Iris Johansen - Blind Alley

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Blind Alley: краткое содержание, описание и аннотация

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Forensic sculptor Eve Duncan returns in this far-fetched but expertly plotted, eminently entertaining novel. When detective Joe Quinn is called to investigate the murder of a young woman whose skin has been peeled away from her skull, he presses the overloaded Eve to work her grisly magic. Eve is shocked to realize that the victim bears an uncanny resemblance to Jane MacGuire, the headstrong 17-year-old she and Joe have adopted, and who was already menaced by another serial killer in 1999's
. Then a suspicious inspector from Scotland Yard, Mark Trevor, arrives with the grim news that a string of women with similar features have been murdered in Italy, England and Spain. A serial killer he calls Aldo has been working his way around the globe, butchering women who look like Cira, a beautiful young actress from the ancient Roman city of Herculaneum (which was destroyed by the eruption of Mt. Vesuvius), whom he holds responsible for his father's death (such is the logic of the insane). Since Jane looks like Cira (and, incidentally, has been having nightmares about being her and trying to escape the volcano's destruction) she will be his prey—or bait. Johansen fans will recall that Eve lost her biological daughter, Bonnie, to a serial killer, so her desire to bring Aldo to justice is tied up with her still-sharp grief. Meanwhile, Jane behaves like a typical teenager, living in denial of her own mortality while feeling intoxicated by the sexy air of peril that now surrounds her. Aldo never comes fully into focus as a villain, but that doesn't matter much, since one of the real engines of fear in the novel is Jane's burgeoning sexuality.
From Booklist
In her latest thriller about Atlanta detective Joe Quinn and the love of his life, forensic sculptor Eve Duncan, Joe gives Eve a skull to reconstruct. Eerily enough, the face resembles 17-year-old Jane MacGuire, who has been offered sanctuary by Eve and Joe after surviving a rough-and-tumble life on the streets. Now it seems that a killer is trying to erase all evidence of her face because it is identical to that of a statue of a woman who died during the eruption of Mount Vesuvius. Several look-alikes have already been killed in Europe, and Scotland Yard sends in hunky Mark Trevor to help. Eve mistrusts him, but Jane, who has had recurring nightmares related to the killings, believes that he's there to help her. Eve and Joe want to protect Jane, but the intrepid teenager knows that unless she confronts the killer, she will live the rest of her life in fear. Johansen has become adept at mixing supernatural elements with intriguing suspense, and her new tale will please both fans and new converts with its unpredictable journey from Atlanta to the archaeological digs of Herculaneum in Italy.

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“She's had enough,” Trevor repeated over his shoulder. “You'll get your answers but not until she's able to absorb them.”

“I'm fine,” Jane said. She was being stupid. Get a grip.

“Yes, you are,” Trevor said. “But there's no immediate urgency. You need time to digest what I've told you.”

“You haven't told me anything. This tunnel, where is it?”

He was striding away from them. “Later.”

“Where is it? You tell me now .”

“Don't get upset. I've no intention of keeping secrets. Well, perhaps a few. But that isn't one of them.” He'd already reached the trees. “Herculaneum.”

NINE

C ira.

Dead over two thousand years.

Herculaneum.

“Go lie down.” Eve's worried gaze was on Jane's face. “You're white as a sheet. Maybe Trevor was right to tell us to get you home.”

“Stop fretting. There's nothing wrong with me.” She gave her the ghost of a smile. “And Joe doesn't think he was right.” She glanced at Joe, who'd been on the phone with the department since they'd arrived back at the cottage, giving Christy the info Trevor had divulged about Guido Manza. “He hates delays. He doesn't like to be teased and then have the rug yanked from under him. He likes everything laid out in crystal-clear order.” She made a face. “And you can't say that anything Trevor told us was clear-cut.”

“It was clear enough to upset you.” She paused. “You nearly went into shock when Trevor mentioned that name.” She repeated it slowly, “Cira. And the tunnel was a little too coincid—”

“I don't want to talk about it.” Jane turned quickly away. She had to get out of here. She was holding on to her composure by main force. “Maybe I am a little tired. I'll go rest until it's time to fix dinner.”

“You can't run away from me, Jane. I'll let you delay but not bury whatever is bothering you.”

“I know that.” She headed down the hall. “But it would help if I knew what was bothering me. Right now, I'm all mixed up.”

“You're not alone. Trevor dropped a bomb and then just walked away. It's no wonder Joe's upset.”

