Margaret Atwood - The Testaments
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- Название:The Testaments
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- Издательство:Knopf Doubleday Publishing Group
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- Год:2019
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The Testaments: краткое содержание, описание и аннотация
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Per Ardua Cum Estrus. Amen.
—
It pleases me to have concocted such a slippery motto. Is Ardua “difficulty” or “female progenitive labour”? Does Estrus have to do with hormones or with pagan rites of spring? The denizens of Ardua Hall neither know nor care. They are repeating the right words in the right order, and thus are safe.
Then there is Baby Nicole. As I prayed for her return, all eyes were focused on her picture hanging on the wall behind me. So useful, Baby Nicole: she whips up the faithful, she inspires hatred against our enemies, she bears witness to the possibility of betrayal within Gilead and to the deviousness and cunning of the Handmaids, who can never be trusted. Nor is her usefulness at an end, I reflected: in my hands—should she end up there—Baby Nicole would have a brilliant future.
Such were my thoughts during the closing hymn, sung in harmony by a trio of our young Supplicants. Their voices were pure and clear, and the rest of us listened with rapt attention. Despite what you may have thought, my reader, there was beauty to be had in Gilead. Why would we not have wished for it? We were human after all.
I see that I have spoken of us in the past tense.
The music was an old psalm melody, but the words were ours:
Under His Eye our beams of truth shine out,
We see all sin;
We shall observe you at your goings-out,
Your comings-in.
From every heart we wrench the secret vice,
In prayers and tears decree the sacrifice.
Sworn to obey, obedience we command,
We shall not swerve!
To duties harsh, we lend a willing hand,
We pledge to serve.
All idle thoughts, all pleasures we must quell,
Self we renounce, in selflessness we dwell.
Banal and without charm, those words: I can say that, since I wrote them myself. But such hymns are not meant to be poetry. They are meant simply to remind those singing them of the high price they would pay for deviation from the set path. We are not forgiving towards one another’s lapses, here at Ardua Hall.
After the singing, the festal munching began. I noted that Aunt Elizabeth took one more egg than was her share and that Aunt Helena took one fewer, making sure that everyone noticed it. As for Aunt Vidala, snuffling into her serviette, I saw her red-rimmed eyes flicking from one of them to the other, and then to me. What is she planning? Which way will the cat jump?
—
After our little celebration, I made my nocturnal pilgrimage to the Hildegard Library at the far end of the Hall, along the silent moonlit walk and past my shadowy statue. I entered, I greeted the night librarian, I traversed the General section, where three of our Supplicants were grappling with their recently acquired literacy. I walked through the Reading Room, for which a higher authorization is required and where the Bibles brood in the darkness of their locked boxes, glowing with arcane energy.
Then I opened a locked door and threaded my way through the Bloodlines Genealogical Archives with their classified files. It’s essential to record who is related to whom, both officially and in fact: due to the Handmaid system, a couple’s child may not be biologically related to the elite mother or even to the official father, for a desperate Handmaid is likely to seek impregnation however she may. It is our business to inform ourselves, since incest must be prevented: there are enough Unbabies already. It is also the business of Ardua Hall to guard that knowledge jealously: the Archives are the beating heart of Ardua Hall.
Finally I reached my inner sanctum, deep in the Forbidden World Literature section. On my private shelves I’ve arranged my personal selection of proscribed books, off-limits to the lower ranks. Jane Eyre , Anna Karenina , Tess of the d’Urbervilles , Paradise Lost , Lives of Girls and Women —what a moral panic each one of them would cause if set loose among the Supplicants! Here I also keep another set of files, accessible only to a very few; I think of them as the secret histories of Gilead. All that festers is not gold, but it can be made profitable in non-monetary ways: knowledge is power, especially discreditable knowledge. I am not the first person to have recognized this, or to have capitalized on it when possible: every intelligence agency in the world has always known it.
—
Once sequestered, I took my nascent manuscript out of its hiding place, a hollow rectangle cut inside one of our X-rated books: Cardinal Newman’s Apologia Pro Vita Sua: A Defence of One’s Life. No one reads that weighty tome anymore, Catholicism being considered heretical and next door to voodoo, so no one is likely to peer within. Though if someone does, it will be a bullet in the head for me; a premature bullet, for I am far from ready to depart. If and when I do, I plan to go out with a far bigger bang than that.
I have chosen my title advisedly, for what else am I doing here but defending my life? The life I have led. The life—I’ve told myself—I had no choice but to lead. Once, before the advent of the present regime, I gave no thought to a defence of my life. I didn’t think it was necessary. I was a family court judge, a position I’d gained through decades of hardscrabble work and arduous professional climbing, and I had been performing that function as equitably as I could. I’d acted for the betterment of the world as I saw that betterment, within the practical limits of my profession. I’d contributed to charities, I’d voted in elections both federal and municipal, I’d held worthy opinions. I’d assumed I was living virtuously; I’d assumed my virtue would be moderately applauded.
Though I realized how very wrong I had been about this, and about many other things, on the day I was arrested.
IV
THE CLOTHES HOUND
Transcript of Witness Testimony 369B
7
They say I will always have the scar, but I’m almost better; so yes, I think I’m strong enough to do this now. You’ve said that you’d like me to tell you how I got involved in this whole story, so I’ll try; though it’s hard to know where to begin.
I’ll start just before my birthday, or what I used to believe was my birthday. Neil and Melanie lied to me about that: they’d done it for the best of reasons and they’d meant really well, but when I first found out about it I was very angry at them. Keeping up my anger was difficult, though, because by that time they were dead. You can be angry at dead people, but you can never have a conversation about what they did; or you can only have one side of it. And I felt guilty as well as angry, because they’d been murdered, and I believed then that their murder was my fault.
I was supposed to be turning sixteen. What I was most looking forward to was getting my driver’s licence. I felt too old for a birthday party, though Melanie always got me a cake and ice cream and sang “Daisy, Daisy, give me your answer true,” an old song I’d loved as a child and was now finding embarrassing. I did get the cake, later—chocolate cake, vanilla ice cream, my favourites—but by then I couldn’t eat it. By that time Melanie was no longer there.
That birthday was the day I discovered that I was a fraud. Or not a fraud, like a bad magician: a fake, like a fake antique. I was a forgery, done on purpose. I was so young at that moment—just a split second ago, it seems—but I’m not young anymore. How little time it takes to change a face: carve it like wood, harden it. No more of that wide-eyed daydream gazing I used to do. I’ve become sharper, more focused. I’ve become narrowed.
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