, but the foolish steward was intrigued by the bluff. "Like what?" he asked. "What could you know?" The stowaway lost his footing on some wet boards and the captain and steward charged again, overwhelming their victim. After a few awkward attempts and to the cheers of some passengers, they heaved him straight overboard.

The captain leaned over the side and observed the fellow, whose lost hat had left his baldness to shine in the sun. I rushed to the rails, too, and stood watching for a long while. I could not help feeling some pity for the shocked, flailing rogue. The captain, believing his own crew member responsible for the discovery, shook the steward by the hand probably more heartily than ever before.

Later that same day, after we'd pushed away to sea, the steward found me alone and said with a snarl, "How the deuce did you know about him?"

I held my tongue.

"How in the devil could someone know there was a stowaway here, just after stepping on deck? How in the devil? How did you get this ration-sin-ation ?"

He would take his small-minded revenge by giving Duponte and me undesirable seats at the dining table. But that day I could not help but wear a peculiar grin, which reappeared whenever I saw the steward during all three weeks of our voyage to America.

Book III. Baltimore 1851

11

Ratiocination.NOUN. The act of deliberate, calculated reasoning through the imagination and spirit; the intimate observation and forecasting of the complexities in human activity, especially the frequent simplicity in that activity. Not interchangeable with mere "calculus" or "logic."

***

IN THE BEGINNING,I watched constantly for some error on my part that would divert the path of Auguste Duponte's ratiocination (the above being my own definition, which Webster and other publishers might use to correct their own, and which I compiled as I watched Duponte on our transatlantic journey). I wanted to assist without being an obstacle. As it happened, I had made my first mistake long before we had begun.

I was sitting across from him in my library on our third morning after arriving in Baltimore. He was settled in the most comfortable armchair. I saw the analyst in a state of complete leisure. To say "leisure" conjures an incomplete impression, since he was constantly busying himself. But his efforts were unhurried and peaceful.

Duponte read through all the newspaper articles I had collected about Poe's death. I also gave him other materials relevant to Poe-biographical notices from journals and magazines, engravings, as well as my personal correspondence with the author. Duponte read the papers like the governor of a state would read the news over breakfast, with that strong grip on the page that suggested mastery over it.

On this day, when he acknowledged me from across the room, it was with such a sudden movement of the head that I half expected him to pronounce his conclusion about Poe's death.

"I shall need the rest," he said.

"Yes." I hesitated. I thought I understood his reference, and its surprising error, but I did not want to appear discouraging. "Monsieur Duponte, from the vagaries of the press, it is unlikely many additional items have been published about Poe's death."

Duponte handed my memorandum book to me and then tapped the large portfolio of cuttings. "Monsieur Clark, I require not just these articles-but the newspapers from which they were excised. And, perhaps, the numbers of those newspapers for a week before and after each article."

"But I examined the entire newspapers whenever possible for the smallest reference to the poet in the most out-of-the-way column, even the simple mention of his name. I assure you these were all the items concerning Poe that could be found."

"Dunce!" he said, sighing.

It is impossible to convey, I suppose, without knowing him personally, but I had grown accustomed to Duponte's frequent exclamations of this kind, and they no longer seemed like insults.

Duponte went on: "The cuttings are not enough, monsieur. There is as much to reveal from what surrounds information as the information itself. Skip the columns that make the heart of the populace palpitate with excitement-read everything besides this, and much shall be learned. You have sacrificed a great portion of the intelligence in each article by divorcing it from its sheet."

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