Christopher Ransom - The Birthing House

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Conrad and Joanna Harrison, a young couple from Los Angeles, attempt to save their marriage by leaving the pressures of the city to start anew in a [u]quiet, rural setting. They buy a Victorian mansion that once served as a haven for unwed mothers, called a birthing house. One day when Joanna is away, the previous owner visits Conrad to bequeath a vital piece of the house's historic heritage, a photo album that he claims belongs to the house. Thumbing through the old, sepia-colored photographs of midwives and fearful, unhappily pregnant girls in their starched, nineteenth-century dresses, Conrad is suddenly chilled to the bone: staring back at him with a countenance of hatred and rage is the image of his own wife.
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Thus begins a story of possession, sexual obsession, and, ultimately, murder, as a centuries-old crime is reenacted in the present, turning Conrad and Joanna's American dream into a relentless nightmare.
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An extraordinary marriage of supernatural thrills and exquisite psychological suspense, The Birthing House marks the debut of a writer whose first novel is a terrifying tour de force.
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The Birthing House

CHRISTOPHER RANSOM

Hachette Digital

www.littlebrown.co.uk

The Birthing House

CHRISTOPHER RANSOM

Hachette Digital

www.littlebrown.co.uk

This tale, concerning mothers and wives

and the men who drive them to darkness,

is for the two strongest women I know . . .

Sandra Ransom

Who told me every day that I could

&

Pia Gandt

Who was there every day while I did

Acknowledgments

If any first-time novelist and his first-born ever received a warmer welcome to the delivery room, this author is unaware of them. To my agent and friend Scott Miller, and the entire team at Trident Media Group, your faith changed my life. To my publisher, David Shelley, you are a gentleman whose passion continues to astonish. Thank you for introducing me to the UK, and for your interest in the house. Nikola, Thalia, Nathalie, the two Emmas, Richard, Simon and everyone else at Sphere - you are all multi-talented saints and I owe you many pints.

To the citizens of the real Black Earth, please forgive my geographical liberties and warped perceptions. I know this ain't your town, but the name was too appropriate to resist.

Death borders upon our birth, and our cradle

stands in the grave.

Joseph Hall, English bishop and satirist

1

Conrad Harrison found the last home he would ever know by driving the wrong way out of Chicago with a ghost in his car. When he crossed the Wisconsin line he was lost, too tired to care, and what traveled with him remained invisible and unknown. The wide green medians and fields of plowed fertile soil were relaxing. The road was black and smooth, free of those brain-jarring seams found on concrete highways. The spring thunder and rain moved over him from the side, pummeling the rented gray Dodge in bursts as brief and intense as a car wash. He could have gone on this way until he reached Canada, but an hour or two later there was some traffic and the sign for the Perkins in Janesville, so he exited.

He might have been tired and lost, but he was suddenly hungry, ravenous. Filled with the kind of animal appetite that shuts out all else and goes to work like it needs to prove something. He ordered the country fried steak with three over easy, and when the girl came to take the plate away he said, You know what? Let's do it again.

In between dinners, he picked up the paper the last guest had left in the booth. He liked to read the classifieds, to see what scraps people were offering, what hope they sought. He fell into the local real estate listings. The photo was black and white, all grainy and pixelated newsprint.

140 yr old Victorian in Black Earth. 4 bdr, 2 bath on 1 acre. 3500 sq. feet. Front parlor, library, orig. woodwork, maple floors, fireplace. Cornish stone foundation. Det 2-car garage. Historic turn-of-the-century birthing house restored to mint. Perfect for family! $225,000. Seller motivated. Call Roddy @ 608-574-8911.

Now lightheaded from all the hash browns and gravy, he swallowed the last of his third cup of coffee and carried his meal ticket to the front counter. He paid with cash and left the girl a twenty for no real reason other than he felt, for the first time in his life, burdened by money. He juggled the page he'd torn from the Wisconsin State Journal and powered up his mobile. There were no messages, or maybe they had not come through the regional carrier's towers yet. Or maybe Jo was too busy to call.

