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Christopher Ransom: The Birthing House

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Christopher Ransom The Birthing House

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Apple-style-span It was expecting them. Apple-style-span Conrad and Joanna Harrison, a young couple from Los Angeles, attempt to save their marriage by leaving the pressures of the city to start anew in a [u]quiet, rural setting. They buy a Victorian mansion that once served as a haven for unwed mothers, called a birthing house. One day when Joanna is away, the previous owner visits Conrad to bequeath a vital piece of the house's historic heritage, a photo album that he claims belongs to the house. Thumbing through the old, sepia-colored photographs of midwives and fearful, unhappily pregnant girls in their starched, nineteenth-century dresses, Conrad is suddenly chilled to the bone: staring back at him with a countenance of hatred and rage is the image of his own wife. Apple-style-span Thus begins a story of possession, sexual obsession, and, ultimately, murder, as a centuries-old crime is reenacted in the present, turning Conrad and Joanna's American dream into a relentless nightmare. Apple-style-span An extraordinary marriage of supernatural thrills and exquisite psychological suspense, The Birthing House marks the debut of a writer whose first novel is a terrifying tour de force. Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span  

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It was killing them, the City of Angels. He knew it was only a matter of time. It was too easy to watch five years of your life go by. People thirty, forty years old still living in apartments and driving leased BMWs, trying to hit something big. Too many casual friendships, too much need. Maybe just too many choices.

Jo's parents were retired - mom in Phoenix, the old man splitting time between Roxbury and London. She wasn't any closer to them emotionally than geographically. Flying back to Connecticut for Christmas every year had become every other year, and then every third or fourth. Jo was a Wi-Fi wife, always working from home, hotels, airports. She was too busy for family. What did she care where they lived?

Conrad's family was Jo and the dogs. Simpler now.

This was doable.

The house was warm. The smell was in him. Conrad's blood churned and his pulse escalated. The library seemed somehow familiar and foreign, a place he'd come back to after a decade of forgetting. A draft brought the clean, wild scents of nettle and lavender, overpowering the vanilla scent from the girl - forget about the girl, there was no girl - and he was not aware of the erection forming under his black Lucky Brand dungarees, only of the titillating possibility of a new environment, of new hope. Maybe even a whole new life.

Call Jo, talk things over. Stay a few days, kick around the town.

He dialed her mobile, got only silence. He looked at his phone. There were no signal bars. Maybe the house or the big tree out front. Or maybe the whole town was a black spot.

Didn't matter. That was just fear trying to slow him down. And there was another, deeper voice drowning out the fear. He did not recognize it, and it did not have a name, though in time both of those things would change. It came from the house as much as it came from his head or his heart. It was buried beneath years of stone, and it had been buried on purpose.

This is a new beginning , it said. This is your only hope. To save the family. It is our birthing house, and we deserve to be born.

He had no idea what the words meant, but they felt true.

When he turned, Roddy was standing at the library's rear entrance.

Conrad nodded. 'We'll take it.'

'You wanna call your wife, talk it over?'

'She trusts me,' he said. 'And this feels like home.'

'Boy, I guess she must. You have some financing arranged? I can throw you a name if you want someone local. Real honest guy down at Farmer's -'

'Not necessary.' Conrad pulled out his wallet, removed and unfolded the little slip of paper. 'No loans, Roddy. Just point me to a bank, give me a couple days to clear this.'

Conrad held the check out, displaying the insurance company's logo in some sort of hope that he wouldn't have to explain the rest.

Roddy took a step closer and frowned. 'Jesus, son. That's a big check.'

'Is it?' Conrad guessed five hundred thousand dollars was a lot. Not specific, though. Not a sum calculated by tables and software. This was the kind of round figure that suggested payoff. Considering the source it seemed insignificant.

'Your last house burn down or something?'

