Christopher Sorrentino - Trance

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Trance: краткое содержание, описание и аннотация

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1974: A tiny band of self-styled urban guerrillas, calling itself the Symbionese Liberation Army, abducts a newspaper heiress, who then abruptly announces that she has adopted the guerrilla name "Tania" and chosen to remain with her former captors. Has she been brainwashed? Coerced? Could she be sincere? Why would such a nice girl disavow her loving parents, her adoring fiance, her comfortable home? Why would she suddenly adopt the SLA's cri de coeur, "Death to the Fascist Insect that Preys Upon the Life of the People"? Soon most of the SLA are dead, killed in a suicidal confrontation with police in Los Angeles, forcing Tania and her two remaining comrades-the pompous and abusive General Teko and his duplicitous lieutenant, Yolanda-into hiding, where they will remain for the next sixteen months.
"Trance," Christopher Sorrentino's mesmerizing and brilliant second novel, traces this fugitive period, leading the reader on a breathtaking, hilarious, and heartbreaking underground tour across a beleaguered America, in the company of scam artists, visionaries, cultists, and a mismatched gang of middle-class people who typify the guiding conceit of their time, that of self-renovation. Along the way he tells the story of a nation divided against itself-parents and children, men and women, black and white; a story of hidebound tradition and radical change, of truth and propaganda, of cynicism and idealism; a story as transfixing and relevant today as it was then.
Insightful, compassionate, scathingly funny, and moving, "Trance" is a virtuoso performance, placing Christopher Sorrentino in the first rank of American novelists.

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Oh, how he couldn’t wait to be a real urban guerrilla! Oh, how he couldn’t wait to be black!

NIGHT IS FALLING. THE Nova is beginning to feel like bad luck rolling. Tania is still hungry, and all that neon against the darkening sky puts an edge on her appetite. Signs that rotate and light up in sequence, that point the way to satiety. A green arrow appears, and they turn. A circle shines yellow, and they speed up. Soon they are working through the cul-de-sacs again, the turn signal clicking and the brakes sighing softly, marking time.

“This car, it’s starting to feel a little, I don’t know.”

“I’m hip.”

“Dangerous, especially after the whole thing back at the shopping center.”

“Well,” says Teko, “I’m aware of that.”

“You always have to be, I don’t know, demonstrative that way.”

“Well. What do they say? Desperate times.”

“First the socks, then this gun thing.”

“It wasn’t socks. It was a bandolier.”

Entering a small, unheralded city called Lynwood, they turn onto Pendleton Avenue and drive slowly for about two blocks before Yolanda pauses beside a parked Ford Econoline van that has a FOR SALE sign taped in the back window, listing a phone number and an Elm Avenue address. As it happens, the address is directly adjacent to where the van is parked. Yolanda gets out of the Nova.

Dan Russell contours himself to accommodate the shifting shapelessness of the beanbag chair, his right hand inside a Claude Osteen model MacGregor fielder’s glove. The fingers of his left hand rest idly on the thongs that will allow him to fine-tune the glove’s Adjusta-Wrist. Tomorrow’s the big game. He takes the glove off and balances it on his lap, gazing into the dark oiled pocket. The weight of the glove on his crotch begins to give him an erection, and he puts the glove aside and prods himself through his jeans as he stiffens. Then he begins to think about Geraldine. Now, Dan Russell is not supposed to masturbate before he pitches. Coach has made this abundantly clear, using a number of creative and evocative euphemisms, the most memorable of which makes reference to “keeping the pearl jam in the jar.” Also, Dan is motivated to stop by his grave misgivings about masturbating while he thinks about the transvestite alter ego of a stocky black man. Yet his fingers undo the snap at the waistband of his Wranglers. He thinks: Geraldine is not a woman; she is Flip Wilson in drag. He works out a compromise: If he must jerk off, he will substitute for Geraldine in his thoughts Mary Ellen Walton: wholly female, about his age, warmhearted, levelheaded, white like him, enduring the Great Depression back in the forties or whenever with John Boy and the rest, and, if he didn’t mention it yet, someone who is both white and a girl.

These two characters compete against each other on TV Thursday nights. Which happens to be tonight.

