Philip Roth: The Human Stain

He stopped reading when he heard, coming from the radio, the first bars of “Bewitched, Bothered, and Bewildered” being sung by Sinatra. “I've got to dance,” Coleman said. “Want to dance?”

I laughed. No, this was not the savage, embittered, embattled avenger of Spooks, estranged from life and maddened by it — this was not even another man. This was another soul. A boyish soul at that. I got a strong picture then, both from Steena's letter and from Coleman, shirtless, as he was reading it, of what Coleman Silk had once been like. Before becoming a revolutionary dean, before becoming a serious classics professor — and long before becoming Athena's pariah — he had been not only a studious boy but a charming and seductive boy as well. Excited. Mischievous. A bit demonic even, a snub-nosed, goat-footed Pan. Once upon a time, before the serious things took over completely.

“After I hear the rest of the letter,” I replied to the invitation to dance. “Read me the rest of Steena's letter.”

“Three months out of Minnesota when we met. Just went down into the subway and brought her up with me. Well,” he said, “that was 1948 for you,” and he turned back to her letter. “‘I was quite taken with you,’ he read, ‘but I was concerned you might find me too young, an uninteresting midwestern bland sort of girl, and besides, you were dating someone „smart and nice and lovely” already, though you added, with a sly smile, „I don't believe she and I will get married.” „Why not?” I asked. „I may be getting bored,” you answered, thereby ensuring that I would do anything I could think of not to bore you, including dropping out of contact, if necessary, so as to avoid the risk of becoming boring. Well, that's it. That's enough. I shouldn't even bother you. I promise I won't ever again. Take care. Take care. Take care. Take care. Very fondly, Steena.’”

“Well,” I said, “that is 1948 for you.”

“Come. Let's dance.”

“But you mustn't sing into my ear.”

“Come on. Get up.”

What the hell, I thought, we'll both be dead soon enough, and so I got up, and there on the porch Coleman Silk and I began to dance the fox trot together. He led, and, as best I could, I followed. I remembered that day he'd burst into my studio after making burial arrangements for Iris and, out of his mind with grief and rage, told me that I had to write for him the book about all the unbelievable absurdities of his case, culminating in the murder of his wife. One would have thought that never again would this man have a taste for the foolishness of life, that all that was playful in him and light-hearted had been destroyed and lost, right along with the career, the reputation, and the formidable wife. Maybe why it didn't even cross my mind to laugh and let him, if he wanted to, dance around the porch by himself, just laugh and enjoy myself watching him — maybe why I gave him my hand and let him place his arm around my back and push me dreamily around that old bluestone floor was because I had been there that day when her corpse was still warm and seen what he'd looked like.

“I hope nobody from the volunteer fire department drives by,” I said.

“Yeah,” he said. “We don't want anybody tapping me on the shoulder and asking, ‘May I cut in?’”

On we danced. There was nothing overtly carnal in it, but because Coleman was wearing only his denim shorts and my hand rested easily on his warm back as if it were the back of a dog or a horse, it wasn't entirely a mocking act. There was a semi-serious sincerity in his guiding me about on the stone floor, not to mention a thoughtless delight in just being alive, accidentally and clownishly and for no reason alive — the kind of delight you take as a child when you first learn to play a tune with a comb and toilet paper.

It was when we sat down that Coleman told me about the woman. “I'm having an affair, Nathan. I'm having an affair with a thirty-four-year-old woman. I can't tell you what it's done to me.”

“We just finished dancing — you don't have to.”

“I thought I couldn't take any more of anything. But when this stuff comes back so late in life, out of nowhere, completely unexpected, even unwanted, comes back at you and there's nothing to dilute it with, when you're no longer striving on twenty-two fronts, no longer deep in the daily disorder ... when it's just this ...”

“And when she's thirty-four.”

“And ignitable. An ignitable woman. She's turned sex into a vice again.”

“‘La Belle Dame sans Merci hath thee in thrall.’”

“Seems so. I say, ‘What is it like for you with somebody seventy-one?’ and she tells me, ‘It's perfect with somebody seventy-one. He's set in his ways and he can't change. You know what he is. No surprises.’”

“What's made her so wise?”

“Surprises. Thirty-four years of savage surprises have given her wisdom. But it's a very narrow, antisocial wisdom. It's savage, too. It's the wisdom of somebody who expects nothing. That's her wisdom, and that's her dignity, but it's negative wisdom, and that's not the kind that keeps you on course day to day. This is a woman whose life's been trying to grind her down almost for as long as she's had life. Whatever she's learned comes from that.”

I thought, He's found somebody he can talk with ... and then I thought, So have I. The moment a man starts to tell you about sex, he's telling you something about the two of you. Ninety percent of the time it doesn't happen, and probably it's as well it doesn't, though if you can't get a level of candor on sex and you choose to behave instead as if this isn't ever on your mind, the male friendship is incomplete. Most men never find such a friend. It's not common. But when it does happen, when two men find themselves in agreement about this essential part of being a man, unafraid of being judged, shamed, envied, or outdone, confident of not having the confidence betrayed, their human connection can be very strong and an unexpected intimacy results. This probably isn't usual for him, I was thinking, but because he'd come to me in his worst moment, full of the hatred that I'd watched poison him over the months, he feels the freedom of being with someone who's seen you through a terrible illness from the side of your bed. He feels not so much the urge to brag as the enormous relief of not having to keep something so bewilderingly new as his own rebirth totally to himself.

“Where did you find her?” I asked.

“I went to pick up my mail at the end of the day and there she was, mopping the floor. She's the skinny blonde who sometimes cleans out the post office. She's on the regular janitorial staff at Athena. She's a full-time janitor where I was once dean. The woman has nothing. Faunia Farley. That's her name. Faunia has absolutely nothing.”

“Why has she nothing?”

“She had a husband. He beat her so badly she ended up in a coma. They had a dairy farm. He ran it so badly it went bankrupt. She had two children. A space heater tipped over, caught fire, and both children were asphyxiated. Aside from the ashes of the two children that she keeps in a canister under her bed, she owns nothing of value except an '83 Chevy. The only time I've seen her come close to crying was when she told me, ‘I don't know what to do with the ashes.’ Rural disaster has squeezed Faunia dry of even her tears. And she began life a rich, privileged kid. Brought up in a big sprawling house south of Boston. Fireplaces in the five bedrooms, the best antiques, heirloom china — everything old and the best, the family included. She can be surprisingly well spoken if she wants to be. But she's dropped so far down the social ladder from so far up that by now she's a pretty mixed bag of verbal beans. Faunia's been exiled from the entitlement that should have been hers. Declassed. There's a real democratization to her suffering.”