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Michael Connelly: The Black Echo

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Michael Connelly The Black Echo

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From Kirkus Reviews Second tense, tightly wound tangle of a case for Hieronymous Bosch (The Black Echo, 1991). This time out, the LAPD homicide cop, who's been exiled to Hollywood Division for his bumptious behavior, sniffs out the bloody trail of the designer drug ``black ice.'' Connelly (who covers crime for the Los Angeles Times) again flexes his knowledge of cop ways-and of cop-novel clich‚s. Cast from the hoary mold of the maverick cop, Bosch pushes his way onto the story's core case-the apparent suicide of a narc-despite warnings by top brass to lay off. Meanwhile, Bosch's boss, a prototypical pencil-pushing bureaucrat hoping to close out a majority of Hollywood 's murder cases by New Year's Day, a week hence, assigns the detective a pile of open cases belonging to a useless drunk, Lou Porter. One of the cases, the slaying of an unidentified Hispanic, seems to tie in to the death of the narc, which Bosch begins to read as murder stemming from the narc's dirty involvement in black ice. When Porter is murdered shortly after Bosch speaks to him, and then the detective's love affair with an ambitious pathologist crashes, Bosch decides to head for Mexico, where clues to all three murders point. There, the well-oiled, ten- gear narrative really picks up speed as Bosch duels with corrupt cops; attends the bullfights; breaks into a fly-breeding lab that's the distribution center for Mexico's black-ice kingpin; and takes part in a raid on the kingpin's ranch that concludes with Bosch waving his jacket like a matador's cape at a killer bull on the rampage. But the kingpin escapes, leading to a not wholly unexpected twist-and to a touching assignation with the dead narc's widow. Expertly told, and involving enough-but lacking the sheer artistry and heart-clutching thrills of, say, David Lindsay's comparable Stuart Haydon series (Body of Evidence, etc.).

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Michael Connelly


The Black Echo

The first book in the Harry Bosch series


This is for W. Michael Connelly

and Mary McEvoy Connelly

Acknowledgments

I would like to thank the following people for their help and support:

Many thanks to my agent, Philip Spitzer, and to my editor, Patricia Mulcahy, for all their hard work, enthusiasm and belief in this book.

Also, thanks to the many police officers who over the years have given me an insight into their jobs and lives. I also want to acknowledge Tom Mangold and John Pennycate, whose bookThe Tunnels of Cu Chi tells the real story of the tunnel rats of the Vietnam War.

Last, I would like to thank my family and friends for their encouragement and unqualified support. And, most of all, I am indebted to my wife, Linda, whose belief and inspiration never waned.

PART I

SUNDAY, MAY 20

The boy couldn’t see in the dark, but he didn’t need to. Experience and long practice told him it was good. Nice and even. Smooth strokes, moving his whole arm while gently rolling his wrist. Keep the marble moving. No runs. Beautiful.

He heard the hiss of the escaping air and could sense the roll of the marble. They were sensations that were comforting to him. The smell reminded him of the sock in his pocket and he thought about getting high. Maybe after, he decided. He didn’t want to stop now, not until he had finished the tag with one uninterrupted stroke.

But then he stopped-when the sound of an engine was heard above the hiss of the spray can. He looked around but saw no light save for the moon’s silvery white reflection on the reservoir and the dim bulb above the door of the pump house, which was midway across the dam.

But the sound didn’t lie. There was an engine approaching. Sounded like a truck to the boy. And now he thought he could hear the crunching of tires on the gravel access road that skirted the reservoir. Coming closer. Almost three in the morning and someone was coming. Why? The boy stood up and threw the aerosol can over the fence toward the water. He heard it clunk down in the brush, short of the mark. He pulled the sock from his pocket and decided just one quick blow to give himself balls. He buried his nose in the sock and drew in heavily on the paint fumes. He rocked back on his heels, and his eyelids fluttered involuntarily. He threw the sock over the fence.

The boy stood his motorbike up and wheeled it across the road, back toward the tall grass and the bottlebrush and pine trees at the base of the hill. It was good cover, he thought, and he’d be able to see what was coming. The sound of the engine was louder now. He was sure it was just a few seconds away, but he didn’t see the glow of headlights. This confused him. But it was too late to run. He put the motorbike down in the tall brown grass and stilled the free-spinning front wheel with his hand. Then he huddled down on the earth and waited for whatever and whoever was coming.


***

Harry Bosch could hear the helicopter up there, somewhere above the darkness, circling up in the light. Why didn’t it land? Why didn’t it bring help? Harry was moving through a smoky, dark tunnel and his batteries were dying. The beam of the flashlight grew weaker every yard he covered. He needed help. He needed to move faster. He needed to reach the end of the tunnel before the light was gone and he was alone in the black. He heard the chopper make one more pass. Why didn’t it land? Where was the help he needed? When the drone of the blades fluttered away again, he felt the terror build and he moved faster, crawling on scraped and bloody knees, one hand holding the dim light up, the other pawing the ground to keep his balance. He did not look back, for he knew the enemy was behind him in the black mist. Unseen, but there. And closing in.

When the phone rang in the kitchen, Bosch immediately woke. He counted the rings, wondering if he had missed the first one or two, wondering if he had left the answering machine on.

He hadn’t. The call was not picked up and the ringing didn’t stop until after the required eight rounds. He absentmindedly wondered where that tradition had come from. Why not six rings? Why not ten? He rubbed his eyes and looked around. He was slumped in the living room chair again, the soft recliner that was the centerpiece of his meager furnishings. He thought of it as his watch chair. This was a misnomer, however, because he slept in the chair often, even when he wasn’t on call.

Morning light cut through the crack in the curtains and slashed its mark across the bleached pine floor. He watched particles of dust floating lazily in the light near the sliding glass door. The lamp on the table next to him was on, and the TV against the wall, its sound very low, was broadcasting a Sunday-morning Jesus show. On the table next to the chair were the companions of insomnia: playing cards, magazines, and paperback mystery novels-these only lightly thumbed and then discarded. There was a crumpled pack of cigarettes on the table and three empty beer bottles-assorted brands that had once been members of six-packs of their own tribe. Bosch was fully dressed, right down to a rumpled tie held to his white shirt by a silver 187 tie tack.

He reached his hand down to his belt and then around back to the area below his kidney. He waited. When the electronic pager sounded he cut the annoying chirp off in a second. He pulled the device off his belt and looked at the number. He wasn’t surprised. He pushed himself out of the chair, stretched, and popped the joints of his neck and back. He walked to the kitchen, where the phone was on the counter. He wrote “Sunday, 8:53A.M.” in a notebook he took from his jacket pocket before dialing. After two rings a voice said, “Los Angeles Police Department, Hollywood Division. This is Officer Pelch, how can I help you?”

Bosch said, “Somebody could die in the time it took to get all that out. Let me talk to the watch sergeant.”

Bosch found a fresh pack of cigarettes in a kitchen cabinet and got his first smoke of the day going. He rinsed dust out of a glass and filled it with tap water, then took two aspirins out of a plastic bottle that was also in the cabinet. He was swallowing the second when a sergeant named Crowley finally picked up.

“What, did I catch you in church? I rang your house. No answer.”

“Crowley, what have you got for me?”

“Well, I know we had you out last night on that TV thing. But you’re still catching. You and your partner. All weekend. So, that means you got the DB up at Lake Hollywood. In a pipe up there. It’s on the access road to the Mulholland Dam. You know it?”

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