William Blatty - The Exorcist

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The Exorcist: краткое содержание, описание и аннотация

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Originally published in 1971, The Exorcist, one of the most controversial novels ever written, went on to become a literary phenomenon: It spent fifty-seven weeks on the New York Times bestseller list, seventeen consecutively at number one. Inspired by a true story of a child’s demonic possession in the 1940s, William Peter Blatty created an iconic novel that focuses on Regan, the eleven-year-old daughter of a movie actress residing in Washington, D.C. A small group of overwhelmed yet determined individuals must rescue Regan from her unspeakable fate, and the drama that ensues is gripping and unfailingly terrifying. Two years after its publication, The Exorcist was, of course, turned into a wildly popular motion picture, garnering ten Academy Award nominations. On opening day of the film, lines of the novel’s fans stretched around city blocks. In Chicago, frustrated moviegoers used a battering ram to gain entry through the double side doors of a theater. In Kansas City, police used tear gas to disperse an impatient crowd who tried to force their way into a cinema. The three major television networks carried footage of these events; CBS’s Walter Cronkite devoted almost ten minutes to the story. The Exorcist was, and is, more than just a novel and a film: it is a true landmark. Purposefully raw and profane, The Exorcist still has the extraordinary ability to disturb readers and cause them to forget that it is “just a story.” Published here in this beautiful fortieth anniversary edition, it remains an unforgettable reading experience and will continue to shock and frighten a new generation of readers.

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Klein hurried in, his glance brushing in puzzlement over Karras' dress. "Doctor Karras?"

"Yes. How do you do?"

They shook hands.

"I'm Klein. How's the girl?"

"Progressing."

"Glad to hear it." Karras looked back to the graph and Klein scanned it with him, tracing his finger over patterns of waves. "There, you see? It's very regular. No fluctuations whatsoever."

"Yes, I see." Karras. frowned. "Very curious."

"Curious?"

"Presuming that we're dealing with hysteria."

"Don't get it."

"I suppose it isn't very well known," murmured Karras, pulling paper through his hands in a steady flow, "but a Belgian---Iteka---discovered that hysterics seemed to cause some rather odd fluctuations in the graph, a very minuscule but always identical pattern. I've been looking for it here and I don't find it."

Klein grunted noncommittally. "How about that."

Karras glanced at him. "She was certainly disordered when you ran this graph; is that right?"

"Yes, she was. Yes, I'd say so. She was."

"Well, then, isn't it curious that she tested so perfectly? Even subjects in a normal state of mind can influence their brain waves at least within the normal range, and Regan was disturbed at the time. It would seem there would be some fluctuations. If---"

"Doctor, Mrs. Simmons is getting impatient," a nurse interrupted, cracking open the door.

"Yes, I'm coming," sighed Klein. As the nurse hurried off, he took a step toward the hallway then turned with his hand on the door edge. "Speaking of hysteria," he commented dryly. "Sorry. Got to run."

He closed the door behind him. Karras heard his footsteps heading down the hall; heard the opening of a door; heard, "Well, now, how are we feeling today, Mrs...."

Closing of the door. Karras went back to his study of the graph, finished, then folded it up and banded it. He returned it to the nurse in Reception. Something. It was something he could use with the Bishop as an argument that Regan was not a hysteric and therefore conceivably was possessed. And yet the EEG had posed still another mystery: why no fluctuations? why none at all?

He drove back toward Chris's house, but at a stop sign at the corner of Prospect and Thirty-fifth he froze behind the wheel: parked between Karras and the Jesuit residence hall was Kinderman. He was sitting alone behind the wheel with his elbow out the window, looking straight ahead.

Karras took a right before Kinderman could see him in Chris's Jaguar. Quickly he found a space, parked and locked the car. Then he walked around the corner as if heading for the residence hall. Is he watching the house? he worried. The specter of Dennings rose up again to haunt him. Was it possible that Kinderman thought Regan had...?

Easy. Slow down. Take it easy.

He walked up beside the car and leaned his head through the window on the passenger side. "Hello, Lieutenant."

The detective turned quickly and looked surprised. Then beamed. "Father Karras."

Off key, thought Karras. He noticed that his hands were feeling dampish and cold. Play it light! Don't let him know that you're worried! Play it light! "Don't you know you'll get a ticket? Weekdays, no parking between four and six."

