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Christopher Ransom: The Birthing House

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Christopher Ransom The Birthing House

The Birthing House: краткое содержание, описание и аннотация

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Apple-style-span It was expecting them. Apple-style-span Conrad and Joanna Harrison, a young couple from Los Angeles, attempt to save their marriage by leaving the pressures of the city to start anew in a [u]quiet, rural setting. They buy a Victorian mansion that once served as a haven for unwed mothers, called a birthing house. One day when Joanna is away, the previous owner visits Conrad to bequeath a vital piece of the house's historic heritage, a photo album that he claims belongs to the house. Thumbing through the old, sepia-colored photographs of midwives and fearful, unhappily pregnant girls in their starched, nineteenth-century dresses, Conrad is suddenly chilled to the bone: staring back at him with a countenance of hatred and rage is the image of his own wife. Apple-style-span Thus begins a story of possession, sexual obsession, and, ultimately, murder, as a centuries-old crime is reenacted in the present, turning Conrad and Joanna's American dream into a relentless nightmare. Apple-style-span An extraordinary marriage of supernatural thrills and exquisite psychological suspense, The Birthing House marks the debut of a writer whose first novel is a terrifying tour de force. Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span Apple-style-span  

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'You'll get used to it,' Roddy said, startling him. 'Ever seen a house with servants' stairs?'

'No, not really.' Conrad followed Roddy through the family room.

Roddy pointed to the faded hinge patterns on the doorframe at the base of the stairs and mouth of the kitchen. 'See that?'

'There was a door.'

'Yep. And another one here.' Roddy tapped the doorframe at the kitchen's front entrance. 'This way, you have two doors here, the help stays in the kitchen, out of sight from the proper company while you're warming your feet by the fire. When dinner has been served and the good doctor is sipping his brandy, the maidens duck up the servants' stairs here -'

Before Conrad could pursue the doctor reference, Roddy dashed up the servants' stairs. Conrad followed at a less eager pace. When he hit the landing, Roddy made a sweeping gesture into the smallest bedroom.

'Goodnight, you princes of Maine, you kings of New England,' Roddy said. 'And voila . Servants are out of sight for the night. Let the party continue.'

' Cider House Rules . Nice.'

'That's right,' Roddy beamed. 'You're a movie guy.'

'Not really.' Conrad had mentioned Los Angeles and the screenwriting thing, as if that still mattered to him or ever had. 'I was in sales. Did some consulting from home. We had friends in the business. The writing was just something to do.'

'Oh? You cash in your chips?'

'Ha, yeah, no.' He'd never admit as much in Los Angeles, but out here, standing next to this stranger, Conrad decided to skip the embellishment for a change. 'A guy I knew used to hire me for cheap rewrites, but I never sold any material. Nothing original. I was laid off from a software firm. Been working in a bookstore until my wife gets another promotion. I don't really know what I'm doing, actually.'

Was Conrad imagining it, or did Roddy's smile slacken a bit on that one? Maybe not too smart, mentioning the layoff - probably just raised a red flag on the financing.

'Uh-huh, and what does your wife do?'

Conrad hesitated. 'You know, Roddy, I don't know what she does any more. I mean, I know she works for a company that sells pharmaceuticals, or consults with pharmaceutical companies. Or medical supplies. I think she's something between a sales manager and a project manager. She travels a lot, that I do know.'

'Sounds promising.' The realtor seemed sorry he'd asked.

The bedroom was perhaps eight feet by six, with two small windows. Small enough for a child's twin bed and a trunk full of clothes, no more. It seemed cruel.

Conrad nodded. 'Where's the master?'

They continued through the library and around the black maple banister in a sort of zigzagging shuffle that led into a T-shaped hall branching to three bedrooms. The master was just a regular bedroom, not much larger than the other two spare rooms, but three times the size of Tiny Tim's room in the back.

'This is the master,' Conrad said, failing to conceal his disappointment.

'Old houses, my friend,' Roddy said. 'Back then people didn't use their bedroom for a whole lot. Not like now where you got your flat screen, your Jacuzzi, your orbital whattya call it, one of them gerbil wheels.'

