F. Cottam - Dark Echo

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Dark Echo Because this boat isn't just unlucky, it's evil. It was built for Henry Spalding, a soldier and sorcerer who committed suicide yet still casts his malevolent spell nearly a century after his death. Suzanne must uncover his last, terrible secret before 
 destroys the man she loves.
From Publishers Weekly
When businessman Magnus Stannard buys Dark Echo, a haunted yacht, at the start of Cottam's overstuffed occult thriller, it fulfills a dream from his impoverished childhood: to own the luxury boat he saw in one of his favorite books. But Dark Echo's American builder, WWI hero Harry Spalding, had an unsavory history of evil exploits, and everyone who's owned the ship since his suicide has suffered misfortune and a grim death. Magnus and his son, Martin, become the latest victims of the yacht's malignant legacy when, after setting out in it to cross the Atlantic, the ship reveals the malevolent mission it has chosen them to complete. Cottam (The House of Lost Souls) works up a byzantine backstory for his spook ship that's imaginatively complex, but that thwarts thrills with its confusing historical detail, digressions into Martin and Magnus's relationship, and shifts of narrative viewpoint. What could have been an exceptional tale of maritime terrors reads more like a horror story adrift at sea. 
From Booklist
Can a haunted object continue to cast the spell created by its evil, long-dead creator? That may be the case of Dark Echo, the oceangoing yacht in this religious-suspense/horror blend spanning the better part of a decade. Cottam sets the scene with a stunning description of nonhuman malevolence embodied in the fog covering 1917 Rouen. Add five deeply buried corpses forming a five-pointed star, a pentagram used in rituals involving animal sacrifice, and a priceless and missing holy relic thought to have delivered the final death blow to the crucified Christ, and this is one compelling story. Along the way, readers will enjoy uncovering the secrets of the regatta-winning racing schooner and its owner, the dashing millionaire Harry Spalding, as Suzanne, a contemporary heroine with a knack for research and the determination to save the man she loves, delves deep and discovers a box filled with 80 years of darkness. A shivery and entertaining read for the beach or firelit evenings.

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She booted away beets from the centre of the flattened pyramid and revealed the earth and began to dig. And only a foot beneath the surface, she encountered bone. It was a skull. It was long with bleak-shaped eye sockets and a narrow jaw and she knew it had been the head of a goat. And what she was looking for had been used, she thought, to kill the goat, skewering the brain of this animal sacrifice in some baleful ceremony from which the other remnants, revealing themselves now, included a burned Bible and a votive candle, a smashed statue of the Virgin and a chamber pot, amid the old encrusted filth of which had been placed a set of rosary beads. Shit had been daubed on the crucifix. Blasphemy was a puerile art. But it was the blade embedded in the skull of the goat, only, that concerned her. It was the tip of the ancient spear to which she had already recovered the shaft.

She thought she heard another noise outside. She disregarded it. It would wait. Outside would wait. There was business here. There was no more important business in the world. Knowing what it was, she felt reluctance to touch the spear tip with her hands. This was not squeamishness. Suzanne was not a squeamish woman. This was awe. She had been told the significance, symbolic and actual, too, of the glimmering, ancient shard of hammered and honed iron she retrieved from inside the skull of the goat and held between her own soiled fingertips. On her knees, she kissed the metal, as Delaunay had told her to. As Delaunay had told her to, she crossed herself with the metal in the grip of her right hand.

The assault of corruption hit her then. From the crates heaped high over against the wall of the barn, she could hear the fizz and burst of decay and smell the blister of erupting, rotten fruit. All around where she knelt, the beets steamed and flattened with decomposition, gaseous, foul, an affront to nature exposed finally to nature’s immutable laws. Suzanne coughed and retched and rose to her feet and looked over at the ragged army of Jericho Crew greatcoats and saw that they were becoming thin and threadbare, pale shrouds descending to dust as they should have done decades ago. She gave out a grunt of satisfaction. It was not triumph, though. Some sly instinct told her that pride in such a situation would be a dangerous, perhaps even deadly indulgence. Cradling what she had recovered, she made for the door.