Conrad looked at Roddy. He hadn't told anybody since he'd gotten the call a week ago. Jo had been in Atlanta. He told her what had happened, of course, but he hadn't known how it would end. She offered to go with him, cancel her trip. He said no, he'd be fine. The man from Builder's Trust Nationwide had been there at St Anthony's, anxious to close the matter and avoid litigation, which Conrad had no interest in pursuing. He hadn't even recognized the man in the bed until the very end, when it was like watching the man fall asleep the way he had more than twenty years ago. Even recognizing that didn't change anything.

'Construction accident,' Conrad said.

Roddy reared back and looked Conrad over as if he'd missed something obvious, perhaps a limp or a facial tic that would bespeak brain trauma.

'My father was an electrician.'

'Oh. Oh, jeez.' Roddy was nodding. Then he stopped and ran one palm over his mouth. Conrad could see him putting it together. Living in Los Angeles. Insurance money. Got lost on the way back from Chicago. Erratic behavior, jumping into a new deal. When he spoke again, the realtor's voice was quiet. 'Was it . . . recent?'

'Seven days ago.'

Roddy visibly twitched at that. 'I'm very sorry, Conrad. You must be--'

'Don't worry about it.' Conrad crossed the room and patted Roddy on the shoulder as he went by, suddenly wishing to be out of the library, out of town, back on the road.

Roddy caught his arm and held him back. The big realtor's grip was gentle, but it stopped Conrad and made him look up.

'Hey. Nothing would make me happier than to sell you a house today. But I wouldn't be doing my job unless I asked. I can sit on the property. You want to maybe take some time on this?'

'I appreciate that.' Conrad looked out the picture window facing the street and the enormous tree blocking the view. 'Dad traveled a lot for work. Sometimes out of state. Then one time he didn't come back. Haven't seen him since I was six.' He turned back to Roddy. 'Hey, what say we just pretend I won the lottery or something, huh?'

Roddy did not respond.

The moment stretched out and Conrad imagined Roddy suddenly grabbing him by the arm and paddling him over one knee. He burst into uneasy titters. That seemed to help. Roddy grinned and offered his hand. Conrad shook it and held it longer than usual.

'This is a fine town full of nice people, Conrad. You and your wife are gonna make a good life here.'

'Thanks, Roddy. Thank you for your help.' Shit. Now Conrad did feel like crying, but that was just gratitude, not grief. He swallowed it down.

'You hungry?'

'Starving. You?'

Roddy slapped his belly. 'My man, I love to eat.'

They went to a lunch of the locally renowned Cornish pasty stuffed with cubed beef, potatoes, onions, and rutabaga. The miners' dish was hard and salty, even with the cocktail sauce you were supposed to splash all over it. But Conrad was so hungry after knocking back the first three bottles of Spotted Cow he gobbled his lunch down and forgot to ask Roddy about the doctor, the girl or any other player concerning the history of the birthing house.

3

With its tiled roof, yellow stucco facade and rainbow of bricks that went up over the porch, the house Joanna Harrison had rented three years earlier should have been easy to love. It was a 1940s bungalow on a quiet street in Culver City, three blocks from industrial compounds, three blocks from the Sony lot and only one block from Washington Boulevard's diners, art galleries and coffee shops. Conrad's windfall notwithstanding, they'd be priced out of the rent in another six months and forget about qualifying for the mortgage - they'd already tried, but the land-lord was asking $670,000 and 20 per cent cash down. She'd decorated the house as if they had bought it, but to Conrad it had never felt like home. Just another temporary stop until they found the next thing.

In the backyard was a tall avocado tree that never produced edible fruit. He could always see them up there, ripening in the sun, until one day they dried out and fell, too young and hard or desiccated beyond consumption. He knew it was the landlord's job, but he took the tree's ill health personally. He felt he should be up on a ladder, pruning or doing something more so that it might yield real fruit, but he never got around to learning exactly what.

It was just past 9 a.m. on a Tuesday when he dropped off the rental and the taxi delivered him from LAX. Her silver Volvo wagon was sitting in the driveway. So, sick or just running late, Jo was home. Good. Maybe she'd take the entire day off. He could make her her favorite omelet (red peppers and Swiss, with a dash of olive oil) and they could roll around in bed all day, open the windows and fuck the stress away the way they used to cure their hangovers.

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