Joe Hill - Heart-Shaped Box

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Heart-Shaped Box: краткое содержание, описание и аннотация

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Judas Coyne is a collector of the macabre: a cookbook for cannibals . . . a used hangman's noose . . . a snuff film. An aging death-metal rock god, his taste for the unnatural is as widely known to his legions of fans as the notorious excesses of his youth. But nothing he possesses is as unlikely or as dreadful as his latest discovery, an item for sale on the Internet, a thing so terribly strange, Jude can't help but reach for his wallet. *I will "sell" my stepfather's ghost to the highest bidder. . . .* For a thousand dollars, Jude will become the proud owner of a dead man's suit, said to be haunted by a restless spirit. He isn't afraid. He has spent a lifetime coping with ghosts—of an abusive father, of the lovers he callously abandoned, of the bandmates he betrayed. What's one more? But what UPS delivers to his door in a black heart-shaped box is no imaginary or metaphorical ghost, no benign conversation piece. It's the real thing. And suddenly the suit's previous owner is everywhere: behind the bedroom door . . . seated in Jude's restored vintage Mustang . . . standing outside his window . . . staring out from his widescreen TV. Waiting—with a gleaming razor blade on a chain dangling from one bony hand. . . . A multiple-award winner for his short fiction, author Joe Hill immediately vaults into the top echelon of dark fantasists with a blood-chilling roller-coaster ride of a novel, a masterwork brimming with relentless thrills and acid terror.

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In the photograph Jessica had her arms around the neck of her smiling, angular stepfather. She was almost as rangy as he was, tall and fit, her skin honey-colored and healthy with tan. But there was something off about her grin—toothy and wide, maybe too wide, too enthusiastic, the sell-sell-sell grin of a frantic real estate salesperson. And there was something off about her eyes, too, which were as bright and black as wet ink, and disconcertingly avid.

Anna sat a little apart from the other two. She was bony, all elbows and knees, and her hair came almost to her waist—a long, golden spill of light. She was also the only one not putting on a smile for the camera. She wasn’t putting on any kind of expression at all. Her face was dazed and expressionless, her eyes unfocused, the eyes of a sleepwalker. Jude recognized it as the expression she wore when she was off in the monochromatic, upside-down world of her depression. He was struck with the troubling idea that she had wandered that world for most of her childhood.

Worst of all, though, was a second, smaller photograph, this one of Captain Craddock McDermott, in fatigues and a sweat-stained fishing hat, M16 slung over one shoulder. He posed with other GIs on hard-packed yellow mud. At his back were palms and standing water; it might’ve been a snapshot of the Everglades, if not for all the soldiers, and their Vietnamese prisoner.

The prisoner stood a little behind Craddock, a solidly built man in a black tunic, with shaved head, broad, handsome features, and the calm eyes of a monk. Jude knew him at first glance as the Vietnamese prisoner he had encountered in his dream. The fingers missing from Trung’s right hand were a dead giveaway. In the grainy, poorly colored photo, the stumps of those fingers had been freshly stitched with black thread.

The same caption that identified this man as Nguyen Trung described the setting as a field hospital in Dong Tam, where Trung had received care for combat-related injuries. That was almost right. Trung had lopped off his own fingers only because he thought they were about to attack—so it had been combat of a sort. As for what had happened to him, Jude thought he knew. Jude thought it was likely that after Trung had no more to tell Craddock McDermott—about ghosts and the work ghosts did—he’d gone for a ride on the nightroad.

The article did not say if McDermott had ever found Roy Hayes, retired professor and ultralight pilot, but Jude believed he had, although there was no rational reason to think such a thing. To satisfy himself he did another search. Roy Hayes’s remains had been laid to rest five weeks later, and in fact Craddock had not found him—not personally. The water was too deep. A state police scuba team had gone in and pulled him out, in the place where Craddock told them to dive.

Georgia threw open the bathroom door, and Jude quit her browser.

“Whatchu doin’?” she asked.

“Trying to figure out how to check my mail,” he lied. “You want a turn?”

She looked at her computer for a moment, then shook her head and wrinkled her nose. “No. I don’t have the least interest in going online. Isn’t that funny? Usually you can’t peel me off.”

