Stephen Kelman - Man on Fire

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An unforgettable story of faith, forgiveness and second chances,
is a powerful and touching novel from the Booker and Guardian-shortlisted author of Pigeon English.
John Lock has come to India to meet his destiny: a destiny dressed in a white karate suit and sporting an impressive moustache. He has fled the quiet desperation of his life in England: decades wasted in a meaningless job, a marriage foundering in the wake of loss and a terrible secret he cannot bear to share with his wife.
He has come to offer his help to a man who has learned to conquer pain, a world record breaker who specialises in feats of extreme endurance and ill-advised masochism. Bibhuti Nayak’s next record attempt — to have fifty baseball bats broken over his body — will set the seal on a career that has seen him rise from poverty to become a minor celebrity in a nation where standing out from the crowd requires tenacity, courage and perhaps a touch of madness. In answering Bibhuti’s call for assistance, John hopes to rewrite a brave end to a life poorly lived.
But as they take their leap of faith together, and John is welcomed into Bibhuti’s family, and into the colour and chaos of Mumbai — where he encounters ping-pong-playing monks, a fearless seven-year-old martial arts warrior and an old man longing for the monsoon to wash him away — he learns more about life, and death, and everything in between than he could ever have bargained for.

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‘You didn’t cure me, then,’ I say. I try to make it sound breezy.

‘I am very sorry,’ Bibhuti says.

‘It’s okay. Not to worry. Thanks for trying anyway.’

‘You still have plenty of time. You must use it wisely. Maybe there is another treatment for you at home. There is always hope if you listen to what your heart is telling you.’

I tell him I have to go soon. I hear him sobbing and I look away to spare his shame. His picture on the wall is crooked. I’ll straighten it when I get up. He sits with his legs spread wide, three slabs of concrete between them. The sledgehammer poised in another man’s hands. That should have been our record, it would have been so much easier. I should have found him years ago.

36

I hug the ladder tight and turn my face from the view of the ground. Rain shingles the back of my head. Somewhere below me Ellen calls out a spooked profanity and Jolly Boy trills a stiffener to his white uncle’s nerves. I can’t move. I want to sleep here, vertical and soaked to the skin. I want to forget all the new names I’ve learned.

I feel B Pattni’s big hands on the ladder below me, anchoring it to the bed of the pick-up. The force of his grip fortifies me. That’s the plan. The neighbour’s ladder didn’t reach on its own so an appeal was made and B Pattni answered with the bright idea of standing the ladder on the back of his truck. The extra height brings the broken satellite dish within an arm’s length. A merry improvisation, in the Indian way. Safe as houses, as long as the handbrake holds.

B Pattni offered to climb the ladder for me and I had to stand my ground. It was my job. I had to suffer the spotlight glare of the crowd as I made my ascent, the neighbours come to see me make my amends and the reporters digging in for the first glimpse of Bibhuti on his feet and ever hopeful for the summoning to hear it all from the horse’s mouth, how a man among them touched the sun and came back.

They all wonder at me, how a pasty Englishman became the hand of God. I free an arm to check the screwdriver in my pocket and take another step up, barefoot for bite on the slippery metal, the paint chipping off my toenails and my strength ebbing away. I’m barely animal enough to find my grip. I have to put everything into squeezing. My slowness shames me. I shake when I lift off and scrabble for the next handhold, an unmanly spectacle for the watching cameras. I keep going because I have to. I bet myself that my last act on this continent would be something charitable. Something useful to a friend. I haul myself up as far as I can go.

At the top it’s just me and my breathing. I reach out and reel the dish in. It looks intact. Only the bracket’s broken, sheared away from the wall. I shout out my findings. B Pattni steps away from the foot of the ladder to get the replacement bracket and for a moment I’m adrift. The wait for his return is an age without the ballast that comes from other people. I keep my focus on the prayer bracelet around my wrist. Its colour has faded and it slips loosely down my arm. When I feel B Pattni’s weight engage again with the ladder I know I’ll live beyond today.

I pick my way slowly back down the rungs to meet B Pattni at the bottom. He passes me the bracket and the screws and I begin my climb again. I hope I look determined and fearless and that he’ll mention this detail when called to witness my feat to Bibhuti, who sits alone in front of a blank TV screen waiting for his connection to be restored. I lift my head to feel the rain slapping my face. It’s still warm. Up I go.

