Gillian Flynn - Gone Girl:

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Gone Girl:: краткое содержание, описание и аннотация

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Marriage can be a real killer. One of the most critically acclaimed suspense writers of our time, *New York Times* bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The *Chicago Tribune* proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” *Gone Girl* ’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn. On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge **.** Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet? With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around. ### Amazon.com Review Amazon Best Books of the Month, June 2012: On their fifth wedding anniversary, Nick’s wife Amy disappears. There are signs of struggle in the house, and Nick quickly becomes the prime suspect. It doesn’t help that Nick hasn’t been completely honest with the police, and, as Amy’s case drags out for weeks, more and more vilifying evidence appears against him--but Nick maintains his innocence. Alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes from chapter to chapter. Calling *Gone Girl* a psychological thriller is an understatement. As revelation after revelation unfolds, it becomes clear that the truth does not exist in the middle of Nick and Amy’s points of view; it is far darker, more twisted, and creepier than you can imagine. *Gone Girl* is masterfully plotted, and the suspense doesn’t waver for a single page. It’s one of those books you will feel the need to discuss as soon as you finish it, because the ending doesn’t just come--it punches you in the gut. -- *Caley Anderson* #### From Author Gillian Flynn You might say I specialize in difficult characters. Damaged, disturbed, or downright nasty. Personally, I love each and every one of the misfits, losers, and outcasts in my three novels. My supporting characters are meth tweakers, truck-stop strippers, backwoods grifters ... But it's my narrators who are the real challenge. In *Sharp Objects,* Camille Preaker is a mediocre journalist fresh from a stay at a psychiatric hospital. She's an alcoholic. She's got impulse issues. She's also incredibly lonely. Her best friend is her boss. When she returns to her hometown to investigate a child murder, she parks down the street from her mother's house "so as to seem less obtrusive." She has no sense of whom to trust, and this leads to disaster. Camille is cut off from the world but would rather not be. In *Dark Places,* narrator Libby Day is aggressively lonely. She cultivates her isolation. She lives off a trust fund established for her as a child when her family was massacred; she isn't particularly grateful for it. She's a liar, a manipulator, a kleptomaniac. "I have a meanness inside me, real as an organ," she warns. "Draw a picture of my soul and it'd be a scribble with fangs." If Camille is overly grateful when people want to befriend her, Libby's first instinct is to kick them in their shins. In those first two novels, I explored the geography of loneliness--and the devastation it can lead to. With *Gone Girl,* I wanted to go the opposite direction: what happens when two people intertwine their lives completely.I wanted to explore the geography of intimacy--and the devastation it can lead to. Marriage gone toxic. *Gone Girl* opens on the occasion of Amy and Nick Dunne's fifth wedding anniversary. (How romantic.) Amy disappears under very disturbing circumstances. (Less romantic.) Nick and Amy Dunne were the golden couple when they first began their courtship. Soul mates. They could complete each other's sentences, guess each other's reactions. They could push each other's buttons. They are smart, charming, gorgeous, and also narcissistic, selfish, and cruel. They complete each other--in a very dangerous way. ### Review "Ice-pick-sharp... Spectacularly sneaky... Impressively cagey... "Gone Girl" is Ms. Flynn's dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they're hard to part with -- even if, as in Amy's case, they are already departed. And if you have any doubts about whether Ms. Flynn measures up to Patricia Highsmith's level of discreet malice, go back and look at the small details. Whatever you raced past on a first reading will look completely different the second time around." --Janet Maslin, "New York Times ""An ingenious and viperish thriller... It's going to make Gillian Flynn a star... The first half of "Gone Girl" is a nimble, caustic riff on our Nancy Grace culture and the way in which ''The butler did it'' has morphed into ''The husband did it.'' The second half is the real stunner, though. Now I really am going to shut up before I spoil what instantly shifts into a great, breathless read. Even as "Gone Girl" grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and how often couples are at the mercy of forces beyond their control. As if that weren't enough, Flynn has created a genuinely creepy villain you don't see coming. People love to talk about the banality of evil. You're about to meet a maniac you could fall in love with. A" "--"Jeff Giles, "Entertainment Weekly " "An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page." "--People" (four stars) "[A] thoroughbred thriller about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships. "Gone Girl" begins as a whodunit, but by the end it will have you wondering whether there's any such thing as a who at all." "--"Lev Grossman, "Time"

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“How many hours from here is Memphis?” she asked.

“Little under five hours, driving. What’s in Memphis?”

“Hilary Handy lives in Memphis. Amy’s stalker from high school. How much of a coincidence is that?”

I didn’t know what to say: none?

“Yeah, Gilpin blew me off too. We can’t authorize the expense for something that happened twenty-some years ago . Asshole. Guy always treats me like I’m on the verge of hysteria; he’ll talk to Rand when I’m right there, totally ignore me, like I need my husband to explain things to little dumb me. Ass hole.”

“The city’s broke,” I said. “I’m sure they really don’t have the budget, Marybeth.”

“Well, we do. I’m serious, Nick, this girl was off her rocker. And I know she tried to contact Amy over the years. Amy told me.”

“She never told me that.”

“What’s it cost to drive there? Fifty bucks? Fine. Will you go? You said you’d go. Please? I won’t be able to stop thinking until I know someone’s talked to her.”

I knew this to be true, at least, because her daughter suffered from the same tenacious worry streak: Amy could spend an entire evening out fretting that she left the stove on, even though we didn’t cook that day. Or was the door locked? Was I sure? She was a worst-case scenarist on a grand scale. Because it was never just that the door was unlocked, it was that the door was unlocked, and men were inside, and they were waiting to rape and kill her.

I felt a layer of sweat shimmer to the surface of my skin, because, finally, my wife’s fears had come to fruition. Imagine the awful satisfaction, to know that all those years of worry had paid off.

