Greg Iles - The Devils Punchbowl

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With his gift for crafting “a keep-you engaged- to-the-very-last-page thriller” (
) at full throttle, Greg Iles brings back the unforgettable Penn Cage in this electrifying suspense masterpiece.
A new day has dawned . . . but the darkest evils live forever in the murky depths of a Southern town. Penn Cage was elected mayor of Natchez, Mississippi—the hometown he returned to after the death of his wife—on a tide of support for change. Two years into his term, casino gambling has proved a sure bet for bringing new jobs and fresh money to this fading jewel of the Old South. But deep inside the 
, a fantastical repurposed steamboat, a depraved hidden world draws high-stakes players with money to burn on their unquenchable taste for blood sport and the dark vices that go with it. When an old high school friend hands him blood-chilling evidence, Penn alone must beat the odds tracking a sophisticated killer who counters his every move, placing those nearest to him—including his young daughter, his renowned physician father, and a lover from the past—in grave danger, and all at the risk of jeopardizing forever the town he loves.
From Publishers Weekly
Iles's third addition to the Penn Cage saga is an effective thriller that would have been even more satisfying at half its length. There is a lot of story to cover, with Cage now mayor of Natchez, Miss., battling to save his hometown, his family and his true love from the evil clutches of a pair of homicidal casino operators who are being protected by a homeland security bigwig. Dick Hill handles the large cast of characters effortlessly, adopting Southern accents that range from aristocratic (Cage and his elderly father) to redneck (assorted Natchez townsfolk). He provides the bad guys with their vocal flair, including an icy arrogance for the homeland security honcho, a soft Asian-tempered English for the daughter of an international villain and the rough Irish brogue of the two main antagonists. One of the latter pretends to be an upper-class Englishman and, in a moment of revelation, Hill does a smashing job of switching accents mid-sentence. 

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“Let’s don'’t be making threats that it’s in neither of our interests to back up. We’re both tough boys, but there’s room in the jungle for both of us. At least until Mr. Hull and I conclude our business. We have a cease-fire until then.”

“That'’s exactly what we came to get.”

“After that, we can renegotiate new terms, if you like. I hear you may be looking for work soon.” Sands gives me a pointed look. “

You

go back to worrying about city ordinances and garden clubs. However, if you should come across that data that Jessup copied, make sure it gets to me. If you find out somebody else has it, you do the same. No copies. No games. Are we clear?”

“No problem,” I say. “It’s your property anyway.”

“Right.” Sands doesn’'t move, but the sense of dismissal is unmistakable. “I think we’re done here, gentlemen.”

In a burst of motion almost as fast as the one with which he restrained Quinn, Kelly disengages from the Irishman and bounds to his feet. Then he takes the gun from me, and we back out of the office, the dog watching us like a wolf cheated of a kill.

“I'’ll leave the gun with your doorman,” Kelly says. “Have a grand day altogether, gentlemen.”

The doors hiss closed.

Outside, stepping off the far end of the gangplank, I finally take my first easy breath.

“I know that was tense,” Kelly says, “but it was necessary. Especially if I'm leaving town for a few hours to get Annie back.”

“Why did you provoke them like that?”

“Guys like that only understand one thing. Force. I wanted them to know who they'’re dealing with, and I wanted more information about Sands than we had before. I accomplished both things.”

“You did that, all right. Sands shocked me when he asked about the USB drive. I’'ve assumed they had that for a while now.”

“I think Quinn has it,” Kelly says. “But he’s keeping it for himself. It’s his ace in the hole if the Po sting goes bad. A chip in the game with Hull. That'’s one reason Quinn flipped out and attacked me. I was dead right about him getting positioned to stab his boss in the back.”

“Do you think it’s really safe to bring Annie back?”

“As long as we stick to the agreement. They have nothing to gain by antagonizing you further, and now they understand they have a lot to lose.”

“What do you mean?”

“They know we’ll bypass the law as easily as they will. That'’s something they needed to know.”

I look into Kelly’s eyes for a while but say nothing. When I start to shake his hand, he turns and starts walking toward the parking lot.

“What’s the matter?”

“Quinn’s bound to be watching us. We don'’t want anything that looks like a good-bye scene. We want them thinking I'm right around the corner, day and night.”

“Sorry.”

Kelly laughs softly as I catch up to him. “That felt good, didn't it?”

