Philip Roth - The Human Stain

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Athena College was snoozing complacently in the Berkshires until Coleman Silk — formerly “Silky Silk,” undefeated welterweight pro boxer — strode in and shook the place awake. This faculty dean sacked the deadwood, made lots of hot new hires, including Yale-spawned literary-theory wunderkind Delphine Roux, and pissed off so many people for so many decades that now, in 1998, they've all turned on him. Silk's character assassination is partly owing to what the novel's narrator, Nathan Zuckerman, calls “the Devil of the Little Place — the gossip, the jealousy, the acrimony, the boredom, the lies.”
But shocking, intensely dramatized events precipitate Silk's crisis. He remarks of two students who never showed up for class, “Do they exist or are they spooks?” They turn out to be black, and lodge a bogus charge of racism exploited by his enemies. Then, at 71, Viagra catapults Silk into “the perpetual state of emergency that is sexual intoxication,” and he ignites an affair with an illiterate janitor, Faunia Farley, 34. She's got a sharp sensibility, “the laugh of a barmaid who keeps a baseball bat at her feet in case of trouble,” and a melancholy voluptuousness. “I'm back in the tornado,” Silk exults. His campus persecutors burn him for it — and his main betrayer is Delphine Roux.
In a short space, it's tough to convey the gale-force quality of Silk's rants, or the odd effect of Zuckerman's narration, alternately retrospective and torrentially in the moment. The flashbacks to Silk's youth in New Jersey are just as important as his turbulent forced retirement, because it turns out that for his entire adult life, Silk has been covering up the fact that he is a black man. (If this seems implausible, consider that the famous New York Times book critic Anatole Broyard did the same thing.) Young Silk rejects both the racism that bars him from Woolworth's counter and the Negro solidarity of Howard University. “Neither the they of Woolworth's nor the we of Howard” is for Coleman Silk. “Instead the raw I with all its agility. Self-discovery — that was the punch to the labonz.... Self-knowledge but concealed. What is as powerful as that?”
Silk's contradictions power a great Philip Roth novel, but he's not the only character who packs a punch. Faunia, brutally abused by her Vietnam vet husband (a sketchy guy who seems to have wandered in from a lesser Russell Banks novel), scarred by the death of her kids, is one of Roth's best female characters ever. The self-serving Delphine Roux is intriguingly (and convincingly) nutty, and any number of minor characters pop in, mouth off, kick ass, and vanish, leaving a vivid sense of human passion and perversity behind. You might call it a stain.

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This was the Lester Farley who came roaring out of the bushes. This was the man who came upon Coleman and Faunia as they stood just inside the kitchen doorway, who came roaring at them out of the darkness of the bushes at the side of the house. And all of that was just a little of what was inside his head, night after night, all through the spring and now into early summer, hiding for hours on end, cramped, still, living through so much emotion, and waiting there in hiding to see her doing it. Doing what she was doing when her own two kids were suffocating to death in the smoke. This time it wasn't even with a guy her age. Not even Farley's age. This time it wasn't with her boss, the great All-American Hollenbeck. Hollenbeck could give her something in return at least. You could almost respect her for Hollenbeck. But now the woman was so far gone she would do it for nothing with anybody. Now it was with a gray-haired skin-and-bones old man, with a high-and-mighty Jew professor, his yellow Jew face contorted with pleasure and his trembling old hands gripping her head. Who else has a wife sucks off an old Jew? Who else! This time the wanton, murdering, moaning bitch was pumping into her whoring mouth the watery come of a disgusting old Jew, and Rawley and Les Junior were still dead.

Payback. There was no end to it.

It felt like flying, it felt like Nam, it felt like the moment in which you go wild. Crazier, suddenly, because she is sucking off that Jew than because she killed the kids, Farley is flying upward, screaming, and the Jew professor is screaming back, the Jew professor is raising a tire iron, and it is only because Farley is unarmed — because that night he'd come there right from fire department drill and without a single one of the guns from his basement full of guns — that he doesn't blow them away. How it happened that he didn't reach for the tire iron and take it from him and end everything that way, he would never know. Beautiful what he could have achieved with that tire iron. “Put it down! I'll open your fuckin' head with it! Fuckin' put it down! ” And the Jew put it down. Luckily for the Jew, he put it down.

