Robert Grant - The Art of Living

Nor can the athletic, æsthetic, or merely pleasurable needs of a growing or adolescent household be ignored. He must meet the steady and relentless drain from each of these sources, or be conscious that his flesh and blood have not the same advantages and opportunities which are enjoyed by their contemporaries. He must own a pew, a library share, a fancy dress costume, and a cemetery lot, and he must always have loose change on hand for the hotel waiter and the colored railway porter. The family man in a large city who meets these several demands to his entire satisfaction will have little of ten thousand dollars left for the purchase of a trotter, a fur overcoat, and a diamond pin.

The growing consciousness of the value of these complex demands of our modern civilization, when intelligently gratified, acts at the present day as a cogent incentive to make money, not for the mere sake of accumulation, but to spend. Gross accumulation with scant expenditure has always been sanctioned here; but to grow rich and yet be lavish has only within a comparatively recent period among us seemed reconcilable with religious or national principles. Even yet he who many times a millionaire still walks unkempt, or merely plain and honest, has not entirely lost the halo of hero worship. But, though the old man is permitted to do as he prefers, better things are demanded of his sons and daughters. Nor can the argument that some of the greatest men in our history have been nurtured and brought up in cabins and away from refining influences be soundly used against the advisability of making the most of income, even though we now and then ask ourselves whether modern living is producing statesmen of equally firm mould. But we thrill no longer at mention of a log cabin or rail splitting, and the very name of hard cider suggests rather unpleasantly the corner grocery store and the pie-permeated, hair-cloth suited New England parlor.

Merely because other nations have long been aware that it was wise and not immoral to try to live comfortably and beautifully our change of faith is no less absorbing to us. We confidently expect to win fresh laurels by our originality, intelligence, and unselfishness in this new old field. Already have we made such strides that our establishments on this side of the water make up in genuine comfort what they lack in ancient manorial picturesqueness and ghost-haunted grace. Each one of us who is in earnest is asking how he is to make the most of what he has or earns, so as to attain that charm of refined living which is civilization’s best flower – living which if merely material and unanimated by intelligence and noble aims is without charm, but which is made vastly more difficult of realization in case we are without means or refuse to spend them adequately.

Mr. and Mrs. Julius Cæsar, who, as you may remember, divide their income into parts with mathematical precision, were not as well off in this world’s goods at the time of their marriage as they are now. Neither Mr. Cæsar’s father nor Mrs. Cæsar’s grandmother was then dead, and consequently the newly wedded pair, though set up by their respective families with a comfortable income, felt that it was incumbent upon them to practise strict economy. Then it was that Julius conceived what seemed to them both the happy idea of buying a house dirt cheap in a neighborhood which was not yet improved, and improving the neighborhood, instead of paying an exorbitant price for a residence in a street which was already all it should be.

“Why,” said Julius, “shouldn’t we buy one of those new houses in Sunset Terrace? They look very attractive, and if we can only induce two or three congenial couples to join forces with us we shall have the nucleus of a delightful colony.”

“Besides, everything will be nice and new,” said Mrs. Julius, or Dolly Cæsar, as her friends know her. “No cockroaches, no mice, no moths, no family skeletons to torment us. Julius, you are a genius. We can just as well set the fashion as follow meekly in fashion’s wake.”

So said, so done. Julius Cæsar bent his intellect upon the matter and soon found three congenial couples who were willing to join forces with him. Before another twelve months had passed, four baby-wagons – one of them double-seated – were to be seen on four sunny grass-plots in front of four attractive, artistic-looking villas on Sunset Terrace. Where lately sterility, mortar, and weeds had held carnival, there was now an air of tasteful gentility. Thanks to the example of Dolly Cæsar, who had an eye and an instinct for such matters, the four brass door-plates shone like the sun, the paint was spick and span, the four gravel paths were in apple-pie order, the four grass-plots were emerald from timely use of a revolving lawn sprinkler, and the four nurse-maids, who watched like dragons over the four baby-wagons, were neat-looking and comely. No wonder that by the end of the second year there was not a vacant house in the street, and that everybody who wished to live in a fashionable locality was eager for a chance to enter Sunset Terrace. No wonder, too, that Mr. and Mrs. Julius Cæsar were able, by the end of the fourth year, to emerge from Sunset Terrace with a profit on the sale of their villa which made it rent free for the entire period, and left them with a neat little surplus to boot, and to settle down with calm minds on really fashionable Belport Avenue, in the stately mansion devised to them by Mrs. Cæsar’s grandmother.

Now, it must be borne in mind that a Mr. and Mrs. Julius Cæsar can sometimes do that which a Mr. and Mrs. George J. Spriggs find difficulty in accomplishing. Spriggs, at the time of his marriage to Miss Florence Green, the daughter of ex-Assistant Postmaster-General Homer W. Green, conceived the happy idea of setting up his household gods in Locust Road, which lies about as far from Belport Avenue in one direction as Sunset Terrace in the other. Both are semi-suburban. It also occurred to him at the outset to join forces with three or four congenial couples, but at the last moment the engagement of one of the couples in question was broken, and the other three decided to live somewhere else. To have changed his mind then would have involved the sacrifice of one hundred dollars paid to bind the bargain to the landowner. So it seemed best to them on the whole to move in, as they had to live somewhere.

“It’s just a little bit dreary, isn’t it?” said Florence Spriggs, pathetically, as she looked out of her bow window at the newly finished street which was not finished, and at the grass-plot where there was no grass. “But I sha’n’t be a bit lonely with you, George.”

“I wonder if the color of this house has been changed,” said Spriggs, presently, as he glanced up at the façade and from that to the other houses in the block, each of which was vacant. He and Florence had gone out after dinner to take a stroll and survey the neighborhood which they hoped to improve.

“Of course it hasn’t! How could it be?” said Florence.

“Somehow it looks a more staring shade of yellow than it did the first time we saw it. And I don’t fancy altogether the filigree work on the door, or that Egyptian renaissance scroll set into the eastern wall, do you, dearest? However, we’re in now and can’t get out, for the title has passed. I wonder who will buy the other houses?”

They were soon to know. They were alone all winter, but in the early spring a family moved in on either side of them. The houses in Locust Road, like those in Sunset Terrace, were of the villa order, with grass-plots, which were almost lawns, appurtenant. Though less pleasing than those which had taken the more discerning eye of Mrs. Julius Cæsar, they were nevertheless comparatively inoffensive and sufficiently tasteful. Neighbor number one proved to be of an enterprising and imaginative turn. He changed the color of his villa from staring yellow to startling crushed strawberry, supplemented his Egyptian renaissance scroll and filigree with inlaid jewel and frost work, stationed a cast-iron stag in one corner of the grass-plot and a cast-iron Diana with a bow in another, and then rested on his laurels. Neighbor number two was shiftless and untidy. His grass-plot did not thrive, and the autumn leaves choked his gravel path. His windows were never washed, his blinds hung askew, and his one maid-of-all-work preferred the lawn to the laundry as a drying-room. His wife sunned herself in a wrapper, and he himself in his shirt sleeves. A big mongrel dog drooled perpetually on the piazza or tracked it with his muddy feet, and even the baby-wagon wore the appearance of dilapidation and halted because of a broken spring.