Dan Brown - Inferno - A Novel

This book is a work of fiction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Copyright © 2013 by Dan Brown

All rights reserved. Published in the United States by Doubleday, a division of Random House, Inc., New York, and in Canada by Random House of Canada Limited, Toronto.

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Jacket design by Michael J. Windsor

Jacket photographs: Dante © Imagno / Hulton Archive / Getty Images;

Florence © Bread and Butter / Getty Images

Cataloging-in-Publication Data is on file with the Library of Congress.

eISBN: 978-0-385-53786-5

v3.1

FOR MY PARENTS …

Acknowledgments

My most humble and sincere thanks to:

As always, first and foremost, my editor and close friend, Jason Kaufman, for his dedication and talent … but mainly for his endless good humor.

My extraordinary wife, Blythe, for her love and patience with the writing process, and also for her superb instincts and candor as a front-line editor.

My tireless agent and trusted friend Heide Lange, for expertly navigating more conversations, in more countries, on more topics than I will ever know. For her skills and energy, I am eternally grateful.

The entire team at Doubleday for its enthusiasm, creativity, and efforts on behalf of my books, with very special thanks to Suzanne Herz (for wearing so many hats … and wearing them so well), Bill Thomas, Michael Windsor, Judy Jacoby, Joe Gallagher, Rob Bloom, Nora Reichard, Beth Meister, Maria Carella, Lorraine Hyland, and also to the unending support of Sonny Mehta, Tony Chirico, Kathy Trager, Anne Messitte, and Markus Dohle. To the incredible people of the Random House sales department … you are unrivaled.

My sage counsel Michael Rudell, for his pitch-perfect instincts on all matters, large and small, as well as for his friendship.

My irreplaceable assistant Susan Morehouse, for her grace and vitality, and without whom all things descend into chaos.

All of my friends at Transworld, in particular Bill Scott-Kerr for his creativity, support, and good cheer, and also to Gail Rebuck for her superb leadership.

My Italian publisher Mondadori, especially Ricky Cavallero, Piera Cusani, Giovanni Dutto, Antonio Franchini, and Claudia Scheu; and my Turkish publisher Altin Kitaplar, particularly Oya Alpar, Erden Heper, and Batu Bozkurt, for the special services provided in connection with the locations in this book.

My exceptional publishers around the world for their passion, hard work, and commitment.

For their impressive management of the London and Milan translation sites, Leon Romero-Montalvo and Luciano Guglielmi.

The bright Dr. Marta Alvarez González for spending so much time with us in Florence and for bringing to life the city’s art and architecture.

The peerless Maurizio Pimponi for all he did to enhance our visit to Italy.

All the historians, guides, and specialists who generously spent time with me in Florence and Venice, sharing their expertise: Giovanna Rao and Eugenia Antonucci at the Biblioteca Medicea Laurenziana, Serena Pini and staff at the Palazzo Vecchio; Giovanna Giusti at the Uffizi Gallery; Barbara Fedeli at the Baptistery and Il Duomo; Ettore Vio and Massimo Bisson at St. Mark’s Basilica; Giorgio Tagliaferro at the Doge’s Palace; Isabella di Lenardo, Elizabeth Carroll Consavari, and Elena Svalduz throughout all of Venice; Annalisa Bruni and staff at the Biblioteca Nazionale Marciana; and to the many others whom I’ve failed to mention in this abbreviated list, my sincere thanks.

Rachael Dillon Fried and Stephanie Delman at Sanford J. Greenburger Associates for everything they do both here and abroad.

The exceptional minds of Dr. George Abraham, Dr. John Treanor, and Dr. Bob Helm for their scientific expertise.

My early readers, who provided perspective along the way: Greg Brown, Dick and Connie Brown, Rebecca Kaufman, Jerry and Olivia Kaufman, and John Chaffee.

The web-savvy Alex Cannon, who, along with the team at Sanborn Media Factory, keeps things humming in the online world.

Judd and Kathy Gregg for providing me quiet sanctuary within Green Gables as I wrote the final chapters of this book.

The superb online resources of the Princeton Dante Project, Digital Dante at Columbia University, and the World of Dante.

Contents

Cover

Title Page

Copyright

Dedication

Acknowledgments

Epigraph

Fact

Prologue

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Chapter 61

Chapter 62

Chapter 63

Chapter 64

Chapter 65

Chapter 66

Chapter 67

Chapter 68

Chapter 69

Chapter 70

Chapter 71

Chapter 72

Chapter 73

Chapter 74

Chapter 75

Chapter 76

Chapter 77

Chapter 78

Chapter 79

Chapter 80

Chapter 81

Chapter 82

Chapter 83

Chapter 84

Chapter 85

Chapter 86

Chapter 87

Chapter 88

Chapter 89

Chapter 90

Chapter 91

Chapter 92

Chapter 93

Chapter 94

Chapter 95

Chapter 96

Chapter 97

Chapter 98

Chapter 99

Chapter 100

Chapter 101

Chapter 102

Chapter 103

Chapter 104

Epilogue

About the Author

Other Books by This Author

The darkest places in hell are reserved for those who maintain their neutrality in times of moral crisis.

FACT:

All artwork, literature, science, and historical references in this novel are real.

“The Consortium” is a private organization with offices in seven countries. Its name has been changed for considerations of security and privacy.

Inferno is the underworld as described in Dante Alighieri’s epic poem The Divine Comedy , which portrays hell as an elaborately structured realm populated by entities known as “shades”—bodiless souls trapped between life and death.

PROLOGUE