“Well, see? Running for your life ain’t all bad. Just look at how it’s building character.”

He pulled out the dresser drawer again and slopped another can of Alpo into it.

“Last night the smell of that shit was making me want to gag,” Georgia said. “Strangely, this morning it’s getting me hungry.”

“Come on. There’s a Denny’s up the street. Let’s go for a walk.”

He opened the door, then held out his hand to her. She was sitting on the edge of the bed, in her stone-washed black jeans, heavy black boots, and sleeveless black shirt, which hung loose on her slight frame. In the golden beam of sunlight that fell through the door, her skin was so pale and fine it was almost translucent, looked as if it would bruise at the slightest touch.

Jude saw her glance at the dogs. Angus and Bon bent over the drawer, heads together as they went snorkeling in their food. He saw Georgia frown, and he knew what she was thinking, that they’d been safe as long as they kept the dogs close. But then she squinted back at Jude, standing in the light, took his hand, and let him pull her to her feet. The day was bright. Beyond the door the morning waited for them.

He was, for himself, not scared. He still felt under the protection of the new song, felt that in writing it he had drawn a magic circle around the both of them that the dead man could not penetrate. He had driven the ghost away—for a time anyhow.

But as they crossed the parking lot—thoughtlessly holding hands, a thing they never did—he happened to glance back at their hotel room. Angus and Bon stared out through the picture window at them, standing side by side on their hind legs, with their front paws on the glass and their faces wearing identical looks of apprehension.

25

The Denny’s was loud and overcrowded,thick with the smell of bacon fat and burnt coffee and cigarette smoke. The bar, just to the right of the doors, was a designated smoking area. That meant that after five minutes of waiting up front to be seated, you could plan on smelling like an ashtray by the time you were led to your table.

Jude didn’t smoke himself and never had. It was the one self-destructive habit he’d managed to avoid. His father smoked. On errands into town, Jude had always willingly bought him the cheap, long boxes of generics, had done it even without being asked, and they both knew why. Jude would glare at Martin across the kitchen table, while his father lit a cigarette and took his first drag, the tip flaring orange.

“If looks could kill, I’d have cancer already,” Martin said to him one night, without any preamble. He waved a hand, drew a circle in the air with the cigarette, squinting at Jude through the smoke. “I got a tough constitution. You want to kill me off with these, you’re gonna have to wait a while. You really want me dead, there’s easier ways to do it.”

Jude’s mother said nothing, concentrated on shelling peas, face screwed up in an expression of intent study. She might have been a deaf-mute.

Jude—Justin then—did not speak either, simply went on glaring at him. He was not too angry to speak but too shocked, because it was as if his father had read his mind. He’d been staring at the loose, chicken-flesh folds of Martin Cowzynski’s neck with a kind of fury, wanting to will a cancer into it, a lump of black-blossoming cells that would devour his father’s voice, choke his father’s breath. Wanting that with all his heart: a cancer that would make the doctors scoop out his throat, shut him up forever.

The man at the next table had had his throat scooped out and used an electrolarynx to talk, a loud, crackling joy buzzer that he held under his chin to tell the waitress (and everyone else in the room): “YOU GOT AIR-CONDITIONIN’? WELL, TURN IT ON. YOU DON’T BOTHER TO COOK THE FOOD, WHY YOU WANNA FRAH YOUR PAYIN’ CUSTOMERS? JESUS CHRIST. I’M EIGHTY-SEVEN.” This was a fact he felt to be of such overwhelming importance that he said it again after the waitress walked away, repeating himself to his wife, a fantastically obese woman who didn’t look up from her newspaper as he spoke. “I’M EIGHTY-SEVEN YEARS OLD. CHRIST. FRAH US LIKE AIGS.” He looked like the old man from that painting, American Gothic, down to the gray strands of hair combed over his balding dome.

“Wonder what sort of old couple we’d make,” Georgia said.

“Well. I’d still be hairy. It would just be white hair. And it would probably be growing in tufts out of all the wrong places. My ears. My nose. Big, crazy hairs sticking out of my eyebrows. Basically like Santa, gone horribly fuckin’ wrong.”

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