Deborah Levy - Swimming Home

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Swimming Home
Swimming Home

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NINA JACOBS,London, 2011

Whenever I dream my twentieth-century dream about my father, I wake up and immediately forget my passwords for EasyJet and Amazon. It is as if they have disappeared from my head into his head and somewhere in the twenty-first century he is sitting with me on a bus crossing London Bridge watching the rain fall on the chimney of Tate Modern. The conversations I have with him do not belong to this century at all, but all the same I ask him why he never really told me about his childhood? He replies that he hopes my own childhood wasn’t too bad and do I remember the kittens?

Our family kittens (Agnieska and Alicja) always smelt a bit feral and my childhood pleasure was to groom them with my father’s hairbrush. They lay on my lap and I combed out their fur while they purred and patted my hand with their soft paws. When I got near their bottoms the fur was stuck together and tangled because they were still too young to lick themselves clean. Sometimes I left the fur balls on the sofa and my father pretended to swallow them. He’d open his mouth very wide and make out he’d gulped one down and that it was stuck in his throat and he was choking. My father spent his life trying to work out why people had frogs in their throat, butterflies in their stomach, pins and needles in their legs, a thorn in their side, a chip on their shoulder and indeed if they had coughed up fur balls he would have studied them too.

No, he says. I would not have studied the fur balls.

We agree that he and I learned to muddle along together. He washed my vests and tights and T-shirts, sewed buttons on my cardigans, searched for missing socks and insisted I should never be afraid of people talking to themselves on buses.

Yes, my father says. That’s what you are doing now.

No, I reply, that’s not what I am doing now. I am not saying what I’m thinking out loud. That would be mad. No one on this bus can hear me talking to you.

Yes, he says, but it wouldn’t matter anyway because everybody’s talking out loud on their phones.

I still have the beach towel he bought me in a souvenir shop in Nice. The words Côte d’Azur Nice Baie des Anges fly across a big blue sky in a sunny yellow font. Tourists on the beach are rendered in black dots and just behind it is a road lined with palm trees. On the right is the pink dome of the Hotel Negresco with a French flag flying into the towelly blue sky. What it’s missing is Kitty Finch with her copper hair rippling down her waist waiting for my father to read her poem. If she was named after a bird it’s possible she was making a strange call, perhaps an emergency call to my father, but I cannot think about her, or the pebbles we collected together, without wanting to fall through their holes out of the world. So I will replace her with my father walking through France’s fifth biggest city on his way past its monuments and statues to buy a wedge of honeycomb for my mother. The year is 1994 but my father (who has an ice cream in his hand and not a phone) is having a conversation with himself and it’s probably something sad and serious to do with the past. I have never got a grip on when the past begins or where it ends, but if cities map the past with statues made from bronze forever frozen in one dignified position, as much as I try to make the past keep still and mind its manners, it moves and murmurs with me through every day.

The next time I’m sitting on a bus crossing London Bridge and the rain is falling on the chimney of Tate Modern I must tell my father that when I read biographies of famous people, I only get interested when they escape from their family and spend the rest of their life getting over them. That is why when I kiss my daughter goodnight and wish her sweet dreams, she understands my wish for her is kind, but she knows, as all children do, that it’s impossible to be told by our parents what our dreams are supposed to be like. They know they have to dream themselves out of life and back into it, because life must always win us back. All the same, I always say it.

I say it every night, especially when it rains.

About the Book

Dear readers,

With the right book we can all travel far. And yet British publishing is, with illustrious exceptions, often unwilling to risk telling these other stories.

Subscriptions from readers make our books possible. They also help us approach booksellers, because we can demonstrate that our books already have readers and fans. And they give us the security to publish in line with our values, which are collaborative, imaginative and ‘shamelessly literary’ (Stuart Evers, Guardian ).

All subscribers to our upcoming titles

• are thanked by name in the books

• receive a numbered, first edition copy of each book (limited to 300 copies for our 2011 titles)

• are warmly invited to contribute to our plans and choice of future books

Subscriptions are:

£20 — 2 books (two books per year)

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To find out more about subscribing, and rates for outside Europe, please visit: http://www.andotherstories.org/subscribe/

Thank you!

To find out about upcoming events and reading groups (our foreign-language reading groups help us choose books to publish, for example) you can

• join the mailing list at: www.andotherstories.org

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This book was made possible by our advance subscribers’ support — thank you so much! Our Subscribers

Aca Szabo

Alexandra Cox

Ali Smith

Alisa Holland

Alison Hughes

Amanda Jones

Amanda Hopkinson

Ana Amália Alves da Silva

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Tamsin Ballard

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