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Meg Cabot: Shadowland

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Meg Cabot Shadowland

Shadowland: краткое содержание, описание и аннотация

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Not that I was about to let myself get distracted by that kind of thing now. I'm a professional, after all.

"Glitch?" he echoed. Even his voice was liquid, his English as flat and unaccented as I fancied my own was, slight Brooklyn blurring of my t's aside. He clearly had some Spaniard in him, as his Dios and his coloring indicated, but he was as American as I was – or as American as someone who was born before California became a state could be.

"Yeah." I cleared my throat. He had turned a little and put a boot up onto the pale blue cushion that covered the window seat, and I had seen definitive proof that yes, ghosts could indeed have six-packs. His abdominal muscles were deeply ridged, and covered with a light dusting of silky black hair.

I swallowed. Hard.

"Glitch," I said. "Problem. Why are you still here?" He looked at me, his expression blank, but interested. I elaborated. " Why haven't you gone to the other side ?"

He shook his head. Have I mentioned that his hair was short and dark and sort of crisp-looking, like if you touched it, it would be really, really thick? "I don't know what you mean."

I was getting sort of warm, but I had already taken off my leather jacket, so I didn't know what to do about it. I couldn't very well take off anything else with him sitting there watching me. This realization might have contributed to my suddenly very foul mood.

"What do you mean, you don't know what I mean?" I snapped, pushing some hair away from my eyes. "You're dead . You don't belong here. You're supposed to be off doing whatever it is that happens to people after they're dead. Rejoicing in heaven, or burning in hell, or being reincarnated, or ascending another plane of consciousness, or whatever. You're not supposed to be just... well, just hanging around ."

He looked at me thoughtfully, balancing his elbow on his uplifted knee, his arm sort of dangling. "And what if I happen to like just hanging around ?" he wanted to know.

I wasn't sure, but I had a feeling he was making fun of me. And I don't like being made fun of. I really don't. People back in Brooklyn used to do it all the time – well, until I learned how effectively a fist connecting with their nose could shut them up.

I wasn't ready to hit this guy – not yet. But I was close. I mean, I'd just traveled a gazillion miles for what seemed like days in order to live with a bunch of stupid boys; I still had to unpack; I had already practically made my mother cry; and then I find a ghost in my bedroom. Can you blame me for being ... well, short with him?

"Look," I said, standing up fast, and swinging my leg around the back of the chair. "You can do all the hanging around you want, amigo . Slack away. I don't really care. But you can't do it here."

"Jesse," he said, not moving.

"What?"

"You called me amigo. I thought you might like to know I have a name. It's Jesse."

I nodded. "Right. That figures. Well, fine. Jesse, then. You can't stay here, Jesse."

"And you?" Jesse was smiling at me now. He had a nice face. A good face. The kind of face that, back in my old high school, would have gotten him elected prom king in no time flat. The kind of face Gina would have cut out of a magazine and taped to her bedroom wall.

Not that he was pretty. Not at all. Dangerous ! was how he looked. Mighty dangerous.

"And me, what?" I knew I was being rude. I didn't care.

"What is your name?"

I glared at him. "Look. Just tell me what you want, and get out. I'm hot, and I want to change clothes. I don't have time for – "

He interrupted, as amiably as if he hadn't heard me talking at all, "That woman – your mother – called you Suzie." His black eyes were bright on me. "Short for Susan?"

"Susannah," I said, correcting him automatically. "As in, 'Don't you cry for me.' "

He smiled. "I know the song."

"Yeah. It was probably in the top forty the year you were born, huh?"

He just kept on smiling. "So this is your room now, is it, Susannah?"

"Yeah," I said. "Yeah, this is my room now. So you're going to have clear out."

" I'm going to have to clear out?" He raised one black eyebrow. "This has been my home for a century and a half. Why do I have to leave it?"

"Because." I was getting really mad. Mostly because I was so hot, and I wanted to open a window, but the windows were behind him, and I didn't want to get that close to him. "This is my room. I'm not sharing it with some dead cowboy."

That got to him. He slammed his foot back down on the floor – hard – and stood up. I instantly wished I hadn't said anything. He was tall, way taller than me, and in my ankle boots I'm five eight.

"I am not a cowboy," he informed me, angrily. He added something in Spanish in an undertone, but since I had always taken French, I had no idea what he was saying. At the same time, the antique mirror hanging over my new dressing table started to wobble dangerously on the hook that held it to the wall. This was not due, I knew, to a California earthquake, but to the agitation of the ghost in front of me, whose psychic abilities were obviously of a kinetic bent.

That's the thing about ghosts: they're so touchy! The slightest thing can set them off.

"Whoa," I said, holding up both my hands, palms outward. "Down. Down, boy."

"My family," Jesse raged, wagging a finger in my face, "worked like slaves to make something of themselves in this country, but never, never as a vaquero – "

"Hey," I said. And that's when I made my big mistake. I reached out, not liking the finger he was jabbing at me, and grabbed it, hard, yanking on his hand and pulling him toward me so I could be sure he heard me as I hissed, "Stop with the mirror already. And stop shoving your finger in my face. Do it again, and I'll break it."

I flung his hand away, and saw, with satisfaction, that the mirror had stopped shaking. But then I happened to glance at his face.

Ghosts don't have blood. How can they? They aren't alive. But I swear, at that moment, all the color drained from Jesse's face, as if every ounce of blood that had once been there had evaporated just at that moment.

Not being alive, and not possessing blood, it follows that ghosts aren't made of matter, either. So it didn't make sense that I had been able to grab his finger. My hand should have passed right through him. Right?

Wrong. That's how it works for most people. But not for people like me. Not for the mediators. We can see ghosts, we can talk to ghosts, and, if necessary, we can kick a ghost's butt.

But this isn't something I like to go around advertising. I try to avoid touching them – touching anybody, really – as much as possible. If all attempts at mediation have failed, and I have to use a little physical coercion on a recalcitrant spirit, I generally prefer him or her not to know beforehand that I am capable of doing so. Sneak attacks are always advisable when dealing with members of the underworld, who are notoriously dirty fighters.

Jesse, looking down at his finger as if I'd burned a hole through it, seemed perfectly incapable of saying anything. It was probably the first time he'd been touched by anyone in a century and a half. That kind of thing can blow a guy's mind. Especially a dead guy.

I took advantage of his astonishment, and said, in my sternest, most no-nonsense tone, "Now, look, Jesse. This is my room, understand? You can't stay here. You've either got to let me help you get to where you're supposed to go, or you're going to have to find some other house to haunt. I'm sorry, but that's the way it is."

Jesse looked up from his finger, his expression still one of utter disbelief. "Who are you?" he asked, softly. "What kind of ... girl are you?"

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