Алан Милн - Happy Days

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A collection of humorous pieces written by Milne for Punch and collected in 1915. A familiarity with early 20th century English society will help you better appreciate the humour, and some of the terminology might be unfamiliar, but it’s pleasantly light-hearted and nostalgic feel makes for an easy read.

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He walked with the soft, easy tread of the python, or the Pathan, or some animal with a "pth" in it. Probably I mean the panther. He bore himself confidently, and his mouth was a trap from which no superfluous word escaped. He was the strong, silent man of Jocelyn's dreams.

"Mr. Worrall Brice, Miss Montrevor," said Freddy, and left them.

Worrall Brice bowed and stood beside her with folded arms, his gaze fixed above her head.

"I shall not expect you to dance," said Jocelyn, with a confidential smile which implied that he and she were above such frivolities. As a matter of fact, he could have taught her the Wogga–Wogga one–step, the Bimbo, the Kiyi, the Ju–bu, the Head–hunter's Hug and many other cannibalistic steps which, later on, were to become the rage of London and the basis of a revue.

"I have often imagined you as you kept watch over your camp," she went on, "and I have seemed myself to hear the savages and lions roaring outside the circle of fire, what time in the swamps the crocodiles were barking."

"Yes," he said.

"It must be a wonderful life."

"Yes."

"If I were a man I should want to lead such a life; to get away from all this," and she waved her hand round the room, "back to Nature. To know that I could not eat until I had first killed my dinner; that I could not live unless I slew the enemy! That must be fine!"

"Yes," said Worrall.

"I can't get Freddy to see it. He is quite content to have shot a few grouse … and once to have wounded a beater. There must be more in life than that."

"Yes."

"I suppose I am elemental. Beneath the veneer of civilisation I am a savage. To wake up with the war–cry of the enemy in my ears, to sleep with the—er—barking of the crocodile in my dreams, that is life!"

Worrall Brice tugged at his moustache and gazed into space over her head. Then he spoke.

"Crocodiles don't bark," he said.

Jocelyn looked at him in astonishment. "But in your book, Through Trackless Paths !" she cried, "I know it almost by heart. It was you who taught me. What are the beautiful words? 'On the banks of the sleepy river two great crocodiles were barking.'"

"Not 'barking,'" said Worrall. "'Basking.' It was a misprint."

"Oh!" said Jocelyn. She had a moment's awful memory of all the occasions when she had insisted that crocodiles barked. There had been a particularly fierce argument with Meta Richards, who had refused to weigh even the printed word of Worrall Brice against the silence of the Reptile House on her last visit to the Zoo.

"Well," smiled Jocelyn, "you must teach me about these things. Will you come and see me?"

"Yes," said Worrall. He rather liked to stand and gaze into the distance while pretty women talked to him. And Jocelyn was very pretty.

"We live in South Kensington. Come on Sunday, won't you? 99, Peele Crescent."

"Yes," said Worrall.

* * * * *

On Sunday Jocelyn waited eagerly for him in the drawing–room of Peele Crescent. Her father was asleep in the library, her mother was dead; so she would have the great man to herself for an afternoon. Later she would have him for always, for she meant to marry him. And when they were married she was not so sure that they would live with the noise of the crocodile barking or coughing, or whatever it did, in their ears. She saw herself in that little house in Green Street, with the noise of motor–horns and taxi–whistles to soothe her to sleep.

Yet what a man he was! What had he said to her? She went over all his words…. They were not many.

At six o'clock she was still waiting in the drawing–room at Peele Crescent….

At six–thirty Worrall Brice had got as far as Peele Place….

At six–forty–five he was back in Peele Square again….

At seven o'clock, just as he was giving himself up for lost, he met a taxi and returned to St. James' Street. He was a great Traveller, but South Kensington had been too much for him.

Next week he went back unmarried to the jungle. It was the narrowest escape he had had.

LVI

The Newspaper Proprietor

The great Hector Strong, lord of journalism and swayer of empires, paced the floor of his luxurious apartment with bowed head, his corrugated countenance furrowed with lines of anxiety. He had just returned from a lunch with all his favourite advertisers … but it was not this which troubled him. He was thinking out a new policy for The Daily Vane .

Suddenly he remembered something. Coming up to town in his third motor, he had glanced through the nineteen periodicals which his house had published that morning, and in one case had noted matter for serious criticism. This was obviously the first business he must deal with.

He seated himself at his desk and pushed the bell marked "38." Instantly a footman presented himself with a tray of sandwiches.

"What do you want?" said Strong coldly.

"You rang for me, Sir," replied the trembling menial.

"Go away," said Strong. Recognising magnanimously, however, that the mistake was his own, he pressed bell "28." In another moment the editor of Sloppy Chunks was before him.

"In to–day's number," said Strong, as he toyed with a blue pencil, "you apologise for a mistake in last week's number." He waited sternly.

"It was a very bad mistake, Sir, I'm afraid. We did a great injustice to―"

"You know my rule," said Strong. "The mistake of last week I could have overlooked. The apology of this week is a more serious matter. You will ask for a month's salary on your way out." He pressed a button and the editor disappeared through the trap–door.

Alone again, Hector Strong thought keenly for a moment. Then he pressed bell "38." Instantly a footman presented himself with a tray of sandwiches.

"What do you mean by this?" roared Strong, his iron self–control for a moment giving way.

"I b–beg your pardon, Sir," stammered the man. "I th–thought―"

"Get out!" As the footman retired, Strong passed his hand across his forehead. "My memory is bad to–day," he murmured, and pushed bell "48."

A tall, thin man entered.

"Ah, good afternoon, Mr. Brownlow," said the Proprietor. He toyed with his blue pencil. "Let me see, which of our papers are under your charge at the moment?"

Mr. Brownlow reflected.

"Just now," he said, "I am editing Snippety Snips , The Whoop , The Girls' Own Aunt , Parings , The Sunday Sermon , Slosh and Back Chat ."

"Ah! Well, I want you to take on Sloppy Chunks , too, for a little while. Mr. Symes has had to leave us."

"Yes, Sir." Mr. Brownlow bowed and moved to the door.

"By the way," Strong said, "your last number of Slosh was very good. Very good indeed. I congratulate you. Good day."

Left alone, Hector Strong, lord of journalism and swayer of empires, resumed his pacings. His two mistakes with the bell told him that he was distinctly not himself this afternoon. Was it only the need of a new policy for The Vane which troubled him? Or was it―

Could it be Lady Dorothy?

Lady Dorothy Neal was something of an enigma to Hector Strong. He was making more than a million pounds a year, and yet she did not want to marry him. Sometimes he wondered if the woman were quite sane. Yet, mad or sane, he loved her.

A secretary knocked and entered. He waited submissively for half–an–hour until the Proprietor looked up.

"Well?"

"Lady Dorothy Neal would like to see you for a moment, Sir."

"Show her in."

Lady Dorothy came in brightly.

"What nice–looking men you have here," she said. "Who is the one in the blue waistcoat? He has curly hair."

"You didn't come to talk about him ?" said Hector reproachfully.

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