Greg Iles - The Devils Punchbowl

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With his gift for crafting “a keep-you engaged- to-the-very-last-page thriller” (
) at full throttle, Greg Iles brings back the unforgettable Penn Cage in this electrifying suspense masterpiece.
A new day has dawned . . . but the darkest evils live forever in the murky depths of a Southern town. Penn Cage was elected mayor of Natchez, Mississippi—the hometown he returned to after the death of his wife—on a tide of support for change. Two years into his term, casino gambling has proved a sure bet for bringing new jobs and fresh money to this fading jewel of the Old South. But deep inside the 
, a fantastical repurposed steamboat, a depraved hidden world draws high-stakes players with money to burn on their unquenchable taste for blood sport and the dark vices that go with it. When an old high school friend hands him blood-chilling evidence, Penn alone must beat the odds tracking a sophisticated killer who counters his every move, placing those nearest to him—including his young daughter, his renowned physician father, and a lover from the past—in grave danger, and all at the risk of jeopardizing forever the town he loves.
From Publishers Weekly
Iles's third addition to the Penn Cage saga is an effective thriller that would have been even more satisfying at half its length. There is a lot of story to cover, with Cage now mayor of Natchez, Miss., battling to save his hometown, his family and his true love from the evil clutches of a pair of homicidal casino operators who are being protected by a homeland security bigwig. Dick Hill handles the large cast of characters effortlessly, adopting Southern accents that range from aristocratic (Cage and his elderly father) to redneck (assorted Natchez townsfolk). He provides the bad guys with their vocal flair, including an icy arrogance for the homeland security honcho, a soft Asian-tempered English for the daughter of an international villain and the rough Irish brogue of the two main antagonists. One of the latter pretends to be an upper-class Englishman and, in a moment of revelation, Hill does a smashing job of switching accents mid-sentence. 

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When the ushers open the cathedral doors, the sunlight blinds me

for several seconds. Luckily, my pupils adapt by the time we reach the head of the broad steps, where we lift the heavy casket from the gurney and carry Tim down the ten steps that have brought older pallbearers to grief. Without quite admitting it to myself, I had hoped to find Caitlin waiting outside, but one scan of the intersecting streets tells me she’s not here. As we slide the casket along the rollers inside the waiting hearse, Sam Jacobs, a Jew, pats the side of the coffin and says, “See you at the cemetery, Timmy.” In that moment I recall two thoughts I had the last time I saw Tim alive, which was at the cemetery, on Jewish Hill.

One is the lesson my father learned in Korea:

Heroism is sacrifice.

The second is that most of the heroes I know are dead. Tim was one of those heroes. He chose a martyr’s death as surely as some deluded saint from the Middle Ages. Looking down Union Street, lined with the rental cars of everyone but Caitlin Masters, the selfish voice that I usually suppress speaks loud and clear in my mind:

Are you going to live a martyr’s life? Will you sacrifice your daughter’s education and the second love of your life to fight a battle you no longer believe is winnable?

“Penn?” says a man’s voice. “Are you okay?”

Turning away from the hearse, I find Paul Labry standing beside me. Paul is Catholic, but he did not attend St. Stephen’s with Tim and me, and so was not asked to be a pallbearer. Despite this, he’s stayed close to me today, knowing that I'm working under great strain, even if he doesn’'t fully understand the reasons for it.

“I'm fine, Paul. Thanks for asking.”

“Are you riding with Drew and the other guys?”

Looking past Labry, I see Drew Elliott beckoning me to a black BMW a few cars behind the hearse. “I guess so. You’re going to the burial, right?”

“Of course. Unless you need me to do something else.”

“No, I want you to come. I want to speak to you afterward.”

Paul’s face takes on a worried cast, but he knows this isn’t the place to ask for details. The congregation is spilling down the steps now, and car engines are starting all along Union and Main. “Is anything wrong?” he asks softly.

“No, no. I just want to ask you something. Something I should have asked you two years ago.”

Intrigued, Labry takes my elbow and starts leading me away from the crowd, but I pull free and quietly assure him that nothing is wrong. “I'm just upset by Tim’s death,” I tell him. “We’ll talk after the burial, okay?”

“Sure. I'’ll see you at the cemetery.”