Bibhuti is pleased with me. The screen throws a bold light into the room. The picture is clear. He clicks past the cricket, prodding tetchily at the remote control buttons. He shuffles through the channels to be reunited in little bursts of recognition with each of his favourites. He doesn’t linger on the sports. The reunion is painful, a tactless reminder that the coming weeks will be spent idly and with terrible waste. To dull the torment while his bones recover he must banish all signals of the grace and power that live in the world beyond his walls.

He clucks his tongue and changes the channel. An American police procedural drama from a decade ago. His eyes glaze over and he slides back into the sofa, giving himself up to the indolence the doctor prescribed when we left the ward in a stumbling entourage.

‘You should be in bed,’ his wife chides him. ‘You will rest much better there.’

He grunts in reply and fidgets with the volume control.

The floor is sand-shifting under my feet, my legs still think they’re dangling in thin air. When I have time to reflect I’ll recall how scared I was up on the ladder, it’ll rush in like a tidal wave and sweep me away. But for now my thoughts are consumed with the logistics of going home. There are flights to book and a will to write. I have to choose which of my accumulated trinkets to bequeath and which to throw out, and that means listening again to the stories of each of them. The listening will take up most of what time remains. I’ll have to go back and put a God to every one of them before they fade away. While I was sleeping you quietly filled me. Now I’m awake and responsible. I have to go and settle things. I have to leave the place where I woke up. I have to forget my friend.

I ask him if he’s comfortable and if there’s anything else I can do for him. He waves me away, his eyes fixed on the TV screen.

Jolly Boy senses his father drifting away from him and he has an idea. Does he want to see the record, the footage is on YouTube?

The life returns to Bibhuti’s eyes and he sits up. He instructs Jolly Boy to get his laptop. Jolly Boy rushes to the bedroom, a bounce in his step, comes back with the laptop already open and whirring into start-up.

‘Come,’ Bibhuti says to me, ‘we will watch together. Jolly Boy, let Uncle sit.’ He watches with excitement as the browser opens up and the boy types a search into Google. Bibhuti Nayak baseball bat.

I look away before he hits enter.

‘It’s okay, I don’t need to see it.’

Bibhuti is confused. ‘We must enjoy these happy moments,’ he says.

‘You would not like to see what you have done?’ his wife asks. It’s a challenge. I have to face up to it. We all gather in close. Ellen takes my arm to console me. Jolly Boy hits play.

The footage is clean and crisp. The AXN cameraman must have leaked it to serve a greater good. It doesn’t do me any favours. I look like a man possessed, chopping away at Bibhuti with indecent haste, my arms swinging apelike above my head. Jolly Boy is goggle-eyed passing me the fresh bats, his face sheened with shock and pride. Bibhuti is taking every hit with a shudder that could be mistaken for torture. My actions bristle with the anxious hunger of a bird trapped in tar. I look like someone discovering their superpower for the first time in the shadow of death.

‘Lovely,’ Bibhuti coos. He looks at me with pride, the son he never wished for.

‘Uncle looks very funny,’ Jolly Boy says. He studies his own image and finds himself an improvement on the boy his friends once poked and prodded, his puppy fat now wrapped around a skeleton of steel. An accomplice in great feats, he’ll go back to class with a legend other boys will file to like ants to sugar.

‘You must be very proud of your husband,’ Bibhuti says to Ellen. ‘He did very well.’

‘I am,’ Ellen says. ‘He always tried his best.’

We could be a fever dream. I watch myself letting go on him and my skin prickles. Your eyes on me are pitying. I’m just another one of your children who lost his way in the race to see who could live the fastest.

Bibhuti crumbles and falls. The camera zooms in on his prone body. A moment of calm, then confusion sets in. A murmur winds through the crowd. Jolly Boy comes into shot and kneels down at his father’s side. He strokes his arm, gives him a gentle shake. His mother joins him. Her shakes are fiercer and she’s already gone hard as if she’s been bereaved for years. Bibhuti won’t move. The sky opens. A comment on the vain recreations of your children. Fat raindrops streak the lens, blurring Bibhuti into a memory in water of the man he was.

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