"Never mind that,'" wheezed Kinderman. "Im talking to a priest. Every cop in this neighborhood is Catholic or passing."

"How've you been?"

"Speaking plainly, Father Karras, only so-so. Yourself?"

"Can't complain. Did you ever solve that case?"

"Which case?"

"The director."

"Oh, that one." He made a gesture of dismissal. "Don't ask. Listen, what are you doing tonight? Are you busy? I've got passes for the Crest. It's Othello."

"Who's starring?"

"Molly Picon, Desdemona, and Othello, Leo Fuchs. You're happy? This is freebies, Father Marlon Particular! This is William F. Shakespeare! Doesn't matter who's starring, who's not! Now, you're coming?"

"I'm afraid I'll have to pass. I'm pretty snowed under."

"I can see. You look terrible, you'll pardon my noticing. You're keeping late hours?"

"I always look terrible."

"Only now more than usual. Come on! Get away for one night! We'll enjoy!"

Karras decided to test; to touch a nerve. "Are you sure that's what's playing?" he asked. His eyes were probing steadily into Kinderman's. "I could have sworn there was a Chris MacNeil film at the Crest."

The detective missed a beat, and then said quickly, "No, I'm certain. Othello. It's Othello."

"What brings you to the neighborhood, incidentally?"

"You! I came only to invite you to the film!"

"Yes, it's easier to drive than to pick up a phone," said Karras softly.

The detective's eyebrows lifted in unconvincing innocence. "Your telephone was busy!" he whispered hoarsely, poising an upraised palm in midair.

The Jesuit stared at him, expressionless.

"What's wrong?" asked Kinderman after a moment.

Gravely Karras reached a hand inside the car and lifted Kinderman's eyelid. He examined the eye. "I don't know. You look terrible. You could be coming down with a case of mythomania."

"I don't know what that means," answers Kinderman as Karras withdrew his hand. "Is it serious?"

"Not fatal."

"What is it? The suspense is now driving me crazy!"

"Look it up," said Karras.

"Listen, don't be so snotty. You should render unto Caesar just a little, now and then. I'm the law. I could have you deported, you know that?"

"What for?"

"A psychiatrist shouldn't make people worry. Plus also the goyim, plainly speaking, would love it. You're a nuisance to them altogether anyway, Father. No, frankly, you embarrass them. They would love to get rid of you. Who needs it? a priest who wears sweatshirts and sneakers!"

Smiling faintly, Karras nodded. "Got to go. Take care." He tapped a hand on the window frame, twice, in farewell, and then turned and walked slowly toward the entry of the residence.

"See an analyst!" the detective called after him hoarsely. Then his warm look gave way to worry. He glanced through his windshield up at the house, then started the engine and drove up the street. Passing Karras, he honked his horn and waved.

Karras waved back; watching Kinderman round the corner of Thirty-sixth. Then he stood motionless for a while on the sidewalk, rubbing gently at his brow with a trembling hand. Could she really have done it? Could Regan have murdered Burke Dennings so horribly? With feverish eyes, he looked up at Regan's window. What in God's name is in that house? And how much longer before Kinderman demanded to see Regan? had a chance to see the Dennings personality? to hear it? How much longer before Regan would be institutionalized?

Or die?

He had to build the case for the Chancery.

He walked quickly across the street at an angle to Chris's house. He rang the doorbell.

Willie let him in.

"Missiz taking little nap now," she said.

Karras nodded. "Good. Very good." He walked by her and upstairs to Regan's bedroom. He was seeking a knowledge he must clutch by the heart.

He entered and saw Karl in a chair by the window, his arms folded, watching Regan. He was silent and present as a dense, dark wood.

Karras walked up beside the bed and looked down. The whites of the eyes like milky fog. The murmurings. Spells from some other world. Karras glanced at Karl. Then slowly he leaned over and began to unfasten one of Regan's restraining straps.

"Father, no!"

Karl rushed to the bedside and vigorously yanked back the priest's arm. "Very bad, Father! Strong! It is strong! Leave on straps!"

In the eyes there was a fear that Karras recognized as genuine, and now he knew that Regan's strength was not theory; it was a fact. She could have done it. Could have twisted Dennings' neck around. My God, Karras! Hurry! Find some evidence! Think! Hurry before...!

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