After he made it home that night (never know how he did that either) and right through to the early hours of the morning — when it took five men from the fire department, five buddies of his, to hold him down and get him into restraints and drive him over to Northampton — Lester saw it all, everything, all at once, right there in his own house enduring the heat, enduring the rain, the mud, giant ants, killer bees on his own linoleum floor just beside the kitchen table, being sick with diarrhea, headaches, sick from no food and no water, short of ammo, certain this is his last night, waiting for it to happen, Foster stepping on the booby trap, Quillen drowning, himself almost drowning, freaking out, throwing grenades in every direction and shouting “I don't want to die,” the warplanes all mixed up and shooting at them, Drago losing a leg, an arm, his nose, Conrity's burned body sticking to his hands, unable to get a chopper to land, the chopper saying they cannot land because we are under attack and him so fucking angry knowing that he is going to die that he is trying to shoot it down, shoot down our own chopper — the most inhuman night he ever witnessed and it is right there now in his own scumbag house, and the longest night too, his longest night on earth and petrified with every move he makes, guys hollering and shitting and crying, himself unprepared to hear so much crying, guys hit in the face and dying, taking their last breath and dying, Conrity's body all over his hands, Drago bleeding all over the place, Lester trying to shake somebody dead awake and hollering, screaming without stopping, “I don't want to die.” No time out from death. No break time from death. No running from death. No letup from death. Battling death right through till morning and everything intense. The fear intense, the anger intense, no helicopter willing to land and the terrible smell of Drago's blood there in his own fucking house. He did not know how bad it could smell. EVERYTHING SO INTENSE AND EVERYBODY FAR FROM HOME AND ANGRY ANGRY ANGRY ANGRY RAGE!

Nearly all the way to Northampton — till they couldn't stand it anymore and gagged him — Farley is digging in late at night and waking up in the morning to find that he's slept in someone's grave with the maggots. “Please!” he cried. “No more of this! No more!” And so they had no choice but to shut him up.

At the VA hospital, a place to which he could be brought only by force and from which he'd been running for years — fleeing his whole life from the hospital of a government he could not deal with — they put him on the lockup ward, tied him to the bed, rehydrated him, stabilized him, detoxified him, got him off the alcohol, treated him for liver damage, and then, during the six weeks that followed, every morning in his group therapy session he recounted how Rawley and Les Junior had died. He told them all what happened, told them every day what had failed to happen when he saw the suffocated faces of his two little kids and knew for sure that they were dead.

“Numb,” he said. “Fuckin' numb. No emotions. Numb to the death of my own kids. My son's eyes are rolled in back of his head and he has no pulse. He has no heartbeat. My son isn't fucking breathing. My son. Little Les. The only son I will ever have. But I did not feel anything. I was acting as if he was a stranger. Same with Rawley. She was a stranger. My little girl. That fucking Vietnam, you caused this! After all these years the war is over, and you caused this! All my feelings are all fucked up. I feel like I've been hit on the side of the head with a two-by-four when nothing is happening. Then something is happening, something fucking huge, I don't feel a fucking thing. Numbed out. My kids are dead, but my body is numb and my mind is blank. Vietnam. That's why! I never did cry for my kids. He was five and she was eight. I said to myself, 'Why can't I feel?' I said, 'Why didn't I save them? Why couldn't I save them?' Payback. Payback! I kept thinking about Vietnam. About all the times I think I died. That's how I began to know that I can't die. Because I died already. Because I died already in Vietnam. Because I am a man who fucking died? .”

The group consisted of Vietnam vets like Farley except for two from the Gulf War, crybabies who got a little sand in their eyes in a four-day ground war. A hundred-hour war. A bunch of waiting in the desert. The Vietnam vets were men who, in their postwar lives, had themselves been through the worst — divorce, booze, drugs, crime, the police, jail, the devastating lowness of depression, uncontrollable crying, wanting to scream, wanting to smash something, the hands trembling and the body twitching and the tightness in the face and the sweats from head to toe from reliving the metal flying and the brilliant explosions and the severed limbs, from reliving the killing of the prisoners and the families and the old ladies and the kids — and so, though they nodded their heads about Rawley and Little Les and understood how he couldn't feel for them when he saw them with their eyes rolled back because he himself was dead, they nonetheless agreed, these really ill guys (in that rare moment when any of them could manage to talk about anybody other than themselves wandering around the streets ready to snap and yelling “Why?” at the sky, about anybody else not getting the respect they should receive, about anybody else not being happy until they were dead and buried and forgotten), that Farley had better put it behind him and get on with his life.

Get on with his life. He knows it's shit, but it's all he has. Get on with it. Okay.

He was let out of the hospital late in August determined to do that. And with the help of a support group that he joined, and one guy in particular who walked with a cane and whose name was Jimmy Borrero, he succeeded at least halfway; it was tough, but with Jimmy's help he was doing it more or less, was on the wagon for nearly three whole months, right up until November. But then — and not because of something somebody said to him or because of something he saw on TV or because of the approach of another familyless Thanksgiving, but because there was no alternative for Farley, no way to prevent the past from building back up, building up and calling him to action and demanding from him an enormous response — instead of it all being behind him, it was in front of him.

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