Gillian Flynn - Gone Girl:

Здесь есть возможность читать онлайн «Gillian Flynn - Gone Girl:» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2012, ISBN: 2012, Издательство: Crown, Жанр: Старинная литература, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Gone Girl:: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Gone Girl:»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Marriage can be a real killer. One of the most critically acclaimed suspense writers of our time, *New York Times* bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The *Chicago Tribune* proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” *Gone Girl* ’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn. On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge **.** Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet? With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around. ### Amazon.com Review Amazon Best Books of the Month, June 2012: On their fifth wedding anniversary, Nick’s wife Amy disappears. There are signs of struggle in the house, and Nick quickly becomes the prime suspect. It doesn’t help that Nick hasn’t been completely honest with the police, and, as Amy’s case drags out for weeks, more and more vilifying evidence appears against him--but Nick maintains his innocence. Alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes from chapter to chapter. Calling *Gone Girl* a psychological thriller is an understatement. As revelation after revelation unfolds, it becomes clear that the truth does not exist in the middle of Nick and Amy’s points of view; it is far darker, more twisted, and creepier than you can imagine. *Gone Girl* is masterfully plotted, and the suspense doesn’t waver for a single page. It’s one of those books you will feel the need to discuss as soon as you finish it, because the ending doesn’t just come--it punches you in the gut. -- *Caley Anderson* #### From Author Gillian Flynn You might say I specialize in difficult characters. Damaged, disturbed, or downright nasty. Personally, I love each and every one of the misfits, losers, and outcasts in my three novels. My supporting characters are meth tweakers, truck-stop strippers, backwoods grifters ... But it's my narrators who are the real challenge. In *Sharp Objects,* Camille Preaker is a mediocre journalist fresh from a stay at a psychiatric hospital. She's an alcoholic. She's got impulse issues. She's also incredibly lonely. Her best friend is her boss. When she returns to her hometown to investigate a child murder, she parks down the street from her mother's house "so as to seem less obtrusive." She has no sense of whom to trust, and this leads to disaster. Camille is cut off from the world but would rather not be. In *Dark Places,* narrator Libby Day is aggressively lonely. She cultivates her isolation. She lives off a trust fund established for her as a child when her family was massacred; she isn't particularly grateful for it. She's a liar, a manipulator, a kleptomaniac. "I have a meanness inside me, real as an organ," she warns. "Draw a picture of my soul and it'd be a scribble with fangs." If Camille is overly grateful when people want to befriend her, Libby's first instinct is to kick them in their shins. In those first two novels, I explored the geography of loneliness--and the devastation it can lead to. With *Gone Girl,* I wanted to go the opposite direction: what happens when two people intertwine their lives completely.I wanted to explore the geography of intimacy--and the devastation it can lead to. Marriage gone toxic. *Gone Girl* opens on the occasion of Amy and Nick Dunne's fifth wedding anniversary. (How romantic.) Amy disappears under very disturbing circumstances. (Less romantic.) Nick and Amy Dunne were the golden couple when they first began their courtship. Soul mates. They could complete each other's sentences, guess each other's reactions. They could push each other's buttons. They are smart, charming, gorgeous, and also narcissistic, selfish, and cruel. They complete each other--in a very dangerous way. ### Review "Ice-pick-sharp... Spectacularly sneaky... Impressively cagey... "Gone Girl" is Ms. Flynn's dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they're hard to part with -- even if, as in Amy's case, they are already departed. And if you have any doubts about whether Ms. Flynn measures up to Patricia Highsmith's level of discreet malice, go back and look at the small details. Whatever you raced past on a first reading will look completely different the second time around." --Janet Maslin, "New York Times ""An ingenious and viperish thriller... It's going to make Gillian Flynn a star... The first half of "Gone Girl" is a nimble, caustic riff on our Nancy Grace culture and the way in which ''The butler did it'' has morphed into ''The husband did it.'' The second half is the real stunner, though. Now I really am going to shut up before I spoil what instantly shifts into a great, breathless read. Even as "Gone Girl" grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and how often couples are at the mercy of forces beyond their control. As if that weren't enough, Flynn has created a genuinely creepy villain you don't see coming. People love to talk about the banality of evil. You're about to meet a maniac you could fall in love with. A" "--"Jeff Giles, "Entertainment Weekly " "An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page." "--People" (four stars) "[A] thoroughbred thriller about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships. "Gone Girl" begins as a whodunit, but by the end it will have you wondering whether there's any such thing as a who at all." "--"Lev Grossman, "Time"

Gone Girl: — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Gone Girl:», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

I could always turn myself off like a light. I’m going to sleep , I’d say, my hands in prayer position against my cheek, Zzzzzz , the deep sleep of a NyQuiled child—while my insomniac wife fussed in bed next to me. Last night, though, I felt like Amy, my brain still going, my body on edge. I was, most of the time, a man who was literally comfortable in his own skin. Amy and I would sit on the couch to watch TV, and I’d turn to melted wax, my wife twitching and shifting constantly next to me. I asked her once if she might have restless leg syndrome—an ad for the disease was running, the actors’ faces all furrowed in distress as they shook their calves and rubbed their thighs—and Amy said, I have restless everything syndrome .

I watched the ceiling of the hotel room turn gray then pink then yellow and finally pulled myself up to see the sun blaring right at me, across the river, again, a solar third degree. Then the names popped in my head—bing! Hilary Handy. Such an adorable name to be accused of such disturbing acts. Desi Collings, a former obsessive who lived an hour away. I had claimed them both as mine. It is a do-it-yourself era: health care, real estate, police investigation. Go online and fucking figure it out for yourself because everyone’s overworked and understaffed. I was a journalist . I spent over ten years interviewing people for a living and getting them to reveal themselves. I was up to the task, and Marybeth and Rand believed so too. I was thankful they let me know I was still in their trust, the husband under a wispy cloud of suspicion. Or do I fool myself to use the word wispy ?