The last knot of tension is starting to uncoil in me. “I’'ve got to say, seeing Quinn on the floor with the knife to his throat beat any courtroom moment I ever had. How did you get the knife in there?”

“Flint doesn’'t show up on the wands. No metal.”

“Where was it hidden?”

“Lower back, in the little valley over my spine. I guess it’s my version of Walt Garrity’s derringer necklace. People miss it all the time.”

“A flint knife,” I marvel. “A caveman’s weapon.”

Kelly turns back and gives me a serious look. “Remember what I told Caitlin last night. We’re still in the cave. It’s just bigger now.” He pats my shoulder. “Tonight you’re going to eat dinner with your little girl. Let’s get to the airport.”

CHAPTER

37

Linda Church crouches naked and shivering in the corner of the kennel stall, praying for deliverance to a God she has almost given up on. There’s a dog collar around her neck, and a heavy chain runs from the collar to a steel post anchored in cement. The kennel is a long, low building with a tin roof, hidden entirely beneath a tall shed so that it can’t be seen from the air. The two rows of gated stalls are made of Cyclone fencing, with an office and a storeroom made of plywood at one end. There’s a barred window in her room, but she doesn’'t dare try to break out of it. The kennel is surrounded by a high fence, and a half dozen ravenous pit bulls roam free between the outer wall and the fence.

That'’s why Quinn feels confident leaving her alone here. Even if she could somehow get the chain off, Linda couldn'’t leave the kennel. But the truth is, she hasn’'t the strength for any of that.

When someone is hurting you and you beg them to stop—and they don'’t stop—something breaks inside you. Linda learned that very young, and she’s lived most of her life trying to escape that feeling, to heal what was broken inside her. Tim was the first man who ever really helped her with that, and Quinn killed him. He’s already admitted that. The first time Quinn raped her in the kennel, he described Tim’s last minutes on earth, the desperate attempt to make them think he had wrecked his car, his flight into the woods

near the Devil’s Punchbowl. But Tim hadn'’t counted on Sands’s dog. The Bully Kutta had run him down in minutes and savaged him before the men could pull him off.

Linda shuts her eyes and tries not to think about last night, but it’s impossible. On top of her infected leg and torn knee, she’s getting a urinary-tract infection. The pain is almost unbearable when she pees, like a razor blade in her urethra, and she shivers for two or three minutes after she’s finished. She stopped drinking water to keep from having to endure any more pain, but that seemed to make it worse. She can’t understand why a man would want to have sex with a woman in the shape she’s in, but Quinn does. Maybe the pain arouses him; maybe that’s the whole point.

She’s cried until she has no tears left. She believed with all her being that her escape from the boat had been divine providence, that she was really going to get clear as a reward for her bravery on the boat—which had in reality been a willingness to accept death, if necessary. To take that step and then be betrayed by the very servant of God, or one who put himself up as that…this had broken her. She feels valueless. Doomed. Like the altar boy must feel when he realizes that the priest who is using him doesn’'t love him, doesn’'t care for him at all, but sees him only as a means to an end.

Linda has never truly wished for death, despite enduring very hard times. She’s known girls who committed suicide, but she could never believe that they hadn'’t had some better choice, if only they had looked hard enough. But here, in this place, she sees no hope of deliverance. Only more rape, more pain, and a terrible death in the end. Quinn has told her he means to feed her to the dogs when he tires of her, and she knows he will do it. He has hated her for being Sands’s favorite, and thus unavailable to him. Quinn would sometimes come sniffing around the Devil’s Punchbowl, but he couldn'’t risk it often because the cameras were always on, and Sands might see him from the security suite or the interrogation room. Still, she always felt Quinn’s eyes creeping over her body whenever he was near. She’d turned to find him staring at her so many times that she’d come to think of his hungry gaze as she did the hairy black caterpillars she’d feared as a child, the ones that injected an anesthetic as they stung you. By the time you looked down and saw one of the revolting things on your leg, you knew it had been there for a long

time, injecting its poison. And half an hour later the burning would begin.

Now Quinn is free to do with her what he will. Linda has never seen so much hatred and anger knotted up inside a man, but she knows she will bear the brunt of it until she can bear no more. So she prays hopelessly for she knows not what, while the wind rattles the fences and the dogs prowl the dirt beyond the plywood wall.

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