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Meg Cabot: Shadowland

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Meg Cabot Shadowland

Shadowland: краткое содержание, описание и аннотация

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And not just because I was living on the opposite side of the continent. Not just because everywhere I looked, I saw things I'd never have seen back in New York: roadside stands advertising artichokes or pomegranates, twelve for a dollar; field after field of grapevines, twisting and twisting around wooden arbors; groves of lemon and avocado trees; lush green vegetation I couldn't even identify. And arcing above it all, a sky so blue, so vast, that the hot air balloon I saw floating through it looked impossibly small – like a button at the bottom of an Olympic-sized swimming pool.

There was the ocean, too, bursting so suddenly into view that at first I didn't recognize it, thinking it was just another field. But then I noticed that this field was sparkling, reflecting the sun, flashing little Morse code SOSs at me. The light was so bright, it was hard to look at without sunglasses. But there it was, the Pacific Ocean... huge, stretching almost as wide as the sky, a living, writhing thing, pushing up against a comma-shaped strip of white beach.

Being from New York, my glimpses of ocean – at least the kind with a beach – had been few and far between. I couldn't help gasping when I saw it. And when I gasped, everybody stopped talking – except for Sleepy, who was, of course, asleep.

"What?" my mother asked, alarmed. "What is it?"

"Nothing," I said. I was embarrassed. Obviously, these people were used to seeing the ocean. They were going to think I was some kind of freak that I was getting so excited about it. "Just the ocean."

"Oh," said my mother. "Yes, isn't it beautiful?"

Dopey went, "Good curl on those waves. Might have to hit the beach before dinner."

"Not," his father said, "until you've finished that term paper."

"Aw, Dad!"

This prompted my mother to launch into a long and detailed account of the school to which I was being sent, the same one Sleepy, Dopey, and Doc attended. The school, named after Junipero Serra, some Spanish guy who came over in the 1700s and forced the Native Americans already living here to practice Christianity instead of their own religion, was actually a huge adobe mission that attracted twenty thousand tourists a year, or something.

I wasn't really listening to my mother. My interest in school has always been pretty much zero. The whole reason I hadn't been able to move out here before Christmas was that there had been no space for me at the Mission School, and I'd been forced to wait until second semester started before something opened up. I hadn't minded – I'd gotten to live with my grandmother for a few months, which hadn't been at all bad. My grandmother, besides being a really excellent criminal attorney, is an awesome cook.

I was sort of still distracted by the ocean, which had disappeared behind some hills. I was craning my neck, hoping for another glimpse, when it hit me. I went, "Wait a minute. When was this school built?"

"The eighteenth century," Doc replied. "The mission system, implemented by the Franciscans under the guidelines of the Catholic Church and the Spanish government, was set up not only to Christianize the Native Americans, but also to train them to become successful tradespeople in the new Spanish society. Originally, the mission served as a – "

"Eighteenth century?" I said, leaning forward. I was wedged between Sleepy – whose head had slumped forward until it was resting on my shoulder, enabling me to tell, just by sniffing, that he used Finesse shampoo – and Dopey. Let me tell you, Gina hadn't mentioned a thing about how much room boys take up, which, when they're both nearly six feet tall, and in the two hundred pound vicinity, is a lot. "Eighteenth century?"

My mother must have heard the panic in my voice, since she turned in her seat and said, soothingly, "Now, Suze, we discussed this. I told you there's a year's waiting list at Robert Louis Stevenson, and you told me you didn't want to go to an all-girls school, so Sacred Heart is out, and Andy's heard some awful stories about drug abuse and gang violence in the public schools around here – "

"Eighteenth century?" I could feel my heart starting to pound hard, as if I'd been running. "That's like three hundred years old !"

"I don't get it." We were driving through the town of Carmel-by-the-Sea now, all picturesque cottages – some with thatched roofs, even – and beautiful little restaurants and art galleries. Andy had to drive carefully because the traffic was thick with people in cars with out-of-state licenses, and there weren't any stoplights, something that, for some reason, the natives took pride in. "What's so bad," he wanted to know, "about the eighteenth century?"

My mother said, without any inflection in her voice whatsoever – what I call her bad-news voice, the one she uses on TV to report plane crashes and child murders, "Suze has never been very wild about old buildings."

"Oh," Andy said. "Then I guess she isn't going to like the house."

I gripped the back of his headrest. "Why?" I demanded, in a tight voice. "Why am I not going to like the house?"

I saw why, of course, as soon as we pulled in. The house was huge, and impossibly pretty, with Victorian-style turrets and a widow's walk – the whole works. My mom had had it painted blue and white and cream, and it was surrounded by big, shady pine trees, and sprawling, flowering shrubs. Three stories high, constructed entirely from wood, and not the horrible glass-and-steel or terra-cotta stuff the houses around it were made of, it was the loveliest, most tasteful house in the neighborhood.

And I didn't want to set foot in it.

I knew when I'd agreed to move with my mom to California that I'd be in for lots of changes. The roadside artichokes, the lemon groves, the ocean... they were nothing, really. The fact was, the biggest change was going to be sharing my mom with other people. In the decade since my father had died, it had been just the two of us. And I have to admit, I sort of liked it like that. In fact, if it hadn't been for the fact that Andy made my mom so obviously happy, I would have put my foot down and said no way to the whole moving thing.

But you couldn't even look at them together – Andy and my mom – and not be able to tell right away that they were completely gaga over each other. And what kind of daughter would I have been if I said no way to that? So I accepted Andy, and I accepted his three sons, and I accepted the fact that I was going to have to leave behind everything I had ever known and loved – my best friend, my grandmother, bagels, SoHo – in order to give my mom the happiness she deserved.

But I hadn't really considered the fact that, for the first time in my life, I was going to have to live in a house .

And not just any house, either, but, as Andy proudly told me as he was taking my bags from the car, and thrusting them into his sons' arms, a nineteenth century converted boarding house. Built in 1849, it had apparently had quite a little reputation in its day. Gunfights over card games and women had taken place in the front parlor. You could still see the bullet holes. In fact, Andy had framed one rather than filling it in. It was a bit morbid, he admitted, but interesting, too. He bet we were living in the only house in the Carmel hills that had a nineteenth century bullet hole in it.

Huh, I said. I bet that was true.

My mother kept glancing in my direction as we climbed the many steps to the front porch. I knew she was nervous about what I was going to think. I was kind of irked at her, really, for not warning me. I guess I could understand why she hadn't, though. If she'd told me she had bought a house that was more than a hundred years old, I wouldn't have moved out here. I would have stayed with Grandma until it came time for me to leave for college.

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