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Gilbert Sorrentino: The Moon In Its Flight

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Gilbert Sorrentino The Moon In Its Flight

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“Gilbert Sorrentino has long been one of our most intelligent and daring writers. But he is also one of our funniest writers, given to Joycean flights of wordplay, punning, list-making, vulgarity and relentless self-commentary.”— “Sorrentino’s ear for dialects and metaphor is perfect: his creations, however brief their presence, are vivid, and much of his writing is very funny and clever, piled with allusions.”— Bearing his trademark balance between exquisitely detailed narration, ground-breaking form, and sharp insight into modern life, Gilbert Sorrentino’s first-ever collection of stories spans 35 years of his writing career and contains both new stories and those that expanded and transformed the landscape of American fiction when they first appeared in such magazines and anthologies as , , and . In these grimly comic, unsentimental tales, the always-memorable characters dive headlong into the wasteland of urban culture, seeking out banal perversions, confusing art with the art scene, mistaking lust for love, and letting petty aspirations get the best of them. This is a world where the American dream is embodied in the moonlit cocktail hour and innocence passes at a breakneck speed, swiftly becoming a nostalgia-ridden cliché. As Sorrentino says in the title story, “art cannot rescue anybody from anything,” but his stories do offer some salvation to each of us by locating hope, humor, and beauty amidst a prevailing wind of cynical despair. Gilbert Sorrentino has published over 20 books of fiction and poetry, including the classic and his latest novel, , which was shortlisted for the 2003 PEN/Faulkner Award. After two decades on the faculty at Stanford University, he recently returned to his native Brooklyn.

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Gilbert Sorrentino

The Moon In Its Flight

THE MOON IN ITS FLIGHT

This was in 1948. A group of young people sitting on the darkened porch of a New Jersey summer cottage in a lake resort community. The host some Bernie wearing an Upsala College sweatshirt. The late June night so soft one can, in retrospect, forgive America for everything. There were perhaps eight or nine people there, two of them the people that this story sketches.

Bernie was talking about Sonny Stitt’s alto on “That’s Earl, Brother.” As good as Bird, he said. Arnie said, bullshit: he was a very hip young man from Washington Heights, wore mirrored sunglasses. A bop drummer in his senior year at the High School of Performing Arts. Our young man, nineteen at this time, listened only to Rebecca, a girl of fifteen, remarkable in her New Look clothes. A long full skirt, black, snug tailored shirt of blue and white stripes with a high white collar and black velvet string tie, black kid Capezios. It is no wonder that lesbians like women.

At some point during the evening he walked Rebecca home. She lived on Lake Shore Drive, a wide road that skirted the beach and ran parallel to the small river that flowed into Lake Minnehaha. Lake Ramapo? Lake Tomahawk. Lake O-shi-wa-noh? Lake Sunburst. Leaning against her father’s powder-blue Buick convertible, lost, in the indigo night, the creamy stars, sound of crickets, they kissed. They fell in love.

One of the songs that summer was “For Heaven’s Sake.” Another, “It’s Magic.” Who remembers the clarity of Claude Thornhill and Sarah Vaughan, their exquisite irrelevance? They are gone where the useless chrome doughnuts on the Buick’s hood have gone. That Valhalla of Amos ’n’ Andy and guinea fruit peddlers with golden earrings. “Pleasa No Squeeza Da Banana.” In 1948, the whole world seemed beautiful to young people of a certain milieu, or let me say, possible. Yes, it seemed a possible world. This idea persisted until 1950, at which time it died, along with many of the young people who had held it. In Korea, the Chinese played “Scrapple from the Apple” over loudspeakers pointed at the American lines. That savage and virile alto blue-clear on the subzero night. This is, of course, old news.

Rebecca was fair. She was fair. Lovely Jewish girl from the remote and exotic Bronx. To him that vast borough seemed a Cythera — that it could house such fantastic creatures as she! He wanted to be Jewish. He was, instead, a Roman Catholic, awash in sin and redemption. What loathing he had for the Irish girls who went to eleven o’clock Mass, legions of blushing pink and lavender spring coats, flat white straw hats, the crinkly veils over their open faces. Church clothes, under which their inviolate crotches sweetly nestled in soft hair.

She had white and perfect teeth. Wide mouth. Creamy stars, pale nights. Dusty black roads out past the beach. The sunlight on the raft, moonlight on the lake. Sprinkle of freckles on her shoulders. Aromatic breeze.