“Of course I’ll go. And I’ll stop by St. Louis, see the other one, Desi, on the way. Consider it done.” I turned around, started my dramatic exit, got twenty feet, and suddenly, there was Stucks again, his entire face still slack with sleep.

“Heard the cops searched the mall yesterday,” he said, scratching his jaw. In his other hand he held a glazed donut, unbitten. A bagel-shaped bulge sat in the front pocket of his cargo pants. I almost made a joke: Is that a baked good in your pocket or are you …

“Yeah. Nothing.”

“Yester day . They went yester day , the jackasses.” He ducked, looked around, as if he worried they’d overheard him. He leaned closer to me. “You go at night, that’s when they’re there. Daytime, they’re down by the river, or out flying a flag.”

“Flying a flag?”

“You know, sitting by the exits on the highway with those signs: Laid Off, Please Help, Need Beer Money , whatever,” he said, scanning the room. “Flying a flag, man.”

“Okay.”

“At night they’re at the mall,” he said.

“Then let’s go tonight,” I said. “You and me and whoever.”

“Joe and Mikey Hillsam,” Stucks said. “They’d be up for it.” The Hillsams were three, four years older than me, town badasses. The kind of guys who were born without the fear gene, impervious to pain. Jock kids who sped through the summers on short, muscled legs, playing baseball, drinking beer, taking strange dares: skateboarding into drainage ditches, climbing water towers naked. The kind of guys who would peel up, wild-eyed, on a boring Saturday night and you knew something would happen, maybe nothing good, but something. Of course the Hillsams would be up for it.

“Good,” I said. “Tonight we go.”

My disposable rang in my pocket. The thing didn’t turn off right. It rang again.

“You gonna get that?” Stucks asked.

“Nah.”

“You should answer every call, man. You really should.”

There was nothing to do for the rest of the day. No searches planned, no more flyers needed, the phones fully manned. Marybeth started sending volunteers home; they were just standing around, eating, bored. I suspected Stucks of leaving with half the breakfast table in his pockets.

“Anyone hear from the detectives?” Rand asked.

“Nothing,” Marybeth and I both answered.

“That may be good, right?” Rand asked, hopeful eyes, and Marybeth and I both indulged him. Yes, sure.

“When are you leaving for Memphis?” she asked me.

“Tomorrow. Tonight my friends and I are doing another search of the mall. We don’t think it was done right yesterday.”

“Excellent,” Marybeth said. “That’s the kind of action we need. We suspect it wasn’t done right the first time, we do it ourselves. Because I just—I’m just not that impressed with what’s been done so far.”

Rand put a hand on his wife’s shoulder, a signal this refrain had been expressed and received many times.

“I’d like to come with you, Nick,” he said. “Tonight. I’d like to come.” Rand was wearing a powder-blue golf shirt and olive slacks, his hair a gleaming dark helmet. I pictured him trying to hail-fellow the Hillsam brothers, doing his slightly desperate one-of-the-guys routine —hey, I love a good beer too, and how about that sports team of yours? —and felt a flush of impending awkwardness.

“Of course, Rand. Of course.”

I had a good ten unscheduled hours to work with. My car was being released back to me—having been processed and vacuumed and printed, I assume—so I hitched a ride to the police station with an elderly volunteer, one of those bustling grandmotherly types who seemed slightly nervous to be alone with me.

“I’m just driving Mr. Dunne to the police station, but I will be back in less than half an hour,” she said to one of her friends. “No more than half an hour.”

Gilpin had not taken Amy’s second note into evidence; he’d been too thrilled with the underwear to bother. I got in my car, flung the door open, and sat as the heat drooled out, reread my wife’s second clue:

Picture me: I’m crazy about you

My future is anything but hazy with you

You took me here so I could hear you chat

About your boyhood adventures: crummy jeans and visor hat

Screw everyone else, for us they’re all ditched

And let’s sneak a kiss … pretend we just got hitched .

It was Hannibal, Missouri, boyhood home of Mark Twain, where I’d worked summers growing up, where I’d wandered the town dressed as Huck Finn, in an old straw hat and faux-ragged pants, smiling scampishly while urging people to visit the Ice Cream Shoppe. It was one of those stories you dine out on, at least in New York, because no one else could match it. No one could ever say: Oh yeah, me too .

The “visor hat” comment was a little inside joke: When I’d first told Amy I played Huck, we were out to dinner, into our second bottle of wine, and she’d been adorably tipsy. Big grin and the flushed cheeks she got when she drank. Leaning across the table as if I had a magnet on me. She kept asking me if I still had the visor, would I wear the visor for her, and when I asked her why in the name of all that was holy would she think that Huck Finn wore a visor, she swallowed once and said, “Oh, I meant a straw hat!” As if those were two entirely interchangeable words. After that, anytime we watched tennis, we always complimented the players’ sporty straw hats.

Hannibal was a strange choice for Amy, however, as I don’t remember us having a particularly good or bad time there, just a time. I remember us ambling around almost a full year ago, pointing at things and reading placards and saying, “That’s interesting,” while the other one agreed, “That is.” I’d been there since then without Amy (my nostalgic streak uncrushable) and had a glorious day, a wide-grin, right-with-the-world day. But with Amy, it had been still, rote. A bit embarrassing. I remember at one point starting a goofy story about a childhood field trip here, and I saw her eyes go blank, and I got secretly furious, spent ten minutes just winding myself up—because at this point of our marriage, I was so used to being angry with her, it felt almost enjoyable, like gnawing on a cuticle: You know you should stop, that it doesn’t really feel as good as you think, but you can’t quit grinding away. On the surface, of course, she saw nothing. We just kept walking, and reading placards, and pointing.

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