Robert Grant - The Art of Living

Whether we live in the city or the country, it must be apparent to all of us that a great wave of architectural activity in respect to dwelling-houses has been spreading over our land during the past twenty years. The American architect has been getting in his work and showing what he could do, with the result that the long, monotonous row of brick or freestone custom-made city houses, and the stereotyped white country farm-house with green blinds and an ell or lean-to attached, have given place to a vivid and heterogeneous display of individual effort. Much of this is fine and some deadly, for the display includes not merely the generally tasteful and artistic conceptions of our trained native architects, who have studied in Paris, but the raw notions of all the builders of custom-made houses who, recognizing the public desire for striking and original effects, are bent upon surpassing one another.

Therefore, while we have many examples, both urban and suburban, of beautiful and impressive house architecture, the new sections of our cities and suburbs fairly bristle with a multiplicity of individual experiments in which the salient features of every known type of architecture are blended fearlessly together. The native architect who has neither been to Paris nor been able to devote much time to study has not been limited in the expression of his genius by artistic codes or conventions. Consequently he has felt no hesitation in using extinguisher towers, mediæval walls, battlement effects, Queen Anne cottage lines, Old Colonial proportions, and Eastern imagery in the same design, and any one of them at any critical juncture when his work has seemed to him not sufficiently striking for his own or the owner’s taste.

Satisfactory as all this is as evidence of a progressive spirit, and admitting that many of even these lawless manifestations of talent are not without merit, it is nevertheless aggressively true that the smug complacency of the proprietor of the suburban villa, which is hedged about by a stone rampart of variegated rough stone on an ordinary building lot, has no justification whatever. Nor has the master of the castellated, gloomy, half-Moorish, half-mediæval mansion, which disfigures the fashionable quarter of many of our cities, occasion to congratulate himself on having paid for a thing of beauty. The number of our well-trained architects, though constantly increasing, is still small, especially as compared with the number of people of means who are eager to occupy a thing of beauty; then, too, even the trained architect is apt to try experiments for the sake of testing his genius, on a dog, so to speak – some confiding plutocrat with a love of splendor who has left everything to him.

The result is that grotesque and eye-distressing monsters of masonry stand side by side on many of our chief avenues with the most graceful and finished specimens of native architectural inspiration. As there is no law which prevents one from building or buying an ugly house, and as the architect, whose experiment on a dog tortures the public eye, suffers no penalty for his crime, our national house architecture may be said to be working out its own salvation at the public expense. It is the duty of a patriotic citizen to believe that in this, as in other matters of national welfare, the beautiful gradually will prevail; and assuredly the many very attractive private residences which one sees both in the city and the country should tend to make us hopeful.

Why is it that the rich man who would live wisely feels the necessity for so large a house in the city? Almost the first thing that one who has accumulated or inherited great possessions does nowadays is to leave the house where very likely he has been comfortable and move into a mammoth establishment suggesting rather a palace or an emporium than a house. Why is this? Some one answers that it is for the sake of abundant light and extra space. Surely in a handsome house of twenty-five or thirty feet front there should be light and space enough for the average family, however fastidious or exacting. In the country, where one needs many spare rooms for the accommodation of guests, there are some advantages in the possession of an abnormally large house. But how is the comfort of the city man enhanced by one, that is, if the attendant discomforts are weighed in the same scale? It has sometimes seemed to me that the wealthy or successful man invests in a prodigious mansion as a sort of testimonial; as though he felt it incumbent on him to erect a conventional monument to his own grandeur or success, in order to let the public entertain no doubt about it. But so many otherwise sensible men have deliberately built huge city houses that this can scarcely be the controlling motive in all cases. Perhaps, if asked, they would throw the responsibility on their wives. But it is even more difficult to understand why a sensible woman should wish one of the vast houses which our rising architects are naturally eager to receive orders to construct. A handsome house where she can entertain attractively, yes: an exquisitely furnished, sunny, corner house by all means; a house where each child may have a room apart and where there are plenty of spare rooms, if you like; but why a mammoth cave? She is the person who will suffer the discomforts to be weighed in the same scale, for the care will fall on her.

We have in this country neither trained servants nor the housekeeper system. The wife and mother who is the mistress of a huge establishment wishes it to be no less a home than her former residence, and her husband would be the first to demur were she to cast upon others the burdens of immediate supervision. A moderate-sized modern house is the cause of care enough, as we all know, and wherefore should any woman seek to multiply her domestic worries by duplicating or trebling the number of her servants? To become the manager of a hotel or to cater for an ocean steamship is perhaps a tempting ambition for one in search of fortune, but why should a woman, who can choose what she will have, elect to be the slave of a modern palace with extinguisher towers? Merely to be able to invite all her social acquaintance to her house once a year without crowding them? It would be simpler to hire one of the many halls now adapted for the purpose.

The difficulty of obtaining efficient servants, and the worries consequent upon their inefficiency, is probably the chief cause of the rapid growth of the apartment-house among us. The contemporary architect has selected this class of building for some of his deadliest conceits. Great piles of fantastically disposed stone and iron tower up stories upon stories high, and frown upon us at the street-corners like so many Brobdingnagians. Most of them are very ugly; nevertheless they contain the homes of many citizens, and the continuous appearance of new and larger specimens attests their increasing popularity. Twenty years ago there was scarcely an apartment-house to be seen in our cities. There was a certain number of hotels where families could and did live all the year round, but the ten-story monster, with a janitor, an elevator, steam heat, electric light, and all the alleged comforts of home, was practically unknown. We have always professed to be such a home-loving people, and the so-called domestic hearth has always been such a touchstone of sentiment among us that the exchange of the family roof for the community of a flat by so many well-to-do persons certainly seems to suggest either that living cheek by jowl with a number of other households is not so distasteful as it seems to the uninitiated, or else that modern housekeeping is so irksome that women are tempted to swallow sentiment and escape from their trammels to the comparatively easy conditions of an apartment. It does seem as though one’s identity would be sacrificed or dimmed by becoming a tenant in common, and as though the family circle could never be quite the same thing to one who was conscious that his was only a part of one tremendous whole. And yet, more and more people seem to be anxious to share a janitor and front door, and, though the more fastidious insist on their own cuisine, there are not a few content to entrust even their gastronomic welfare to a kitchen in common.