Michael Connelly: The Black Echo

The shirtless man grimaced, and Bosch noticed he had a blue tear tattooed at the outside corner of his right eye. It somehow seemed appropriate to Bosch. It was the most sympathy the dead man would get here.

“Time of death is going to be a pisser,” Sakai said. He did not look up from his work. “That pipe, you know, with the heat rising, it’s going to skew the temperature loss in the liver. Osito took a reading in there and it was eighty-one. Ten minutes later it was eighty-three. We don’t have a fixed temp in the body or the pipe.”

“So?” Bosch said.

“So I am not giving you anything here. I gotta take it back and do some calculating.”

“You mean give it to somebody else who knows how to figure it?” Bosch asked.

“You’ll get it when you come in for the autopsy, don’t worry, man.”

“Speaking of which, who’s doing the cutting today?”

Sakai didn’t answer. He was busy with the dead man’s legs. He grabbed each shoe and manipulated the ankles. He moved his hands up the legs and reached beneath the thighs, lifting each leg and watching as it bent at the knee. He then pressed his hands down on the abdomen as if feeling for contraband. Lastly, he reached inside the shirt and tried to turn the dead man’s head. It didn’t move. Bosch knew rigor mortis worked its way from the head through the body and then into the extremities.

“This guy’s neck is locked but good,” Sakai said. “Stomach’s getting there. But the extremities still have good movement.”

He took a pencil from behind his ear and pressed the eraser end against the skin on the side of the torso. There was purplish blotching on the half of the body closest to the ground, as if the body were half full of red wine. It was post-mortem lividity. When the heart stops pumping, the blood seeks the low ground. When Sakai pressed the pencil against the dark skin, it did not blanch white, a sign the blood had fully clotted. The man had been dead for hours.

“The po-mo lividity is steady,” Sakai said. “That and the rig makes me estimate that this dude’s been dead maybe six to eight hours. That’s going to have to hold you, Bosch, until we can work with the temps.”

Sakai didn’t look up as he said this. He and the one called Osito began pulling the pockets on the dead man’s green fatigue pants inside out. They were empty, as were the large baggy pockets on the thighs. They rolled the body to one side to check the back pockets. As they did this, Bosch leaned down to look closely at the exposed back of the dead man. The skin was purplish with lividity and dirty. But he saw no scratches or marks that allowed him to conclude that the body had been dragged.

“Nothing in the pants, Bosch, no ID,” Sakai said, still not looking up.

Then they began to gently pull the black shirt back over the head and onto the torso. The dead man had straggly hair that had more gray in it than the original black. His beard was unkempt and he looked to be about fifty, which made Bosch figure him at about forty. There was something in the breast pocket of the shirt and Sakai fished it out, looked at it a moment and then put it into a plastic bag held open by his partner.

“Bingo,” Sakai said and handed the bag up to Bosch. “One set of works. Makes our jobs all a lot easier.”

Sakai next peeled the dead man’s cracked eyelids all the way open. The eyes were blue with a milky caul over them. Each pupil was constricted to about the size of a pencil lead. They stared vacantly up at Bosch, each pupil a small black void.

Sakai made some notes on a clipboard. He’d made his decision on this one. Then he pulled an ink pad and a print card from the tackle box by his side. He inked the fingers of the left hand and began pressing them on the card. Bosch admired how quickly and expertly he did this. But then Sakai stopped.

“Hey. Check it out.”

Sakai gently moved the index finger. It was easily manipulated in any direction. The joint was cleanly broken, but there was no sign of swelling or hemorrhage.

“It looks post to me,” Sakai said.

Bosch stooped to look closer. He took the dead man’s hand away from Sakai and felt it with both his own, ungloved hands. He looked at Sakai and then at Osito.

“Bosch, don’t start in,” Sakai barked. “Don’t be looking at him. He knows better. I trained him myself.”

Bosch didn’t remind Sakai that it was he who had been driving the ME wagon that dumped a body strapped to a wheeled stretcher onto the Ventura Freeway a few months back. During rush hour. The stretcher rolled down the Lankershim Boulevard exit and hit the back end of a car at a gas station. Because of the fiberglass partition in the cab, Sakai didn’t know he had lost the body until he arrived at the morgue.

Bosch handed the dead man’s hand back to the coroner’s tech. Sakai turned to Osito and spoke a question in Spanish. Osito’s small brown face became very serious and he shook his head no.

“He didn’t even touch the guy’s hands in there. So you better wait until the cut before you go saying something you aren’t sure about.”

Sakai finished transferring the fingerprints and then handed the card to Bosch.

“Bag the hands,” Bosch said to him, though he didn’t need to. “And the feet.”

He stood back up and began waving the card to get the ink to dry. With his other hand he held up the plastic evidence bag Sakai had given him. In it a rubber band held together a hypodermic needle, a small vial that was half filled with what looked like dirty water, a wad of cotton and a pack of matches. It was a shooter’s kit and it looked fairly new. The spike was clean, with no sign of corrosion. The cotton, Bosch guessed, had only been used as a strainer once or twice. There were tiny whitish-brown crystals in the fibers. By turning the bag he could look inside each side of the matchbook and see only two matches missing.

Donovan crawled out of the pipe at that moment. He was wearing a miner’s helmet equipped with a flashlight. In one hand he carried several plastic bags, each containing a yellowed newspaper, or a food wrapper or a crushed beer can. In the other he carried a clipboard on which he had diagramed where each item had been found in the pipe. Spiderwebs hung off the sides of the helmet. Sweat was running down his face and staining the painter’s breathing mask he wore over his mouth and nose. Bosch held up the bag containing the shooter’s kit. Donovan stopped in his tracks.

“You find a stove in there?” Bosch asked.

“Shit, he’s a hype?” Donovan said. “I knew it. What the fuck are we doin’ all this for?”

Bosch didn’t answer. He waited him out.

“Answer is yes, I found a Coke can,” Donovan said.

The crime scene tech looked through the plastic bags in his hands and held one up to Bosch. It contained two halves of a Coke can. The can looked reasonably new and had been cut in half with a knife. The bottom half had been inverted and its concave surface used as a pan to cook heroin and water. A stove. Most hypes no longer used spoons. Carrying a spoon was probable cause for arrest. Cans were easy to come by, easy to handle and disposable.

“We need the kit and the stove printed as soon as we can,” Bosch said. Donovan nodded and carried his burden of plastic bags toward the police van. Bosch turned his attention back to the ME’s men.

“No knife on him, right?” Bosch said.

“Right,” Sakai said. “Why?”

“I need a knife. Incomplete scene without a knife.”

“So what. Guy’s a hype. Hypes steal from hypes. His pals probably took it.”

Sakai’s gloved hands rolled up the sleeves of the dead man’s shirt. This revealed a network of scar tissue on both arms. Old needle marks, craters left by abscesses and infections. In the crook of the left elbow was a fresh spike mark and a large yellow-and-purplish hemorrhage under the skin.