Christopher Buehlman - The Necromancer's House

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Those Across the River
Boston Herald
New York Times
New York Times
Andrew Ranulf Blankenship is a handsome, stylish nonconformist with wry wit, a classic Mustang, and a massive library. He is also a recovering alcoholic and a practicing warlock, able to speak with the dead through film. His house is a maze of sorcerous booby traps and escape tunnels, as yours might be if you were sitting on a treasury of Russian magic stolen from the Soviet Union thirty years ago. Andrew has long known that magic was a brutal game requiring blood sacrifice and a willingness to confront death, but his many years of peace and comfort have left him soft, more concerned with maintaining false youth than with seeing to his own defense. Now a monster straight from the pages of Russian folklore is coming for him, and frost and death are coming with her. “You think you got away with something, don’t you? But your time has run out. We know where you are. And we are coming.”
The man on the screen says this in Russian.
“Who are you?”
The man smiles, but it’s not a pleasant smile.
The image freezes.
The celluloid burns exactly where his mouth is, burns in the nearly flat U of his smile. His eyes burn, too.
The man fades, leaving the burning smiley face smoldering on the screen.
“Oh Christ,” Andrew says.
The television catches fire.

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Christopher Buehlman

THE NECROMANCER’S HOUSE

A NOVEL

For Ginny

Prologue The old man walks from the cabin to the porch behind palming his - фото 1
Prologue The old man walks from the cabin to the porch behind palming his - фото 2

Prologue

The old man walks from the cabin to the porch behind, palming his whiskey glass from the bottom and swirling the ice in it. A drop of water falls from his knuckle, falling on the head of the beagle mix snaking near his feet. This distracts the dog so that it halts long enough to get underfoot, almost tripping the old man, who swears viciously in Russian that Khrushchev might have barked, then apologizes in Pushkin’s honeyed tones. The dog wags halfheartedly but steers starboard in case his master kicks at him. The kicks are infrequent and never hard, so the evasion is lazy, and the kick never comes. An observer would note how balletic the interaction is, how practiced each is at his part.

But no one is watching them.

Not yet.

The man lips at his glass and sits facing the sunset.

The dog curls at his feet and begins a snorting, chewing hunt for a flea that has disgraced him near the base of his tail.

“Kill that fucker,” the man says in a jovial Slavic growl, scratching under his left tit in sympathy.

The sun has already performed its nightly slow-motion dive into Lake Ontario; it has slipped behind its blue veil like a bulb of molten glass, so beautifully that a man on Fair Haven Beach, one town west, spontaneously proposed marriage to his girlfriend of less than six months, and a group of actors on the McIntyre Bluffs, near the bird sanctuary not a mile away, silenced their chatter about the day’s rehearsals and broke into applause. Now the aftershow is wrapping up; the surface of the lake has turned an iridescent color reminiscent of mother-of-pearl, a hue that has proven irreproducible in watercolor; an ephemeral purplish-silver that even the great Eastman Kodak an hour and change away in ashy Rochester has never brought to shore alive.

The old Russian’s nearest neighbor, a former comparative religions professor in a nearly identical summer cabin a hundred yards down the ridge, once told him, “These sunsets have been rated the second-best sunsets in the world.”

“Rated?” the Russian had said. “Who rates a sunset?”

“The photographers of National Geographic .”

“Oh,” he had said, pushing his lower lip out and nodding. The professor, who is renting long-term and working on some atheistic magnum opus, loves sharing that piece of trivia with other visitors just to see them first reject and then accept the idea that sunsets might be rankable. He had been disappointed that the Russian did not ask the usual follow-up question, so he had answered it unbidden.

“The best sunsets are over the Sea of Japan, looking toward Russia.”

Now the lake spreads squid’s-ink black beneath a sky like a luminous bruise. The Russian wants a cigarette, but it is a mild want that only comes with inebriation and goes away when ignored. He looks at the dog, at the white in his face that stands out from his black-and-tan body like a cheap plastic ghost mask.

“Go get us a pack of Marlboros, Caspar. Caspar the son-of-a-bitch ghost.”

His wife comes to mind.

She had called the dog Caspar. She had made him quit smoking. She had taught him to say son of a bitch correctly, separating and emphasizing bitch where he had always run the three words together and accented son .

This ache for a dead woman will be harder to chase away than the ache for nicotine.

Here is the devil!

It is too beautiful an evening to wallow in melancholy again. Maybe the professor will consent to play chess? The thought bores him senseless; the man is a good conversationalist, but he can’t smell a trap, is too lazy to think more than two moves ahead, and understands nothing about keeping force in reserve—he will jabber away about the Upanishads, or about the cowlike stupidity of evangelical Christians, and send his pawns out too far, the light shining on his bald dome, stroking his orthodox-thick beard, crossing and recrossing his legs and saying “huh” as if surprised that the center of the board, which he thought he had in his fist, is turning into a kill box.

Besides, he is enjoying the night air and doesn’t feel like going anywhere.

He toys with the notion of turning on his computer and looking for an escort, but the connection is sketchy at best, and waiting for the pictures to load on the escort site will be purgatorial. Besides, once he has selected one, assuming he can talk her into a last-minute meeting far away with an unknown client, she will have to come from Syracuse or Rochester, and that will be two hours. Perhaps three. Perhaps there are prostitutes in Oswego, half an hour east, but he shudders to think of what one of those might be like; the profile, so poorly written even a Russian could correct it, will lead to some pale, plain-faced girl raised in the shadow of the nuclear plant and plumped on foldable pizza; he can see her now with her bad tattoos and her mouse-brown hair, undressing clumsily, asking him questions about his life and interrupting with “uh-huh” when he answers; then, after ten grim minutes of fucking, slipping one of his liquor bottles into her backpack while he discards the prophylactic and struggles to begin a postcoital piss.

Oswego is for chicken wings and beer.

Oswego is not for pretty girls.

Not that he is any prize himself, with his shirt open on his hard, round, Florida-brown belly and his toenails that barely fit in the clippers, but a man need not be a horse to buy one.

His father said such things.

His father had ridden bare-chested into Berlin on a tank and had paid a month’s wages for the privilege of taking a shit in Hitler’s bunker.

If his father were here, he would call the Rochester escort and the Oswego hooker and send his mother out for cigarettes.

Which is why he loves and hates him thirty years after his death.

He will call no escort.

“Caspar, the son-of-a-bitch dog. Go get us a woman.”

Caspar squares his black lips and makes a barely audible whimper, as he often does when a command word like go is followed by something he does not understand.

Now Caspar’s nose twitches.

The Russian smells it, too.

Foul and tidal, as though something has washed up from the lake.

He had just been remarking how sweet the night air was, and now this.

Has a whale beached itself?

“Lakes have no whales,” he tells Caspar, pointing a nut-colored finger gravely at him. The dog doesn’t seem to understand, so he tells him in Russian, too.

Now Caspar looks toward the lake.

He wags his tail a little as he does in lieu of barking when a stranger approaches.

“I thought I heard Russian,” a woman says, in Russian.

The light from his cabin lights the area of the porch, ending in the sun-grayed handrails at the top of the stairs leading down to the beach.

As though the world ends with those rails.

Beyond is lake and night, as black as the black behind a star.

“Ha!” he says, and then, in Russian, “You did. And so did I. Come up the stairs and say hello.”

“In a moment,” she says, in accented English. “I’m changing.”

She sounds young.

He feels the small thrill a man feels when he is sure he is about to meet a pretty girl. Of course, one can be disappointed making such assumptions, as she will be if she thinks him handsome for his deep, rich voice.

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