“Herculaneum . . .” She frowned. “It's familiar, but where the devil is Herculaneum?”

“Italy,” Eve said. “It was destroyed by the Vesuvius eruption at the same time as Pompeii.”

“Weird.” Jane opened her bedroom door. “I'm sure Trevor won't leave us hanging long. I'll talk to you later.” She leaned back against the door as she closed it behind her. Dear God, her knees felt like spaghetti. She hated to feel this weak.

And there was no reason for it. It could be a coincidence.

Yeah, sure. Cira was such a common name.

Then what other explanation? She was dreaming about a woman who'd been dead two thousand years? She immediately rejected the thought. There was nothing ancient about the thinking processes of the Cira she knew. She'd never even questioned that Cira was not a present-day woman. Every thought, every instinct were ones that Jane understood perfectly.

Too perfectly?

That's right, question every memory and impulse. That was the way to really go around the bend. She didn't even know the story behind the woman Trevor called Cira. Who knows? Maybe she'd picked up some weird vibes from Aldo that filtered into her dreams.

But Aldo hadn't even appeared on her radarscope until weeks after the dreams had started.

So maybe she was psychic after all. She'd heard of long-distance telepathy.

She was really reaching, she thought in disgust. Next she'd be seeing aliens or those little green monkeys Eve had mentioned. There had to be an explanation, and however weird or pragmatic, it just had to be faced and handled, and everything would be okay.

And that was what Cira would have done.

No, that was what she, Jane, would do. Cira was a dream and had nothing to do with reality. She was already beginning to feel better, stronger. All she'd needed was a little time to get over the shock and realize that this was nothing she couldn't control.

She straightened and headed for the bathroom. She wasn't about to curl up in bed and “rest.” She'd wash her face and then she'd hit the computer and see if she could find any historical reference to a Cira in Herculaneum. It was entirely possible she'd run across information, maybe just a line or two that she'd absorbed and then forgotten and later reprocessed in those dreams. If that didn't work, she'd call the reference library downtown and see if they knew anything or could tell her where else to look. Before Trevor had thrown that bombshell she'd accepted those dreams with curiosity and fascination but she couldn't do that any longer. If there was any fragment of reality connected with Cira she had to know about it and how it was connected to her.

Two hours later she sat back and gazed in frustration at her computer. Nothing. And the reference librarians had not been able to access anything about Cira either. Okay, don't wig out. There had to be an answer. She just had to find it.

And the only knowledgeable source on Cira appeared to be Trevor, blast him.

Cira and Aldo.

She tried to quell her impatience. Keep busy. Go cook dinner. She'd always found if you concentrated on doing the little things right, the big things usually fell into place too.

So call me, Trevor, I'm ready for you.

H ot.

Smoke was beginning to creep through the rocks.

Antonio was just ahead, moving swiftly.

Go faster. Keep from coughing. He mustn't know she was following.

He was gone!

No, he must have just disappeared from view around a turn in the tunnel.

She mustn't lose him. She was committed and there was no turning back.

She started to run.

Don't lose him. Don't lose him.

She turned the corner.

“Can't we go the rest of the way together?” Antonio was outlined against the glowing rocks.

She skidded to a stop. “You knew I was following you.”

“I knew there was a good possibility. You're smart and you don't want to die.” He held out his hand. “Second chance, Cira. For me and for you. We both know second chances don't come along very often. We can make this work.” He grimaced. “If we get out of here in time.”

“I don't want a second chance with you.”

“You loved me once. I can make you love me again.”

“You can't make me do anything. I choose. Always.”

“That's what I've always said. But I'm willing to give in . . . a little. For you.” He coughed. “The smoke is getting worse. I'm not standing here begging. No woman is worth dying for. But you may be worth living for.”

“It's the gold you want. And you can't get the gold away from here without dealing with Julius.”

“Maybe not under the usual circumstances, but the world is ending tonight. There's a chance Julius may end with it. Or that we can find a way to escape to someplace he'll never find us.”

“And you can be emperor,” she said sarcastically.

“Why not? I'd be a magnificent emperor.”

“In some primitive village hiding from Julius?”

“It wouldn't be primitive long if we were both there.”

He was exerting that charisma that had first drawn her to him and the force of his personality was almost overpowering. She mustn't be seduced by him. He was too dangerous.

But he was also beautiful as a god and possessed a reckless, wicked charm that made the danger seem worth risking.

“Don't give me all your trust,” he said. “Take it one step at a time. Just let me get you out of here.”

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