Gillian Flynn - Gone Girl:

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Gone Girl:: краткое содержание, описание и аннотация

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Marriage can be a real killer. One of the most critically acclaimed suspense writers of our time, *New York Times* bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The *Chicago Tribune* proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” *Gone Girl* ’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn. On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge **.** Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet? With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around. ### Amazon.com Review Amazon Best Books of the Month, June 2012: On their fifth wedding anniversary, Nick’s wife Amy disappears. There are signs of struggle in the house, and Nick quickly becomes the prime suspect. It doesn’t help that Nick hasn’t been completely honest with the police, and, as Amy’s case drags out for weeks, more and more vilifying evidence appears against him--but Nick maintains his innocence. Alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes from chapter to chapter. Calling *Gone Girl* a psychological thriller is an understatement. As revelation after revelation unfolds, it becomes clear that the truth does not exist in the middle of Nick and Amy’s points of view; it is far darker, more twisted, and creepier than you can imagine. *Gone Girl* is masterfully plotted, and the suspense doesn’t waver for a single page. It’s one of those books you will feel the need to discuss as soon as you finish it, because the ending doesn’t just come--it punches you in the gut. -- *Caley Anderson* #### From Author Gillian Flynn You might say I specialize in difficult characters. Damaged, disturbed, or downright nasty. Personally, I love each and every one of the misfits, losers, and outcasts in my three novels. My supporting characters are meth tweakers, truck-stop strippers, backwoods grifters ... But it's my narrators who are the real challenge. In *Sharp Objects,* Camille Preaker is a mediocre journalist fresh from a stay at a psychiatric hospital. She's an alcoholic. She's got impulse issues. She's also incredibly lonely. Her best friend is her boss. When she returns to her hometown to investigate a child murder, she parks down the street from her mother's house "so as to seem less obtrusive." She has no sense of whom to trust, and this leads to disaster. Camille is cut off from the world but would rather not be. In *Dark Places,* narrator Libby Day is aggressively lonely. She cultivates her isolation. She lives off a trust fund established for her as a child when her family was massacred; she isn't particularly grateful for it. She's a liar, a manipulator, a kleptomaniac. "I have a meanness inside me, real as an organ," she warns. "Draw a picture of my soul and it'd be a scribble with fangs." If Camille is overly grateful when people want to befriend her, Libby's first instinct is to kick them in their shins. In those first two novels, I explored the geography of loneliness--and the devastation it can lead to. With *Gone Girl,* I wanted to go the opposite direction: what happens when two people intertwine their lives completely.I wanted to explore the geography of intimacy--and the devastation it can lead to. Marriage gone toxic. *Gone Girl* opens on the occasion of Amy and Nick Dunne's fifth wedding anniversary. (How romantic.) Amy disappears under very disturbing circumstances. (Less romantic.) Nick and Amy Dunne were the golden couple when they first began their courtship. Soul mates. They could complete each other's sentences, guess each other's reactions. They could push each other's buttons. They are smart, charming, gorgeous, and also narcissistic, selfish, and cruel. They complete each other--in a very dangerous way. ### Review "Ice-pick-sharp... Spectacularly sneaky... Impressively cagey... "Gone Girl" is Ms. Flynn's dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they're hard to part with -- even if, as in Amy's case, they are already departed. And if you have any doubts about whether Ms. Flynn measures up to Patricia Highsmith's level of discreet malice, go back and look at the small details. Whatever you raced past on a first reading will look completely different the second time around." --Janet Maslin, "New York Times ""An ingenious and viperish thriller... It's going to make Gillian Flynn a star... The first half of "Gone Girl" is a nimble, caustic riff on our Nancy Grace culture and the way in which ''The butler did it'' has morphed into ''The husband did it.'' The second half is the real stunner, though. Now I really am going to shut up before I spoil what instantly shifts into a great, breathless read. Even as "Gone Girl" grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and how often couples are at the mercy of forces beyond their control. As if that weren't enough, Flynn has created a genuinely creepy villain you don't see coming. People love to talk about the banality of evil. You're about to meet a maniac you could fall in love with. A" "--"Jeff Giles, "Entertainment Weekly " "An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page." "--People" (four stars) "[A] thoroughbred thriller about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships. "Gone Girl" begins as a whodunit, but by the end it will have you wondering whether there's any such thing as a who at all." "--"Lev Grossman, "Time"

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“The prodijal son returns,” said a nasally voice, and I turned to see a skinny man in a stretched-out T-shirt next to me, scratching a handlebar mustache. My old friend Stucks Buckley, who had taken to calling me a prodigal son despite not knowing how to pronounce the word, or what its meaning was. I assume he meant it as a fancy synonym for jackass. Stucks Buckley, it sounded like a baseball player’s name, and that was what Stucks was supposed to be, except he never had the talent, just the hard wish. He was the best in town, growing up, but that wasn’t good enough. He got the shock of his life in college when he was cut from the team, and it all went to shit after. Now he was an odd-job stoner with twitchy moods. He had dropped by The Bar a few times to try to pick up work, but he shook his head at every crappy day-job chore I offered, chewing on the inside of his cheek, annoyed: Come on, man, what else you got, you got to have something else .

“Stucks,” I said by way of greeting, waiting to see if he was in a friendly mood.

“Hear the police are botching this royally,” he said, tucking his hands into his armpits.

“It’s a little early to say that.”

“Come on, man, these little pansy-ass searches? I seen more effort put into finding the mayor’s dog.” Stucks’s face was sunburned; I could feel the heat coming off him as he leaned in closer, giving me a blast of Listerine and chaw. “Why ain’t they rounded up some people? Plenty of people in town to choose from, they ain’t brought a single one in? Not a single one? What about the Blue Book Boys? That’s what I asked the lady detective: What about the Blue Book Boys? She wouldn’t even answer me.”

