Patricia Highsmith - Strangers on a Train

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Strangers on a Train: краткое содержание, описание и аннотация

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A major new reissue of the work of a classic noir novelist. With the acclaim for
, more film projects in production, and two biographies forthcoming, expatriate legend Patricia Highsmith would be shocked to see that she has finally arrived in her homeland. Throughout her career, Highsmith brought a keen literary eye and a genius for plumbing the psychopathic mind to more than thirty works of fiction, unparalleled in their placid deviousness and sardonic humor. With deadpan accuracy, she delighted in creating true sociopaths in the guise of the everyday man or woman. Now, one of her finest works is again in print:
, Highsmith's first novel and the source for Alfred Hitchcock's classic 1953 film. With this novel, Highsmith revels in eliciting the unsettling psychological forces that lurk beneath the surface of everyday contemporary life.

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Tonight!

He could hardly believe it as he walked toward the bus station, where one caught the bus for Lamy, the railroad terminal. He had thought he would be so happy and excited—or maybe quiet and grim—and he wasn’t at all. He frowned suddenly, and his pallid, shadowy-eyed face looked much younger. Was something going to take the fun out of it after all? What would take it out? But something always had taken the fun out of everything he had ever counted on. This time he wouldn’t let it. He made himself smile. Maybe it was the hangover that had made him doubt. He went into a bar and bought a fifth from a barman he knew, filled his flask, and asked for an empty pint bottle to put the rest in. The barman looked, but he didn’t have one.

At Lamy Bruno went on to the station, carrying nothing but the half empty bottle in a paper bag, not even a weapon. He hadn’t planned yet, he kept reminding himself, but a lot of planning didn’t always mean a murder was a success. Witness the— “Hey, Charley! Where you going?”

It was Wilson, with a gang of people. Bruno forced himself to walk toward them, wagging his head boredly. They must have just got off a train, he thought. They looked tired and seedy.

“Where you been for two days?” Bruno asked Wilson.

“Las Vegas. Didn’t know I was there until I was there, or I’d have asked you, Meet Joe Hanover. I told you about Joe.”

“H’lo, Joe.”

“What’re you so mopey about?“Wilson asked with a friendly shove.

“Oh, Charley’s hung over!” shrieked one of the girls, her voice like a bicycle bell right in his ear.

“Charley Hangover, meet Joe Hanover!” Joe Hanover said, convulsed.

“Haw haw.” Bruno tugged his arm away gently from a girl with a lei around her neck. “Hell, I gotta catch this train.” His train was waiting.

“Where you going?” Wilson asked, frowning so his black eyebrows met.

“I hadda see someone in Tulsa,” Bruno mumbled, aware he mixed his tenses, thinking he must get away now. Frustration made him want to weep, lash out at Wilson’s dirty red shirt with his fists.

Wilson made a movement as if he would wipe Bruno away like a chalk streak on a blackboard. “Tulsa!”

Slowly, with a try at a grin, Bruno made a similar gesture and turned away. He walked on, expecting them to come after him, but they didn’t. At the train, he looked back and saw the group moving like a rolling thing out of the sunlight into the darkness below the station roof. He frowned at them, feeling something conspiratorial in their closeness. Did they suspect something? Were they whispering about him? He boarded the train casually, and it began to move before he found his seat.

When he awakened from his nap, the world seemed quite changed. The train was speeding silkily through cool bluish mountainland. Dark green valleys were full of shadows. The sky was gray. The airconditioned car and the cool look of things outside was as refreshing as an icepack. And he was hungry. In the diner he had a delicious lunch of lamb chops, French fries and salad, and fresh peach pie washed down with two Scotch and sodas, and strolled back to his seat feeling like a million dollars.