'Not very LA,' Conrad offered.

'Bingo.'

'Besides,' Conrad said, taking over the pitch. 'We have a library. What do we need a TV for?'

'There you go. I'll give you some time up here, then we should grab some lunch before the saloon closes.'

'No problem. I'll be down in a few.'

'We're gonna feed you some fine Wisconsin cuisine, Mr Harrison.' Roddy clomped down the front stairs.

Conrad poked his nose into the first of the remaining two bedrooms. Unremarkable, but a perfect size for Jo's office, with a small window overlooking the rolling backyard.

He turned to the bedroom nearest the master. The knob wiggled loosely but he had to knee the wooden door from the frame to pop it free. Before it could swing all the way in, a short girl-woman with white hair scurried out, bumping his shoulder as she slipped by. Before he could get a bead on her, she swooped around the banister and trotted down the front stairs.

'Whoa, hey.' Conrad tasted a wash of adrenaline like a nine-volt battery pressed to his tongue.

'Sorry 'bout that,' she said in a flat, nasal tone, her face lowered even as she hit the foyer and exited through the front door.

White jeans or painter's pants. A blue pocket tee over a pudgy midriff. Small feet shod with chunky black skate shoes bearing a single pink stripe. Didn't get a look at her face, but her arm skin was white with white hairs standing up in a line to her wrist - he'd noticed that much. The scent of vanilla filled his nostrils, reminded him of a birthday cake shaped and decorated as a snowman, the one his mother had baked for his third birthday.

'It's okay,' he said to the empty foyer.

Another buyer? A lingering daughter sent to pick up the rest of her things after the move? But she hadn't been carrying anything on the way out, had she? No box of sweaters. No lamp or framed art left behind by the movers. Huh. Must be just one of those chance encounters made possible by a house between occupants.

He turned back to the bedroom she'd just exited. It was decent size, maybe fourteen by sixteen. Two windows with bright red shades and black beaded tassels like something out of a western whorehouse. Deep pile the color of moist moss, didn't match. No furniture. But the same scent of vanilla was here, stronger, with something herbal hanging beneath it. From the girl, or just the smell of the house? He felt a pang of regret like walking in on someone in the bathroom. Like if he'd been here a minute earlier he would have caught her in the middle of . . . what?

Conrad backed out of the room and left the door open. He wondered if Roddy had seen her go. He'd ask about her later, after he'd studied the library.

The library. The house had a library.

'Hell, yeah,' he said, entering a patch of sun pouring through a street-facing picture window. But even while he ran his fingers over the ornately carved fronts of the pine shelves, his mind returned to the girl. She reminded him of someone, but he couldn't put his finger on whom. That didn't make sense, though, did it? He hadn't really seen her face. Maybe the shape of her body, something about the way she'd trotted down the stairs. Like a girl trying to get out before her parents could call her back and remind her of her curfew.

The house was nice, if somewhat anti-climactic. What makes this house a birthing house? What makes any house a birthing house, besides the fact that probably a lot of babies had been born under her roof? It didn't feel like some sort of makeshift hospital ward or shelter where you'd have one large room with a bunch of beds, their occupants coughing on top of each other. It was just a house. So what if a doctor used to live here. Birth was life, life was good. Right?

Children. The relentless question childless married couples are bombarded with pretty much non-stop after age thirty.

Is that what this was about? The way Roddy looked at you when he realized you were eyeballing a four-bedroom house with nothing but a wife and a couple of pound mutts in tow. If not to start a family, what exactly are you hoping to do here? Do you really want to move to the middle of nowhere? Sure, Los Angeles is crowded, traffic makes you homicidal, the air is a fucking smokestack, you never use the ocean, and Jo's job is shit. But at least there's stuff to do there. Movies, hiking, gallery parties, the best tacos in the world. Women. Ungodly women everywhere you turned. Enough to make you groan just walking down the street. A city was a space to live tightly, then stretch out your career, your lunches. A place to play around, get involved with strangers, make deals behind your employer's back, hide.

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