Iris Johansen - Blind Alley

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Blind Alley: краткое содержание, описание и аннотация

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Forensic sculptor Eve Duncan returns in this far-fetched but expertly plotted, eminently entertaining novel. When detective Joe Quinn is called to investigate the murder of a young woman whose skin has been peeled away from her skull, he presses the overloaded Eve to work her grisly magic. Eve is shocked to realize that the victim bears an uncanny resemblance to Jane MacGuire, the headstrong 17-year-old she and Joe have adopted, and who was already menaced by another serial killer in 1999's
. Then a suspicious inspector from Scotland Yard, Mark Trevor, arrives with the grim news that a string of women with similar features have been murdered in Italy, England and Spain. A serial killer he calls Aldo has been working his way around the globe, butchering women who look like Cira, a beautiful young actress from the ancient Roman city of Herculaneum (which was destroyed by the eruption of Mt. Vesuvius), whom he holds responsible for his father's death (such is the logic of the insane). Since Jane looks like Cira (and, incidentally, has been having nightmares about being her and trying to escape the volcano's destruction) she will be his prey—or bait. Johansen fans will recall that Eve lost her biological daughter, Bonnie, to a serial killer, so her desire to bring Aldo to justice is tied up with her still-sharp grief. Meanwhile, Jane behaves like a typical teenager, living in denial of her own mortality while feeling intoxicated by the sexy air of peril that now surrounds her. Aldo never comes fully into focus as a villain, but that doesn't matter much, since one of the real engines of fear in the novel is Jane's burgeoning sexuality.
From Booklist
In her latest thriller about Atlanta detective Joe Quinn and the love of his life, forensic sculptor Eve Duncan, Joe gives Eve a skull to reconstruct. Eerily enough, the face resembles 17-year-old Jane MacGuire, who has been offered sanctuary by Eve and Joe after surviving a rough-and-tumble life on the streets. Now it seems that a killer is trying to erase all evidence of her face because it is identical to that of a statue of a woman who died during the eruption of Mount Vesuvius. Several look-alikes have already been killed in Europe, and Scotland Yard sends in hunky Mark Trevor to help. Eve mistrusts him, but Jane, who has had recurring nightmares related to the killings, believes that he's there to help her. Eve and Joe want to protect Jane, but the intrepid teenager knows that unless she confronts the killer, she will live the rest of her life in fear. Johansen has become adept at mixing supernatural elements with intriguing suspense, and her new tale will please both fans and new converts with its unpredictable journey from Atlanta to the archaeological digs of Herculaneum in Italy.

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“And I need answers. Talk.”

“I'm not going to be unreasonable. I'd like to have an active role in finding Aldo and park myself at your cottage, but I know you don't want me underfoot. So all I want from you is a promise that you'll let me stay here close to Jane. And that you'll call me if Aldo gets close to her.” His lips tightened. “I'll probably know, but I can't take the chance.”

Joe was silent.

“He's not asking much, Joe,” Jane said quietly. “Less than I expected.”

“I'll make up my own mind. I know where you stand.”

“Where do I stand?” Jane asked. “You tell me. I want to live and I want Aldo. If you think that puts me in anyone's camp but yours, then you're mistaken.”

Joe glanced at Eve.

She shrugged. “It's your job on the line. I'll go along with your decision.”

“Well, that's a first.”

She smiled. “Until I decide it's a wrong decision.”

A little of his grimness disappeared. “That's better. I was afraid you were sick.” He turned back to Trevor. “It's a deal. And if I change my mind for any reason, I'll give you warning. That's all I promise.”

“It's enough,” Trevor said. “I didn't expect much more.”

Eve glanced at Jane. “Ask for the moon and settle for whatever you can get? Is that standard operating procedure with you?”

Trevor grinned. “You never win if you don't go for the high stakes.” He turned to Joe. “Ask your questions.”

“Where is Aldo?”

“I don't know. If I did, I'd be on his trail. If his last victim was in Baltimore, I'd judge that he'll go farther north to hit again. He'll want to seem to establish a pattern that will lead away from Jane.”

“You're so sure that he'll double back? Why?”

Trevor's gaze shifted to Jane. “Because she's perfect,” he said softly. “And he knows it. He's found her.”

“Maybe that's only your opinion. Those other women looked—”

“Found who?” Jane stepped forward to face Trevor. “Who does he think he's found? And why does he want to kill her?”

Trevor smiled. “You asked me that before. Actually, I expected that to be Quinn's first question too.”

“Tell me.”

“He's looking for a woman he thinks turned his father against him and was then responsible for his death.”

“Did she?”

“Maybe.”

“So he hates her.”