While Paul heads up Main Street, presumably to get his car, I tread slowly toward Drew Elliot’s BMW like a man crossing the last mile of a desert. The flicker of an impulse to search for Caitlin’s face among those on the sidewalk goes through my mind, but I don'’t raise my head. She’s not here. She made that decision this morning. Squinting against the glare coming off the concrete, I suddenly realize that I know the answer to my silent questions. Some people have chosen to see me as a hero in the past. I traded on that reputation to gain the mayor’s office. But I'm no hero, not by my father’s measure. I'm certainly no martyr. My work here is not finished, not by a long shot. But I am. This time, when my old friends leave Natchez to return to their families, I will follow them with mine. This time I choose the future, not the past.

My crusade is over.

CHAPTER

39

Caitlin crosses the Mississippi River Bridge with her heart pounding. She is sure she has found the girl who passed Linda Church’s note to Penn at the Ramada, and she did it with two phone calls. The trick was figuring out whom to call. Caitlin had only caught a glimpse of the girl at the hotel, and mostly walking away, at that. But she’d seen enough. The giveaway was the hair. At first glance the girl’s hair had looked short, but as she walked away, Caitlin had seen the telltale mane hanging out from the tail of the jacket. Caitlin hardly ever saw waist-length hair anymore, and when she did, it usually meant one thing—in the Deep South, anyway. The other thing was the girl’s eye makeup. Not only had she worn twice as much as she needed, but it looked as though it had been applied by an eight-year-old trying to imitate her teenage sister. These two things together told Caitlin that the girl was wearing her idea of a disguise. And what she was disguising was her religion.

Caitlin had been fascinated when Penn told her that Mississippi had the highest per capita number of churches and also the lowest literacy rate. Three years ago, she had used these statistics as the launching point of a story on charismatic religions. People speaking in tongues, faith healing. For her, the most disturbing thing about doing the story had been her contact with the younger girls in the churches. She could see that they aspired to be like other teenage girls, but they

had been raised in families with nineteenth-century values, or certainly pre-Eisenhower-era twentieth-century values. Her portrayal of these churches as patriarchal and sexist had upset a lot of their members and got some girls in trouble with their pastors, but it had also opened a lot of eyes to a closed society.

A couple of the women she’d spoken to had remained kind to her, and so the moment Caitlin suspected that the girl who delivered the note might be Pentecostal, she had checked her files at the

Examiner

and made some phone calls. Using what she’d gleaned from Penn’s description, she said she was looking for a tall girl who had probably lost a lot of weight in the past year or two, and who might have a job in Vidalia. That was all it had taken to get the two pieces of information she needed: a name and a location. Darla McRaney, the Bargain Barn on Highway 15.

At first Caitlin had been tempted to tell Penn what she’d discovered. But then she’d realized it would only prove to him that his jab about her penchant for following a story was on target. If this trip led any closer to Linda Church, Caitlin had promised herself, she’d tell Penn immediately.

The Bargain Barn is a long, low-slung building just off the highway, that looks as if it might once have been a brand-name store. During all the time Caitlin lived in Natchez, she’d only been inside it once, but her memory is clear. The store sells everything from clothing to housewares, medicine to ant poison, all of it cheap both in quality and price.

Only a few cars are in the lot. Caitlin parks between two of them, then locks her car and walks through the glass door. An elderly man wearing an orange vest greets her with a puzzled smile, and she walks past him into the clothing section.

“Can I help you?” asks a middle-aged woman sorting dresses on a circular rack.

“I'm looking for Darla McRaney.”

“Darla mostly stays over in housewares.”

Caitlin quickly navigates the empty aisles until she reaches an area filled with thin metal pots and imitation Tupperware. In the next aisle, above a rack of blenders, she sees Darla McRaney’s head. She knows it’s Darla because a girl would have to be almost six feet tall to be seen above the blenders.

Making a U around the end of the aisle, Caitlin approaches Darla cautiously, like a naturalist trying not to spook a timid animal. In spite of this, Darla looks up sharply and takes a step back, blushing scarlet.

“I didn't see you,” she says. “Can I help you?”

“Darla, my name is Caitlin. I'm a very good friend of Penn Cage.”

The girl stares back for several moments, neither breathing nor blinking. Then she starts to back away.

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