Meg Cabot: Shadowland

Because my mom's right: I don't like old buildings.

Although I saw, as old buildings went, this one was really something. When you stood on the front porch, you could see all of Carmel beneath you, the village, the valley, the beach, the sea. It was a breathtaking view, one that people would – and had, judging from the fanciness of the houses around ours – pay millions for; one that I shouldn't have resented, not in the least.

And yet, when my mom said, "Come on, Suze. Come see your room," I couldn't help shuddering a little.

The house was as beautiful inside as it was outside. All shiny maple and cheerful blues and yellows. I recognized my mom's things, and that made me feel a little better. There was the pie-safe she and I had bought once on a weekend trip to Vermont. There were my baby pictures, hanging on the wall in the living room, right alongside Sleepy, Dopey, and Doc's. There were my mother's books in the built-in shelves in the den. Her plants, which she'd paid so exorbitant a price to have shipped because she'd been unable to bear parting with them, were everywhere, on wooden stands, hanging in front of the stained-glass windows, perched on top of the newel post at the end of the stairs.

But there were also things I didn't recognize: a sleek white computer sitting on the desk where my mother used to write out checks to pay the bills; a wide-screen TV incongruously rucked into a fireplace in the den, to which shift-sticks were wired for some sort of video game; surf boards leaning up against the wall by the door to the garage; a huge, slobbery dog, who seemed to think I was harboring food in my pockets since he kept thrusting his big wet nose into them.

These all seemed like obtrusively masculine things, foreign things in the life my mother and I had carved out for ourselves. They were going to take some getting used to.

My room was upstairs, just above the roof of the front porch. My mother had been going on nervously for almost the entire trip from the airport about the window seat Andy had installed in the bay window. The bay windows looked out over the same view as the porch, that sweeping vista that incorporated all of the peninsula. It was sweet of them, really, to give me such a nice room, the room with the best view in the whole house.

And when I saw how much trouble they'd gone to, to make the room feel like home to me – or at least to some excessively feminine, phantom girl... not me. I had never been the glass-topped dressing table, princess phone type – how Andy had put cream colored wallpaper, dotted with blue forget-me-nots, all along the top of the intricate white wainscoting that lined the walls; how the same wallpaper covered the walls of my own personal adjoining bathroom; how they'd bought me a new bed – a four-poster with a lace canopy, the kind my mother had always wanted for me and had evidently been unable to resist – I felt bad about how I'd acted in the car. I really did. I thought to myself, as I walked around the room, Okay, this isn't so bad. So far you're in the clear. Maybe it'll be all right, maybe no one was ever unhappy in this house, maybe all those people who got shot deserved it....

Until I turned toward the bay window, and saw that someone was already sitting on the window seat Andy had so lovingly made for me.

Someone who was not related to me, or to Sleepy, Dopey, or Doc.

I turned toward Andy, to see if he'd noticed the intruder. He hadn't, even though he was right there, right in front of his face.

My mother hadn't seen him, either. All she saw was my face. I guess my expression must not have been the most pleasant, since her own fell, and she said with a sad sigh, "Oh, Suze. Not again."

CHAPTER 2

I guess I should explain. I'm not exactly your typical sixteen-year-old girl.

Oh, I seem normal enough, I guess. I don't do drugs, or drink, or smoke – well, okay, except for that one time when Sleepy caught me. I don't have anything pierced, except my ears, and only once on each earlobe. I don't have any tattoos. I've never dyed my hair. Except for my boots and leather jacket, I don't wear an excessive amount of black. I don't even wear dark fingernail polish. All in all, I am a pretty normal, every day, American teenage girl.

Except, of course, for the fact that I can talk to the dead.

I probably shouldn't put it that way. I should probably say that the dead talk to me. I mean, I don't go around initiating these conversations. In fact, I try to avoid the whole thing as much as possible.

It's just that sometimes they won't let me.

The ghosts, I mean.

I don't think I'm crazy. At least, not any crazier than your average sixteen year old. I guess I might seem crazy to some people. Certainly the majority of kids in my old neighborhood thought I was. Nuts, I mean. I've had the school counselors sicced on me more than once. Sometimes I even think it might be simpler just to let them lock me up.

But even on the ninth floor of Bellevue – which is where they lock up the crazy people in New York – I probably wouldn't be safe from the ghosts. They'd find me.

They always do.

I remember my first. I remember it as clearly as any of my other memories of that time, which is to say, not very well, since I was about two years old. I guess I remember it about as well as I remember taking a mouse away from our cat and cradling it in my arms until my horrified mother took it away.

Hey, I was two, okay? I didn't know then that mice were something to be afraid of. Ghosts, either, for that matter. That's why, fourteen years later, neither of them frighten me. Startle me, maybe, sometimes. Annoy me, a lot. But frighten me?

Never.

The ghost, like the mouse, was little, grey and helpless. To this day, I don't know who she was. I spoke to her, some baby gibberish that she didn't understand. Ghosts can't understand two-year-olds any better than anybody else. She just looked at me sadly from the top of the stairs of our apartment building. I guess I felt sorry for her, the way I had for the mouse, and wanted to help her. Only I didn't know how. So I did what any uncertain two-year-old would do. I ran for my mother.

That was when I learned my first lesson concerning ghosts: only I can see them.

Well, obviously, other people can see them. How else would we have haunted houses and ghost stories and Unsolved Mysteries and all of that? But there's a difference. Most people who see ghosts only see one . I see all ghosts.

All of them . Anybody. Anybody who has died and for whatever reason is hanging around on earth instead of going wherever it is he or she is supposed to go, I can see.

And let me tell you, that is a lot of ghosts.

I found out the same day that I saw my first ghost that most people – even my own mother – can't see them at all. Neither can anyone else I have ever met. At least, no one who'll admit it.

Which brings us to the second thing I learned about ghosts that day fourteen years ago: it's really better, in the long run, not to mention that you've seen one. Or, as in my case, any.

I'm not saying my mother figured out that it was a ghost I was pointing to and gibbering about that afternoon when I was two. I doubt she knew it. She probably thought I was trying to tell her something about the mouse, which she had confiscated from me earlier that morning. But she looked gamely up the stairs and nodded and said, "Uh-huh. Listen, Suze. What do you want for lunch today? Grilled cheese? Or tuna fish?"

I hadn't exactly expected a reaction similar to the one the mouse had gotten – my mother, who'd been cradling a neighbor's newborn at the time, had let out a glorious shriek at the sight of the mouse in my arms, and had screamed even harder at my proud announcement, "Look, Mommy. Now I've got a baby, too," which I realize now she couldn't have understood, since she didn't get it about the ghost.