Nicola Upson - An Expert in Murder

16

Two

Detective Inspector Archie Penrose could never travel in the King’s Cross area without feeling instantly depressed. North London was the city at its most forbidding and, despite the widening of the streets, its most claustrophobic. He drove down an uninspiring thoroughfare bordered with drab houses, few of which had ever been decorated or even cleaned, and past the straggling shabbiness of Euston Station. Then there was King’s Cross itself; he always thought that the station’s facade – two main arches separated by a clock tower of dreadful yellow brick, turned black with the dirt of ages – looked more like the entrance to a gaol than the gateway to a capital. Certainly it did nothing to help a man on his way to a murder investigation.

A sizeable crowd had gathered at the head of Platform Eight, obscuring his view of the train in which the girl’s body had been discovered less than an hour ago by a young railway employee.

According to Penrose’s colleague, Sergeant Fallowfield, the boy was now in a state of shock. Fallowfield, who had been handling an incident round the corner in Judd Street when the call came in and was first on the scene, approached him now, pushing his way through the on-lookers with very little patience for their ghoulish curiosity.

‘You’d think they’d have something better to do on a Friday night, wouldn’t you, Sir? Bloody vultures, the lot of ’em.’

The comment was uncharacteristic of his sergeant, who usually had a more positive view of human nature despite years of experience to the contrary. Whatever he had seen on the train had clearly got to him. ‘Poor kid, she can’t be more than twenty,’ Fallowfield 17

said, as if reading his thoughts. ‘Hardly had a chance to start her life, let alone live it.’

‘Do we know who she is?’ Penrose asked.

‘Assuming it’s her bag in the carriage, her name’s Elspeth Simmons and she’s from Berwick-on-Tweed – at least, that’s where she got on the train, and it’s a return ticket. It’s a nasty one, this, Sir – as spiteful as anything I’ve seen. I reckon we’ve got a sick bastard on our hands.’

When he saw what awaited him in the sealed-off carriage, Penrose could only agree. The dead girl sat – or rather seemed to have been composed – on the middle of the three seats to the right of the compartment, an ornate and deadly hatpin protruding from under her breastbone. Her hands had been clasped together in front of her in a mockery of applause at the scene which someone had created for her benefit in the vacant space opposite. There, a pair of dolls – one male and one female – had been carefully arranged on the seat like actors on a stage. They stood together in a half embrace, and he noticed that the woman’s left hand – the one that bore her wedding ring – had been broken off and lay on its own in front of the couple like a sinister prop from a horror film. Close to them on the seat was a hand-written note on expensive-looking paper: ‘Lilies are more fashionable,’ it said, but the flower that lay on the floor was not a lily but an iris.

It was immediately obvious to him that this was not a random or spontaneous killing but a carefully thought-out, and probably deeply personal, act of violence. Not for a second did he think that the murderer wished to be quickly identified, but there could be little doubt that a message could be traced in every object that he – or she – had been so careful to leave on and around the body.

It was a crime that had required considerable nerve.

‘Were the blinds up or down when she was found?’ he asked.

‘Both down, Sir. The boy says he pulled that one up as soon as he came in.’

Even so, Penrose thought, the scene must have taken a few minutes to arrange once the murder had been committed, and that would mean a greater risk of discovery than most people could 18

countenance. That was the point, though: in a symbolic killing such as this, they were not dealing with the fears and doubts of a normal person but with the arrogance and sense of invulnerability that invariably accompanied evil.

‘And is this exactly how she was found?’

‘Yes, or so he says. Forrester’s his name and he’s obviously frightened out of his wits. Maybrick’s had the waiting room cleared and taken him there with a cup of tea. Poor little sod – I’m not surprised he’s scared: I wouldn’t have liked to walk in on something like this at his age. Those dolls are enough to put the wind up anybody, and they gave him a right start – as much as finding the body.’

Penrose turned to look at them. The dolls were each about a foot high and elaborately clothed in fringed cloaks and old-fashioned head-dresses. Intrigued, he moved slightly closer, marvelling at the detail with which the faces had been modelled, appearing perversely life-like in a place of death. ‘They’re not just any dolls, Bill. I wonder if they were hers or if the killer brought them? They’re souvenirs from a play that’s on in the West End at the moment – Richard of Bordeaux ; it’s a historical piece about Richard II. Those dolls have been made specially to look like the characters in it. And that piece of paper,’ he continued, pointing to the note on the seat, ‘that’s a quotation from it: “Lilies are more fashionable.” I think it’s the Queen who says it at some point.’

Fallowfield had never heard of the play, but it came as no surprise to him that his superior should know all about it. Apart from policing, theatre was Penrose’s great passion and he had an exhaustive knowledge of the subject as well as a few friends and relatives in the business. ‘I just thought the note was a funny sort of love letter,’ Fallowfield said.

‘I suppose in a way it is,’ Penrose replied. ‘The question is –

who’s it from? And is the sender going to be devastated when we break the news that Miss Simmons is dead?’

‘Or does he know already, you mean?’ Fallowfield finished the line of thought. ‘Bit of an obvious calling card, that, don’t you think, Sir? I mean, we’re going to find out if she was courting and 19

if it really is a boyfriend who did it, he might as well have left his address and saved us some time.’

‘Yes, I suppose so, but I don’t think for a minute it’s going to be as simple as all that. For a start, we’ve no guarantee that it is a love letter and, judging by everything else that’s been put here for a reason, I’d say there’s a much deeper meaning than some kind of clumsy romantic gesture. And apart from all this extra paraphernalia, don’t you think that hatpin’s an odd sort of weapon to choose? Not a very masculine sort of killing. It’s straight out of Agatha Christie: Murder on the Royal Highlander in fifteen easy chapters.’

‘Perhaps they all did it then, Sir. And there’s only nine chapters, by the way,’ Fallowfield said with unconscious irony, betraying an au fait -ness with current detective fiction that always surprised Penrose. He suddenly had an image of his down-to-earth sergeant rushing home from the Yard every night to devour the latest thriller by his fireside. Better still, perhaps he was actually writing one of his own. The thought of Miss Dorothy L. Sayers turning out to be a portly, moustached officer of the law in his early fifties was priceless, and he made a mental note to mention it to Josephine when he saw her tomorrow night.

Except now, of course, he would have to see her earlier than planned and there would be no joy in the meeting. For whatever reason, this girl’s murder was linked to her play and, no matter how innocent the explanation, he could not conceal that fact from her and neither would she want him to. He wished he could dilute the shock by promising the sort of tidy solution with which she had concluded her first detective story, but he couldn’t insult her intelligence in that way and wouldn’t get away with it if he tried.