The Days Inn had donated an underused ballroom to serve as the Find Amy Dunne headquarters. It was unseemly—a place of brown stains and canned smells—but just after dawn, Marybeth set about pygmalioning it, vacuuming and sani-wiping, arranging bulletin boards and phone banks, hanging a large head shot of Amy on one wall. The poster—with Amy’s cool, confident gaze, those eyes that followed you—looked like something from a presidential campaign. In fact, by the time Marybeth was done, the whole room buzzed with efficiency—the urgent hopefulness of a seriously underdog politician with a lot of true believers refusing to give up.

Just after ten A.M., Boney arrived, talking into her cell phone. She patted me on the shoulder and began fiddling with a printer. The volunteers arrived in bunches: Go and a half dozen of our late mother’s friends. Five fortysomething women, all in capri pants, like they were rehearsing a dance show: two of them—slender and blond and tanned—vying for the lead, the others cheerfully resigned to second string. A group of loudmouthed white-haired old ladies, each trying to talk over the next, a few of them texting, the kind of elderly people who have a baffling amount of energy, so much youthful vigor you had to wonder if they were trying to rub it in. Only one man showed up, a good-looking guy about my age, well dressed, alone, failing to realize that his presence could use some explaining. I watched Loner Guy as he sniffed around the pastries, sneaking glances at the poster of Amy.

Boney finished setting up the printer, grabbed a branny-looking muffin, and came to stand by me.

“Do you guys keep an eye on everyone who reports to volunteer?” I asked. “I mean, in case it’s someone—”

“Someone who seems to have a suspicious amount of interest? Absolutely.” She broke off the edges of the muffin and popped them in her mouth. She dropped her voice. “But to tell the truth, serial killers watch the same TV shows we do. They know that we know they like to—”

“Insert themselves into the investigation.”

“That’s it, yup.” She nodded. “So they’re more careful about that kind of thing now. But yeah, we sift through all the kinda-weirdos to make sure they’re just, you know, kinda-weirdos.”

I raised an eyebrow.

“Like, Gilpin and I were lead detectives on the Kayla Holman case few years back. Kayla Holman?”

I shook my head: no bell.

“Anyway, you’ll find some ghouls get attracted to stuff like this. And watch out for those two—” Boney pointed toward the two pretty fortysomething women. “Because they look like the type. To get a little too interested in consoling the worried husband.”

“Oh, come on—”

“You’d be surprised. Handsome guy like you. It happens.”

Just then one of the women, the blonder and tanner, looked over at us, made eye contact, and smiled the gentlest, shyest smile at me, then ducked her head like a cat waiting to be petted.

“She’ll work hard, though; she’ll be Little Miss Involved,” Boney said. “So that’s good.”

“How’d the Kayla Holman case turn out?” I asked.

She shook her head: no .

Four more women filed in, passing a bottle of sunblock among themselves, slathering it on bare arms and shoulders and noses. The room smelled like coconuts.

“By the way, Nick,” Boney said. “Remember when I asked if Amy had friends in town—what about Noelle Hawthorne? You didn’t mention her. She left us two messages.”

I gave her a blank stare.

“Noelle in your complex? Mother of triplets?”

“No, they aren’t friends.”

“Oh, funny. She definitely seems to think they are.”

“That happens to Amy a lot,” I said. “She talks to people once, and they latch on. It’s creepy.”

“That’s what her parents said.”

I debated asking Boney directly about Hilary Handy and Desi Collings. Then I decided not to; I’d look better if I were the one leading the charge. I wanted Rand and Marybeth to see me in action-hero mode. I couldn’t shake the look Marybeth had given me: The police definitely seem to think it’s … close to home .

“People think they know her because they read the books growing up,” I said.

“I can see that,” Boney said, nodding. “People want to believe they know other people. Parents want to believe they know their kids. Wives want to believe they know their husbands.”

Another hour and the volunteer center began feeling like a family picnic. A few of my old girlfriends dropped by to say hello, introduce their kids. One of my mom’s best friends, Vicky, came by with three of her granddaughters, bashful tweens all in pink.

Grandkids. My mom had talked about grandkids a lot, as if it were doubtlessly going to happen—whenever she bought a new piece of furniture, she’d explain she favored that particular style because “it’ll work for when there’s grandkids.” She wanted to live to see some grandkids. All her friends had some to spare. Amy and I once had my mom and Go over for dinner to mark The Bar’s biggest week ever. I’d announced that we had reason to celebrate, and Mom had leaped from her seat, burst into tears, and hugged Amy, who also began weeping, murmuring from beneath my mom’s smothering nuzzle, “He’s talking about The Bar, he’s just talking about The Bar.” And then my mom tried hard to pretend she was just as excited about that. “ Plenty of time for babies,” she’d said in her most consoling voice, a voice that just made Amy start to cry again. Which was strange, since Amy had decided she didn’t want kids, and she’d reiterated this fact several times, but the tears gave me a perverse wedge of hope that maybe she was changing her mind. Because there wasn’t really plenty of time. Amy was thirty-seven when we moved to Carthage. She’d be thirty-nine in October.

And then I thought: We’ll have to throw some fake birthday party or something if this is still going on. We’ll have to mark it somehow, some ceremony, for the volunteers, the media—something to revive attention. I’ll have to pretend to be hopeful .

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Gone Girl:»

Представляем Вашему вниманию похожие книги на «Gone Girl:» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Gone Girl:»

Обсуждение, отзывы о книге «Gone Girl:» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x