“And desires her. Sometimes the lines blur when you're insane.”

“He wants her so much that he tries to destroy her image wherever he finds it?” Joe shook his head. “He's a butcher.”

Trevor nodded. “But he had sexual intercourse with the first few victims. He probably had hopes he'd actually found her and sex was the ultimate humiliation. But then he realized that it was a big world and there were many women who had some resemblance. He felt bound to kill them, destroy the likeness, but he had no desire to have sex with them. Since they weren't really her, it was only a duty.”

“Duty,” Jane repeated. “Why?”

“Because they looked like her and mustn't be allowed to escape,” Trevor said. “He couldn't bear to have anyone who resembled her left alive. They had to die.”

Jane shook her head. “That doesn't make sense. Those women . . . They came from all walks of life. If he followed them, hunted them, he'd have to know something about their history. He must have known they couldn't be the woman who seduced his father.”

“According to his way of thinking there was a chance.”

“Bull. And if Aldo was so clever about tracking down all those women with her face, my face, why didn't he investigate?” She gestured with one hand. “Why not go to the police or hire private detectives and find the right one?”

“It would have been difficult.”

“Not as difficult as killing eleven women on the chance of getting the right one.”

“Yes, it would.”

“Why?” She was shaking, she realized. She didn't want him to answer. What the devil was wrong with her?

He gazed directly into her eyes. “Don't be afraid. I'll take care of you.”

“I don't need you to take care of me. Just tell me why he couldn't find her.”

“Because Cira's been dead for over two thousand years.”

She felt as if she'd been punched in the stomach. At first, only the name he'd spoken was clear to her. “Cira . . .” she whispered. “Her name is Cira?”

Joe grunted with disgust. “A two-thousand-year-old corpse? What the hell are you trying to pull, Trevor?”

“Wait, Joe,” Eve said, her gaze on Jane's face. “Let him talk.”

“He's scaring Jane, dammit.”

“I can see that. Let him talk.”

Jane scarcely heard them. “Cira?” Her hands clenched into fists. “He's looking for Cira?”

“Cira who?” Joe asked.

“No one knew her last name.” Trevor's gaze never left Jane's face. “She was only Cira. Cira the magnificent, Cira the divine, Cira the enchantress.”

“Cut to the chase,” Eve said curtly. “We're losing patience. How could a two-thousand-year-old corpse kill Aldo's father?”

“Sorry.” Trevor pulled his gaze away from Jane to smile at Eve. “Actually, Cira wasn't really responsible. His father killed himself when he set off an explosion to seal off the tunnel.”

“Tunnel?” Eve repeated.

He nodded. “The selfish bastard wanted everything for himself. He sealed the entrance, but he wasn't good with explosives and blew himself up too.”

“Where did this happen?”

“Northern Italy,” Joe said. “Four years ago. Right?”

“Close,” Trevor said. “You've been busy, if you traced me that far. It was four years ago and the job was supposed to be in northern Italy. But something more interesting popped up.”

“Aldo?”

“No, Aldo was in the shadows back then. Aldo's father, Guido.”

“What was his whole name?”

Trevor hesitated before answering, “Guido Manza.”

Joe swore. “Dammit, you've known Aldo's last name all this time and you've never told the police? Some of those women might be alive now.”

“I didn't know what the bastard was doing until he left Italy and went to England. I thought he was just running from me until I saw the photo in the Times of that woman he killed in Brighton. I made the connection as soon as I saw the resemblance and started backtracking.”

“Why would he run from you?”

He didn't answer. “And what good would a name do Scotland Yard? He was using fake ID and there was no way of using his friends or family to get to him. Aldo was a loner.”

“Descriptions. They could have run photos of him in the newspapers.”

“Aldo wanted to be an actor. He studied costume and makeup in Rome before his father jerked him away to the excavation. That's one of the reasons why he was difficult to trace when he started his killing spree. He's an expert at disguise. He's an expert at quite a few things. He's really brilliant.”

“You're making excuses.”

“No, I'm giving you reasons.” He shrugged. “But you're right. From your point of view I did everything wrong.”

“Because you wanted to catch Aldo yourself,” Jane said.

“Of course. I told you. He has to die.”

The matter-of-factness of the words sent a chill through Jane. He was right, he'd said those words before but in this moment they seemed more real, more frightening. Before she'd been excited, challenged, confident. She didn't feel confident now. She felt shaken, as if her entire world had been sent spinning.

“Why?” Joe asked.

“What?” Trevor's gaze was on Jane's face again. “Oh, because he deserves it. Why else?” He turned away. “She's had enough. Take her back to the cottage. I'll contact you later.”

“I want to know—”

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