But then Geraldine sashays back into his mind, wearing a saucy double knit skirt and bright rayon blouse. Dan Russell puts one hand on her arm, another around her waist. “Don’t you touch me!” protests Geraldine. “You don’t know me that well!” He silences her with a violent kiss on her big black lips. He pulses involuntarily under his cotton briefs and then frantically pulls his dick out of his pants. This is not anything anyone has to know about: not the jerking-off part, certainly not the Geraldine part. In his mind he is twisting one of Geraldine’s arms behind her back, yanking the skirt up and the panties down. The sudden idea of Geraldine with dick and balls makes his own dick throb with excitement. Then his brother starts in hammering on the door.

“Huhhyeah?”

“Open up, shithead.”

“Huhhwhat is it?”

“Stop beating off in there.”

“Fuuuck yoooooou.” Dan Russell leaps up and, with pants around his ankles, shuffles across the shag carpet to make sure the door is locked. He gets a shock when he touches the knob.

“Trying to stick it in the keyhole?”

“Fuck you.”

“It’d fit in there too, I bet.”

“Up yours.”

“Yeah bet you’d like it you homo.”

“Fuck you! What the hell you want anyway?”

“Open up and I’ll tell you. Someone’s here to see you.”

“Someone? Who?”

“Open up. A lady.”

“A lady? Who?”

“Open up. She’s got big knockers.”

Dan stuffs his penis back into his pants and slowly zips up. He gives himself a couple of flicks with his index finger to make his hard go down and then opens the door. His brother is leaning against the door frame. He crosses his eyes at the sight of Dan, then blocks his path.

“Where is she?” Dan says, by which he means get out of the way.

“Maybe she left already, dickbreath.”

“Fuck you. Where’s she?”

“She’s up front. She goes, I saw a sign, stud for hire. Hope he’s not shooting it all into an old sock with red stripes that his mom goes in front of everybody, how ever did you get this soooo dirty , Dan?”

Dan pushes his brother out of the way. “Shut up.”

“She goes, I’m here for some of that hot Dan Russell action.”

“Wouldn’t surprise me.” Dan muscles past and begins down the hall.

“Keep believing it, shitforbrains,” says his brother.

He’s a good-looking boy, well built, with hair he constantly is pushing out of his eyes. His mother had stood there holding a semen-encrusted sweat sock, a look of genuine concern on her face, as if his foot were discharging some sort of toxic secretion.

At the end of the hall, Dan sees her silhouetted in the doorway She does have big knockers, and roundish hips, and long, straight legs that he imagines wrapped around his back, and a kind of pretty OK face. He pushes the hair out of his eyes.

“Hi,” he says. “You wanted to see me?”

“Well, I think you’re the person I want to see.” She smiles. “Are you the man with the van for sale?”

Something about the way she calls him a man just makes his day.

“Yes,” he says, deliberately deepening his voice. “Are you interested?”

“I’m very interested!” The woman smiles.

“Well, I’d be happy to show it to you.” He crosses his arms, turning the palms of his hands so that his biceps swell. “I’m Dan, by the way.” He smiles. They stand for a moment.

“Well, I’d love to see it.”

Dan makes this kind of what-a-doofus-I-am facial expression and reaches over to grab the keys off a hook. They walk out together, and he has trouble coming up with anything else to say. He’s relieved the van is there to talk about.

“It’s not like there’s anything wrong with it or anything. I just need something more in the line of an economy car what with gas costing what it does these days.” He shrugs.

“I know, isn’t it awful?” the woman agrees. “If I didn’t have all this stuff and people and things I need to carry around.”

“Well,” says Dan. “It’s a very comfortable van,” and he begins doing a walkaround to point out the features and open the sliding panel door and, not incidentally, show her the back, carpeted in thick shag.

But she says: “I’m sorry, I’m in a bit of a hurry. I’d like to just test-drive it. I’m sure all the, you know, is just fine.”

Faintly disappointed, Dan hands her the keys, taking advantage of the opportunity to cast a glance at her tits. He climbs into the passenger seat. The woman gets in, settles herself behind the wheel, and looks around.

“What a nice, comfortable van,” she says.

“You must take great care of it,” she says.

“Roomy,” she says.

“Starts right up,” she says, putting the key in the ignition and turning it.

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