A sense of purpose, strange and sweet to him, carried him along in an irresistible current. Merely in gazing out the window, he felt a new coordination of mind and eye. He began to realize what he intended to do. He was on his way to do a murder which not only would fulfill a desire of years, but would benefit a friend. It made Bruno very happy to do things for his friends. And his vie67 tim deserved her fate. Think of all the other good guys he would save from ever knowing her! The realization of his importance dazzled his mind, and for a long moment he felt completely and happily drunk. His energies that had been dissipated, spread like a flooded river over land as flat and boring as the Llano Estacado he was crossing now, seemed gathered in a vortex whose point strove toward Metcalf like the aggressive thrust of the train. He sat on the edge of his seat and wished Guy were opposite him again. But Guy would try to stop him, he knew; Guy wouldn’t understand how much he wanted to do it or how easy it was. But for Christ’s sake, he ought to understand how useful! Bruno ground his smooth, hard rubber-like fist into his palm, wishing the train would go faster. All over his body, little muscles twitched and quivered.

He took out the paper about Miriam, laid it on the empty seat opposite him, and studied it earnestly. Miriam Joyce Haines, about twenty-two, said his handwriting in precise, inked characters, for this was his third copy. Rather pretty. Red hair. A little plump, not very tall. Pregnant so you could tell probably since a month. Noisy, social type. Probably flashy dressed. Maybe short curly hair, maybe a long permanent. It wasn’t very much, but it was the best he could do. A good thing she had red hair at least. Could he really do it tonight, he wondered. That depended on whether he could find her right away. He might have to go through the whole list of Joyces and Haineses. He thought she’d be living with her family probably. Once he saw her, he was sure he would recognize her. The little bitch! He hated her already. He thought of the instant he would see her and recognize her, and his feet gave an expectant jump on the floor. People came and went in the aisle, but Bruno did not look up from the paper.

She’s going to have a child, Guy’s voice said. The little floozy! Women who slept around made him furious, made him ill, like the mistresses his father used to have, that had turned all his school holidays into nightmares because he had not known if his mother knew and was only pretending to be happy, or if she did not know at all. He recreated every word he could of his and Guy’s conversation on the train. It brought Guy close to him. Guy, he considered, was the most worthy fellow he had ever met. He had earned the Palm Beach job, and he deserved to keep it. Bruno wished he could be the one to tell Guy he still had it.

When Bruno finally replaced the paper in his pocket and sat back with one leg comfortably crossed, his hands folded on his knee, anyone seeing him would have judged him a young man of responsibility and character, probably with a promising future. He did not look in the pink of health, to be sure, but he did reflect poise and an inner happiness seen in few faces, and in Bruno’s never before. His life up to now had been pathless, and seeking had known no direction, finding had revealed no meaning. There had been crises—he loved crises and created them sometimes among his acquaintances and between his father and mother—but he had always stepped out of them in time to avoid participation. This, and because he occasionally found it impossible to show sympathy even when it was his mother who was hurt by his father, had led his mother to think that a part of him was cruel, while his father and many other people believed him heartless. Yet an imagined coolness in a stranger, a friend he telephoned in a lonely dusk who was unable or unwilling to spend the evening with him, could plunge him into sulking, brooding melancholy. But only his mother knew this. He stepped out of crises because he found pleasure in depriving himself of excitement, too. So long had he been frustrated in his hunger for a meaning of his life, and in his amorphous desire to perform an act that would give it meaning, that he had come to prefer frustration, like some habitually unrequited lovers. The sweetness of fulfillment of anything he had felt he would never know. A quest with direction and hope he had always felt, from the start, too discouraged to attempt. Yet there had always been the energy to live one more day. Death held no terror at all, however. Death was only one more adventure untried. If it came on some perilous business, so much the better. Nearest, he thought, was the time he had driven a racing car blindfolded on a straight road with the gas pedal on the floor. He never heard his friend’s gunshot that meant stop, because he was lying unconscious in a ditch with a broken hip. At times he was so bored he contemplated the dramatic finality of suicide. It had never occurred to him that facing death unafraid might be brave, that his attitude was as resigned as that of the swamis of India, that to commit suicide required a particular kind of despondent nerve. Bruno had that kind of nerve always. He was actually a little ashamed of ever considering suicide, because it was so obvious and dull.

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