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David Durham: Pride of Carthage

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“Durham vividly captures the frenzy of ancient warfare. . . . A skillfully structured, gripping novel – “Masterly. . . . First-rate historical fiction. Durham has delivered some of the best battle scenes on the page since Michael Shaara’s Civil War fiction.” – “Stunning. . . . A brilliant exploration of the tension between private destiny and historical force.” -- “Fascinating. . . . Nimbly exploits what is known about this distant period. . . . The author has speculated and invented optimally.” — “An extraordinary achievement: Durham puts flesh on the bones of Carthage in a way that no novelist has done since Flaubert wrote .”—Tom Holland, author of “ is that rare and wonderful thing: an historical novel that’s not only deeply evocative of time and place, character and situation, but is also lyrically written, compellingly composed. I savored each page while ever more breathless as the story unfolded. Durham has broken the mold of historical fiction and created a masterpiece.”—Jeffrey Lent, author of and “Durham leaps continents and centuries to tell the epic story of Hannibal and his march on Rome in this heady, richly textured novel. . . . The novel’s grand sweep is balanced by intimate portraits of Hannibal, his family, his allies and his enemies. . . . Durham weaves abundant psychological, military, and political detail into this vivid account of one of the most romanticized periods of history.”— (starred review) “Durham has reimagined this vanished world in stunningly precise detail, and his lucid explanations of the give-and-take of military decision-making help ... From Publishers Weekly Known for his novels of African-American life in 19th-century America ( ; ), Durham leaps continents and centuries to tell the epic story of Hannibal and his march on Rome in this heady, richly textured novel. After Hannibal assumes command of the Carthaginian army in Spain and conquers the Roman city of Saguntum, Carthage refuses to accept Rome's demand that it abandon the city, precipitating the Second Punic War. In 218 B.C., Hannibal begins his daring march toward Rome, leading an army of upward of 100,000—complete with elephants and cavalry—over the Pyrenees, across the Rhône and through the snowcapped Alps. Ill prepared for the frigid weather, pummeled by avalanches and harassed by Celtic tribes, the army arrives in Italy reduced to perhaps 30,000. Against all odds, Hannibal brings his soldiers through the tortuous marshes of the Arno, and traps and massacres a large Roman force at Lake Trasimene and again at Cannae. The novel's grand sweep is balanced by intimate portraits of Hannibal, his family, his allies and his enemies, as well as by the stories of two humble characters: Imco Vaca, a soldier, and Aradna, a camp follower, who meet and fall in love as the saga moves inexorably toward an account of the beheading of Hannibal's brother and Hannibal's eventual defeat at the gates of Rome. Durham weaves abundant psychological, military and political detail into this vivid account of one of the most romanticized periods of history.

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A voice broke through his thoughts. “Hannibal? Come and welcome your beloved.”

He turned to see his wife approaching, arms cradled around a sleeping infant. “You have made us wait long enough,” she said. Her Carthaginian was smooth and measured, though her pronunciation had a rough edge to it, an indelicacy of her native tongue that made her voice somewhat masculine as compared with the fine artistry of her features. She was, after all, a native of Iberia, daughter of Ilapan, a chieftain of the Baetis people. Her marriage had thrown her completely into the arms of a foreign culture, and yet she had adapted quickly, gracefully. Hannibal had even come to believe the apparent affection between them to be real. At times, this gave him great joy; at others, it concerned him more than indifference would have.

Imilce stopped some distance from the balcony. “Come out of the cold. Your son is here, inside, where you should be as well.”

Hannibal did as requested. He moved slowly, taking the woman in with his eyes, a wary look as if he was studying her for signs that she was not who she claimed. Hers was a thin-lined beauty, eyebrows of faint brown that seemed drawn each with the single stroke of a quill, lips with no pout at all but rather a wavering, serpentine elegance. Her features were held together with a brittle energy, as if she were a vessel that contained within it the spirit of a petulant, well-loved child, a glimmering intelligence that had been, in fact, the first thing that drew his eyes to her. He slid a hand to the small of her back, pulled her close, and touched his lips to the smooth olive skin of her forehead. He inhaled her hair. The scent was as he remembered, faintly flowered, faintly peppered. She was just the same.

Though she was the same as before, his son most certainly was not. Five months seemed to have doubled his size. No longer was he a seed of child that Hannibal could hold completely within his upheld palms. No longer was he pale and wrinkled and bald. His complexion had ripened. He was thick around the wrists, and his clenched fists already seemed mallets to be contended with. The father saw himself in the child's full lips and this pleased him. He took the boy awkwardly from his mother. The child's head lolled back. Hannibal righted it and cautiously lowered himself to a stool.