Of course this was a summer romance, but bear with me and see with what banal literary irony it all turns out — or does not turn out at all. The country bowled and spoke of Truman’s grit and spunk. How softly we had slid off the edge of civilization.

The liquid moonlight filling the small parking area outside the gates to the beach. Bass flopping softly in dark waters. What was the scent of the perfume she wore? The sound of a car radio in the cool nights, collective American memory. Her browned body, delicate hair bleached golden on her thighs. In the beach pavilion they danced and drank Cokes. Mel Tormé and the Mel-Tones. Dizzy Gillespie. “Too Soon to Know.” In the mornings, the sun so crystal and lucent it seemed the very exhalation of the sky, he would swim alone to the raft and lie there, the beach empty, music from the pavilion attendant’s radio coming to him in splinters. At such times he would thrill himself by pretending that he had not yet met Rebecca and that he would see her that afternoon for the first time.

The first time he touched her breasts he cried in his shame and delight. Can all this really have taken place in America? The trees rustled for him, as the rain did rain. One day, in New York, he bought her a silver friendship ring, tiny perfect hearts in bas-relief running around it so that the point of one heart nestled in the cleft of another. Innocent symbol that tortured his blood. She stood before him in the pale light in white bra and panties, her shorts and blouse hung on the hurricane fence of the abandoned and weed-grown tennis court and he held her, stroking her flanks and buttocks and kissing her shoulders. The smell of her flesh, vague sweat and perfume. Of course he was insane. She caressed him so far as she understood how through his faded denim shorts. Thus did they flay themselves, burning. What were they to do? Where were they to go? The very thought of the condom in his pocket made his heart careen in despair. Nothing was like anything said it was after all. He adored her.

She was entering her second year at Evander Childs that coming fall. He hated this school he had never seen, and hated all her fellow students. He longed to be Jewish, dark and mysterious and devoid of sin. He stroked her hair and fingered her nipples, masturbated fiercely on the dark roads after he had seen her home. Why didn’t he at least live in the Bronx?

Any fool can see that with the slightest twist one way or another all of this is fit material for a sophisticated comic’s routine. David Steinberg, say. One can hear his precise voice recording these picayune disasters as jokes. Yet all that moonlight was real. He kissed her luminous fingernails and died over and over again. The maimings of love are endlessly funny, as are the tiny figures of talking animals being blown to pieces in cartoons.

It was this same youth who, three years later, ravished the whores of Mexican border towns in a kind of drunken hilarity, falling down in the dusty streets of Nuevo Laredo, Villa Acuña, and Piedras Negras, the pungency of the overpowering perfume wedded to his rumpled khakis, his flowered shirt, his scuffed and beer-spattered low quarters scraping across the thresholds of the Blue Room, Ofelia’s, the 1-2-3 Club, Felicia’s, the Cadillac, Tres Hermanas. It would be a great pleasure for me to allow him to meet her there, in a yellow chiffon cocktail dress and spike heels, lost in prostitution.

One night, a huge smiling Indian whore bathed his member in gin as a testament to the strict hygiene she claimed to practice and he absurdly thought of Rebecca, that he had never seen her naked, nor she him, as he was now in the Hollywood pink light of the whore’s room, Jesus hanging in his perpetual torture from the wall above the little bed. The woman was gentle, the light glinting off her gold incisor and the tiny cross at her throat. You good fuck, Jack, she smiled in her lying whore way. He felt her flesh again warm in that long-dead New Jersey sunlight. Turn that into a joke.

They were at the amusement park at Lake Hopatcong with two other couples. A hot and breathless night toward the end of August, the patriotic smell of hot dogs and French fries and cranky music from the carousel easing through the sparsely planted trees down toward the shore. She was pale and sweating, sick, and he took her back to the car and they smoked. They walked to the edge of the black lake stretching out before them, the red and blue neon on the far shore clear in the hot dark.

He wiped her forehead and stroked her shoulders, worshiping her pain. He went to get a Coke and brought it back to her, but she only sipped at it, then said O God! and bent over to throw up. He held her hips while she vomited, loving the waste and odor of her. She lay down on the ground and he lay next to her, stroking her breasts until the nipples were erect under her cotton blouse. My period, she said. God, it just ruins me at the beginning. You bleeding, vomiting, incredible thing, he thought. You should have stayed in, he said. The moonlight of her teeth. I didn’t want to miss a night with you, she said. It’s August. Stars, my friend, great flashing stars fell on Alabama.

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