“What are the Blue Book Boys? A gang?”

“All those guys got laid off from the Blue Book plant last winter. No severance, nothing. You see some of the homeless guys wandering around town in packs, looking real, real pissed? Probably Blue Book Boys.”

“I’m still not following you: Blue Book plant?”

“You know: River Valley Printworks. On the edge of town? They made those blue books you used for essays and shit in college.”

“Oh. I didn’t know.”

“Now colleges use computers, whatnot, so—phwet!—bye-bye, Blue Book Boys.”

“God, this whole town is shutting down,” I muttered.

“The Blue Book Boys, they drink, drug, harass people. I mean, they did that before, but they always had to stop, go back to work on Monday. Now they just run wild.”

Stucks grinned his row of chipped teeth at me. He had paint flecks in his hair; his summer job since high school, housepainting. I specialize in trim work , he’d say, and wait for you to get the joke. If you didn’t laugh, he’d explain it.

“So, the cops been out to the mall?” Stucks asked. I started a confused shrug.

“Shit, man, didn’t you used to be a reporter?” Stucks always seemed angry at my former occupation, like it was a lie that had stood too long. “The Blue Book Boys, they all made themselves a nice little town over in the mall. Squatting. Drug deals. The police run them out every once in a while, but they’re always back next day. Anyway, that’s what I told the lady detective: Search the fucking mall . Because some of them, they gang-raped a girl there a month ago. I mean, you get a bunch of angry men together, and things aren’t too good for a woman that comes across them.”

On my drive to the afternoon search area, I phoned Boney, started in as soon as she said hello.

“Why isn’t the mall being searched?”

“The mall will be searched, Nick. We have cops heading over there right now.”

“Oh. Okay. Because a buddy of mine—”

“Stucks, I know, I know him.”

“He was talking about all the—”

“The Blue Book Boys, I know. Trust us, Nick, we got this. We want to find Amy as much as you do.”

“Okay, uh, thanks.”

My righteousness deflated, I gulped down my giant Styrofoam cup of coffee and drove to my assigned area. Three spots were being searched this afternoon: the Gully boat launch (now known as The Place Nick Spent the Morning Of, Unseen by Anyone); the Miller Creek woods (which hardly deserved the name; you could see fast-food restaurants through the treeline); and Wolky Park, a nature spot with hiking and horse trails. I was assigned to Wolky Park.

When I arrived, a local officer was addressing a crowd of about twelve people, all thick legs in tight shorts, sunglasses, and hats, zinc oxide on noses. It looked like opening day of camp.

Two different TV crews were out to capture images for local stations. It was the July Fourth weekend; Amy would be squeezed in between state fair stories and barbecue cookoffs. One cub reporter kept mosquitoing around me, peppering me with pointless questions, my body going immediately stiff, inhuman, with the attention, my “concerned” face looking fake. A waft of horse manure hung in the air.

The reporters soon left to follow the volunteers into the trails. (What kind of journalist finds a suspicious husband ripe for the picking and leaves ? A bad low-pay journalist left behind after all the decent ones have been laid off.) A young uniform cop told me to stand—right here—at the entry to the various trails, near a bulletin board that held a mess of ancient flyers, as well as a missing person notice for Amy, my wife staring out of that photo. She’d been everywhere today, following me.

“What should I be doing?” I asked the officer. “I feel like a jackass here. I need to do something.” Somewhere in the woods, a horse whinnied mournfully.

“We really need you right here, Nick. Just be friendly, be encouraging,” he said, and pointed to the bright orange thermos next to me. “Offer water. Just point anyone who comes in my way.” He turned and walked toward the stables. It occurred to me that they were intentionally barring me from any possible crime scene. I wasn’t sure what that meant.

As I stood aimlessly, pretending to busy myself with the cooler, a latecomer SUV rolled in, shiny red as nail polish. Out poured the fortysomethings from headquarters. The prettiest woman, the one Boney picked as a groupie, was holding her hair up in a ponytail so one of her friends could bug-spray the back of her neck. The woman waved at the fumes elaborately. She glanced at me out of the corner of her eye. Then she stepped away from her friends, let her hair fall down around her shoulders, and began picking her way over to me, that stricken, sympathetic smile on her face, the I’m so sorry smile. Giant brown pony eyes, her pink shirt ending just above crisp white shorts. High-heeled sandals, curled hair, gold hoops. This , I thought, is how you not dress for a search .

Please don’t talk to me, lady .

“Hi, Nick, I’m Shawna Kelly. I’m so sorry .” She had an unnecessarily loud voice, a bit of a bray, like some enchanted, hot donkey. She held out her hand, and I felt a flick of alarm as Shawna’s friends started ambling down the trail, casting girl-clique glances back toward us, the couple.

I offered what I had: my thanks, my water, my lip-swallowing awkwardness. Shawna didn’t make any move to leave, even though I was staring ahead, toward the trail where her friends had disappeared.

“I hope you have friends, relatives, who are looking out for you during this, Nick,” she said, swatting a horsefly. “Men forget to take care of themselves. Comfort food is what you need.”

“We’ve been eating mostly cold cuts—you know, fast, easy.” I could still taste the salami in the back of my throat, the fumes floating up from my belly. I became aware that I hadn’t brushed my teeth since the morning.

“Oh, you poor man. Well, cold cuts, that won’t do it.” She shook her head, the gold hoops flickering sunlight. “You need to keep up your strength. Now, you are lucky, because I make a mean chicken Frito pie. You know what? I am going to put that together and drop it by the volunteer center tomorrow. You can just microwave it whenever you want a nice warm dinner.”

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