Duval, the farmer who owned the land, was there outside, with his shotgun over his arm. He was waiting for her. Trespass on his domain was not a thing that went unnoticed. She knew that from her last visit here. But this time, the gun was not broken. Rain dripped from the brim of his hat and his mouth was set under the bristles of his moustache. Rain dripped, too, from the twin barrels of the gun. And smoke drifted lazily upward from them. There was a van, Suzanne saw, beside her car. And she thought with a shock that she recognised the livery. She approached the van. She saw the legend, Martens & Degrue , etched on the black body of the van in gold. She walked around to the front of the vehicle. There were two men inside. They wore pale-brown overalls. The windscreen of the van was punched with twin holes in front of where they sat. And they were dead. Each wore the fatal blossom of a shotgun blast, florid across his chest.

‘They would have killed you,’ Duval said. He said it flatly. It was a simple truth.

Suzanne looked at the ground. She looked up at the sky. ‘Does it always rain here?’

Duval shrugged. ‘It suits the crops.’

Suzanne nodded. She tried to smile. In the face of death, in the presence of its immediacy, she could not.

‘I must compliment you on your courage, madame . You are resolute. You have laid the curse.’

‘Could you not have done it?’

‘My father tried. It destroyed him.’

She gestured to the van. ‘And them?’

‘Food for the pigs,’ he said. ‘My crime. My sin to reconcile, not yours. As much as they deserve.’

So he was reconciled already. ‘Thank you, Pierre Duval,’ she said. ‘Thank you for saving my life.’

He looked at her for a long moment in the dripping rain. ‘It is the least that you deserve.’

She turned back to the barn. It was a strange building, still. But it was a curiosity now of site and architecture and no longer a threat, she knew, at all.

Bonne chance! ’ Duval said, as she drove away. The spear tip was in a velvet bag on the seat beside her. Delaunay had begged her not to consign it to the boot. It was an easy request to grant. She did not feel inclined to be careless or cavalier with what she had recovered. She had never endured a more difficult ordeal in her life. And then there was the artefact itself. She could feel the sacred nature of the metal radiating off it as plainly as intense cold or vibrant heat.

It was Suzanne’s belief that the thing that had once been Harry Spalding waxed and waned in its power and grip on life. The suicide in Manhattan in 1929 had been it testing its claim to immortality. By then it had been very strong. And by then, it was no longer really human. It was not the Devil, as Jane Boyte had supposed. But it had bargained with the Devil. It had gained a sort of reckless invulnerability as reward for the desecration enacted in the barn. Then, back in 1917, the black mantle of safety from harm had extended to the rest of the Jericho Crew. It was still working, to some extent, for their leader after the war. But Suzanne thought the effect had weakened by that time. Mick Collins had not really been able to hurt Harry Spalding at the Shelbourne Hotel with his cudgelling brawler’s fists. But by 1919 the barrel of Boland’s revolver had given Spalding pause for thought with the tip of it shoved under his chin.

Later, in Southport, he had carried out the second blasphemous ceremony. The sacrifice had been greater, the desecration all the worse. And Jane had seen Spalding’s subsequent transformation into something more diabolical than strictly human. His strength had increased. His appearance and even the dimensions of him had shifted and altered.

But there was no harder or more demanding striker of a bargain than the Devil. Eventually, each and every one of the Jericho Crew had needed to be sacrificed. It was the fate of the Waltrow brothers. It was the fate of the gambler Gubby Tench, who rode Spalding’s demonic luck at the tables until the debt to his old commander was called in. They were all in thrall to Spalding. And Spalding was in thrall to Satan. And when Satan realised Spalding’s sacrilegious offerings no longer held, when he realised Spalding’s pledges were no longer honoured, he would be human again and fallible, and no longer able to cheat a mortal death himself. He was strong, now, though. Wasn’t he? He would be strong until it came to the Devil’s attention that there was nothing left worth having any more in Harry Spalding’s depleted account.

This was Suzanne’s logic. This was her rationale, arrived at driving a rental car towards Calais through the French rain. And it made her laugh out loud. With the covered relic on the seat beside her, with the blood from the bodies of the men sent to kill her by Martens and Degrue still fresh in her nostrils, she had to laugh. She thought she might cry, otherwise. Her logic was the logic of nightmare. And the nightmare was not over yet.

When she got back to Northumberland and Delaunay, he wept as she handed over the thing she had recovered. ‘Why is it so important, Monsignor?’

‘It was the spear used to kill Christ.’

She knew that. She knew the story. The Romans had crucified Christ. And as he hung on the cross in the long agony of dying, a Roman soldier took the spear and pierced his side with it, draining the last of the life from him in a brutal act of mercy. But Christians did not believe in mercy killing. The Roman, Longinus, had repented, had converted to Christianity after the death himself. But she could not see that as the significant fact in the story either.

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