The man who answered was polite. Sure, he could show the house as early as nine o'clock tomorrow morning. And did he know how to get to Black Earth?

Conrad said he was pretty sure he'd remember the directions, all the while thinking, What a name for a town. Don't worry, Dad. I'm not far behind.

So maybe he knew there was a ghost traveling with him after all.

2

From the front it appeared modest, a simple vanilla bean Victorian on a street of pleasant others. But later, when he would find himself walking the long slope of backyard alone at night, Conrad Harrison would come to see that its humble if charming facade masked ingenious depths and a height that seemed to grow at night, like Jack's beanstalk. The needle-helmeted dormers, covered front porch, chocolate pillars and squat front door brought to mind a fairy-tale house made for trolls or elves, not city people.

It was not love at first sight, but she made his heart beat faster.

Conrad tried to mask his excitement, if only because that was what you were supposed to do when considering a major purchase. He tried for a moment to imagine Jo's reaction if she were standing here beside him. It looked like the kind of house she was always talking about. Something old, something to redecorate when she was ready to settle down. But she wasn't here beside him now and the realization that he didn't much care what she thought gave him a deviant thrill. The house was like another woman in that way. Looking was just looking, and there was no harm in looking unless looking turned to touching. Or buying.

'Got kids?' Roderick 'call me Roddy' Tabor said, smiling like a man in a milk commercial. Instead of a dairy moustache, Roddy had a badass seventies cop 'stache and wooly sideburns, sans irony. The realtor was tall, very slim and balding. The brown suit and wide, brown tie were priceless. Conrad liked the realtor the minute he'd spotted him behind the desk at the crummy, wood-paneled real estate office down on Decatur Street. Roddy had grown up in Chicago, and they'd talked about city life vs country life for all of the ten or fifteen minutes it took to walk from 'downtown' Black Earth up the broken sidewalk hill to 818 Heritage Street. 'Perfect place to raise some kids. Property taxes are steep, but the schools here are top-notch. '

Conrad cleared his throat. 'No. No kids. Just the two dogs. Both rescues from a shelter in Los Angeles. But they're like our children.' Conrad thought about mentioning the other pets he liked to keep from time to time, the animals that weren't really pets at all, but didn't. You never knew how people were going to react.

'Sure. Young couple. What's the hurry, right?' Roddy turned the key. 'Oh, door's unlocked. Pretty common 'round here.'

Conrad stepped past the realtor and laid his eyes on the first of several living rooms. Actually, he knew they weren't all living rooms. In these Victorians it was parlor-this and sitting room-that. Whatever you called them, they amounted to a lot of space to spread out, play cards, eat, watch TV and entertain friends. They would need new friends.

'I don't go for the song and dance myself,' Roddy said, dropping the keys on the ceramic tile and oak mantle. 'Figure adults know what they like when they see it. Holler if you have any questions.'

'Will do.'

Roddy ambled into the kitchen, helped himself to a glass of water, and stepped out back for a smoke.

Conrad found himself in the dining room, paced off the long maple floorboards, ran his fingers over the pinstriped wallpaper. Not a crack in the plaster walls or a splintering window sill in sight. The doorframes were straight. In the kitchen, the original wooden shelves and pantry drawers were nicked black in many places, aged smooth and full of character. The trim was a clean, buttery shade of toffee. The lines of the house were immaculate. The house felt solid.

But confusing.

Conrad started in the front parlor, then exited through the French doors that opened into the main foyer, making a U-turn back into the dining room and living room. From there he back-tracked and took a left into the family room and deeper into the kitchen. Once inside the kitchen, he forgot where the living room was, even though it was just on the other side of the wall. He went up the rear stairs from the kitchen, over one landing, through the library, and down the front stairs (which, despite the beauty of the black maple banister, seemed somehow formal and forbidding, though he couldn't say why), winding through the main floor clueless as to what he had already seen and what was new.

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