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Toni Morrison: Sula

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Nel sat on the red-velvet sofa listening to her mother but remembering the smell and the tight, tight hug of the woman in yellow who rubbed burned matches over her eyes.

Late that night after the fire was made, the cold supper eaten, the surface dust removed, Nel lay in bed thinking of her trip. She remembered clearly the urine running down and into her stockings until she learned how to squat properly; the disgust on the face of the dead woman and the sound of the funeral drums. It had been an exhilarating trip but a fearful one. She had been frightened of the soldiers’ eyes on the train, the black wreath on the door, the custard pudding she believed lurked under her mother’s heavy dress, the feel of unknown streets and unknown people. But she had gone on a real trip, and now she was different. She got out of bed and lit the lamp to look in the mirror. There was her face, plain brown eyes, three braids and the nose her mother hated. She looked for a long time and suddenly a shiver ran through her.

“I’m me,” she whispered. “Me.”

Nel didn’t know quite what she meant, but on the other hand she knew exactly what she meant.

“I’m me. I’m not their daughter. I’m not Nel. I’m me. Me.”

Each time she said the word me there was a gathering in her like power, like joy, like fear. Back in bed with her discovery, she stared out the window at the dark leaves of the horse chestnut.

“Me,” she murmured. And then, sinking deeper into the quilts, “I want…I want to be…wonderful. Oh, Jesus, make me wonderful.”

The many experiences of her trip crowded in on her. She slept. It was the last as well as the first time she was ever to leave Medallion.

For days afterward she imagined other trips she would take, alone though, to faraway places. Contemplating them was delicious. Leaving Medallion would be her goal. But that was before she met Sula, the girl she had seen for five years at Garfield Primary but never played with, never knew, because her mother said that Sula’s mother was sooty. The trip, perhaps, or her new found me-ness, gave her the strength to cultivate a friend in spite of her mother.

When Sula first visited the Wright house, Helene’s curdled scorn turned to butter. Her daughter’s friend seemed to have none of the mother’s slackness. Nel, who regarded the oppressive neatness of her home with dread, felt comfortable in it with Sula, who loved it and would sit on the red-velvet sofa for ten to twenty minutes at a time—still as dawn. As for Nel, she preferred Sula’s woolly house, where a pot of something was always cooking on the stove; where the mother, Hannah, never scolded or gave directions; where all sorts of people dropped in; where newspapers were stacked in the hallway, and dirty dishes left for hours at a time in the sink, and where a one-legged grandmother named Eva handed you goobers from deep inside her pockets or read you a dream.

картинка 7

1921

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Sula Peace lived in a house of many rooms that had been built over a period of five years to the specifications of its owner, who kept on adding things: more stairways—there were three sets to the second floor—more rooms, doors and stoops. There were rooms that had three doors, others that opened out on the porch only and were inaccessible from any other part of the house; others that you could get to only by going through somebody’s bedroom. The creator and sovereign of this enormous house with the four sickle-pear trees in the front yard and the single elm in the back yard was Eva Peace, who sat in a wagon on the third floor directing the lives of her children, friends, strays, and a constant stream of boarders. Fewer than nine people in the town remembered when Eva had two legs, and her oldest child, Hannah, was not one of them. Unless Eva herself introduced the subject, no one ever spoke of her disability; they pretended to ignore it, unless, in some mood of fancy, she began some fearful story about it—generally to entertain children. How the leg got up by itself one day and walked on off. How she hobbled after it but it ran too fast. Or how she had a corn on her toe and it just grew and grew and grew until her whole foot was a corn and then it traveled on up her leg and wouldn’t stop growing until she put a red rag at the top but by that time it was already at her knee.

Somebody said Eva stuck it under a train and made them pay off. Another said she sold it to a hospital for $10,000—at which Mr. Reed opened his eyes and asked, “Nigger gal legs goin’ for $10,000 a piece? ” as though he could understand $10,000 a pair —but for one?

Whatever the fate of her lost leg, the remaining one was magnificent. It was stockinged and shod at all times and in all weather. Once in a while she got a felt slipper for Christmas or her birthday, but they soon disappeared, for Eva always wore a black laced-up shoe that came well above her ankle. Nor did she wear overlong dresses to disguise the empty place on her left side. Her dresses were mid-calf so that her one glamorous leg was always in view as well as the long fall of space below her left thigh. One of her men friends had fashioned a kind of wheelchair for her: a rocking-chair top fitted into a large child’s wagon. In this contraption she wheeled around the room, from bedside to dresser to the balcony that opened out the north side of her room or to the window that looked out on the back yard. The wagon was so low that children who spoke to her standing up were eye level with her, and adults, standing or sitting, had to look down at her. But they didn’t know it. They all had the impression that they were looking up at her, up into the open distances of her eyes, up into the soft black of her nostrils and up at the crest of her chin.

Eva had married a man named BoyBoy and had three children: Hannah, the eldest, and Eva, whom she named after herself but called Pearl, and a son named Ralph, whom she called Plum.

After five years of a sad and disgruntled marriage BoyBoy took off. During the time they were together he was very much preoccupied with other women and not home much. He did whatever he could that he liked, and he liked womanizing best, drinking second, and abusing Eva third. When he left in November, Eva had $1.65, five eggs, three beets and no idea of what or how to feel. The children needed her; she needed money, and needed to get on with her life. But the demands of feeding her three children were so acute she had to postpone her anger for two years until she had both the time and the energy for it. She was confused and desperately hungry. There were very few black families in those low hills then. The Suggs, who lived two hundred yards down the road, brought her a warm bowl of peas, as soon as they found out, and a plate of cold bread. She thanked them and asked if they had a little milk for the older ones. They said no, but Mrs. Jackson, they knew, had a cow still giving. Eva took a bucket over and Mrs. Jackson told her to come back and fill it up in the morning, because the evening milking had already been done. In this way, things went on until near December. People were very willing to help, but Eva felt she would soon run her welcome out; winters were hard and her neighbors were not that much better off. She would lie in bed with the baby boy, the two girls wrapped in quilts on the floor, thinking. The oldest child, Hannah, was five and too young to take care of the baby alone, and any housework Eva could find would keep her away from them from five thirty or earlier in the morning until dark—way past eight. The white people in the valley weren’t rich enough then to want maids; they were small farmers and tradesmen and wanted hard-labor help if anything. She thought also of returning to some of her people in Virginia, but to come home dragging three young ones would have to be a step one rung before death for Eva. She would have to scrounge around and beg through the winter, until her baby was at least nine months old, then she could plant and maybe hire herself out to valley farms to weed or sow or feed stock until something steadier came along at harvest time. She thought she had probably been a fool to let BoyBoy haul her away from her people, but it had seemed so right at the time. He worked for a white carpenter and toolsmith who insisted on BoyBoy’s accompanying him when he went West and set up in a squinchy little town called Medallion. BoyBoy brought his new wife and built them a one-room cabin sixty feet back from the road that wound up out of the valley, on up into the hills and was named for the man he worked for. They lived there a year before they had an outhouse.

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