“You're just like your older sister,” Imilce said. “Kind as she has been to me, Sapanibal, too, tries to wake him through clumsiness. Always wants to see his gray eyes, she says. But it will not work this time. He's full of his mother's milk and content, drunk with all the food he asks of all the world.”

Hannibal raised his eyes to study her. “Enjoy it, Mother, for soon this one will look up and see a world beyond your breasts. Then he'll be all mine.”

“Never,” Imilce said. She made as if to take the child, but did not. “So how do you feel in victory, husband?”

“As ever, Imilce. I feel the nagging of neglect.”

“Hungry already?”

“There is always some portion of me left unfilled.”

“What can you tell me of the campaign?”

The commander shrugged and sighed and cleared his throat. He said there was little to tell. But she waited, and he found first one thing and then another to mention. The three brothers had returned in good health, each unscathed. Arbocala was theirs, not that this was a great gain, for the city was a sadder collection of hovels than Mastia had been before Hasdrubal the Handsome built New Carthage upon it. The Arbocalians had been not only defiant but also arrogant and disrespectful and treacherous. They murdered a party sent inside the city to present surrender terms. They flung the decapitated bodies out with catapults and had their heads mounted on posts above the city's walls. This insult Hannibal felt keenly, for he had almost sent Hasdrubal in with the delegation. They were so stubborn a people that the only good he could see in the whole venture was the possibility of making them into soldiers for Carthage. If they had the sense to see this, they would find themselves richer than they had ever imagined. But he doubted it would be an easy thing to convince them of. He imagined that even now they were bubbling with hatred and anxious for some way to break the treaties and be free again.

“It will never be an easy task to hold this domain together,” he said. “You Iberians are a troublesome lot, like wild dogs mastered by neither force nor friendship.”

The baby grimaced, cocked his head, and strained against his father's arms. Imilce reached for him.

“He's got the blood of those wild dogs in his veins, you know,” she said. “Do not anger him. We should let him sleep in peace now. You'll have your fill of him tomorrow.”

She walked to the edge of the room and handed the child to a servant who stood waiting. She whispered to her and the girl withdrew, moving backward and bowing and cradling the baby all at once. Imilce spoke then to the room, two sharp words in her native tongue. She was answered by rustling in the shadows along the wall, the slight sound of movement, servants slipping from the room through several different exits, never seen except in glimpses.

A moment later they were all gone, and Imilce turned back to her husband. Her face already looked different, as if her cheeks had flushed and her eyes grown more sensual. As she walked toward him she pulled the pins from her tightly bound hair. The dark strands fell loose and draped around her shoulders. It seemed the mother in her had left the room with the child, and here was a different sort of creature.

“Now we are alone,” she said. “So show me.”

The commander smiled and stood for this custom of theirs. He released the belt of his gown and slid the material off his shoulders and let it drop to the ground. He stood naked before her, hands held out beside his hips, palms upward so that she could see the parts of his body. The long muscles of his legs stood out each in its layered place; his calves seemed smooth river stones slipped beneath his flesh, the cords of his inner thigh like ribbons stretched taut. His sex nestled in its place somewhat shyly, and above it the ridged compartments of his torso swept up into the bulk of his chest and the wide stretch of his shoulders.

“As you can see,” he said, “there's no new mark upon me, neither nick nor bruise.”

The woman's eyes dipped down toward his groin. “Nothing lopped off?”

Hannibal smiled. “No, I am still complete. They did not touch me.”

“But you touched them?” she asked.

“Surely. There are many now who regret their actions, some that do so from the afterworld.”

“But yourself, you have nothing to regret?”

He followed her with his eyes as she circled him. “Baal was beside me in this venture. I was simply the humble servant of his will.”

From behind him, she said, “Is that so? Hannibal bends to another's will?”

“If that other is my god, yes.”

Imilce placed a finger at the base of his neck and traced the line of his spine, pulling away just above his buttocks. “I see,” she said. “And what's this?”

“What?” Hannibal craned his neck around to see, but before he had done so Imilce showed her teeth and nipped the flesh of his shoulder. He spun away from her and then swept back and pressed her to his chest and carried her toward the bed, feet dangling above the floor.

Later that evening, Hannibal lay upon blankets thrown across the floor. He spread out on his chest, eyes intent on nothing except the folds on the fabric just before him, the ridges and swells of it, the range of peaks that he had plucked up with his fingers and now studied like objects made of stone. Imilce slipped quietly back into the room. She paused to watch him from a dim place against the wall, and then she let her gown drop again. She dipped her fingers into a bowl of flavored water and swept them across her swollen nipples. She moved forward into the lamplight. She climbed on her husband's back and settled with her spine cradled in his, her shoulders resting on the stretch of his back, his buttocks molded into the hollow above hers. Neither spoke for some time, but when Imilce did it was clear enough of what she spoke.

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