Christopher Sorrentino - Trance

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Trance: краткое содержание, описание и аннотация

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1974: A tiny band of self-styled urban guerrillas, calling itself the Symbionese Liberation Army, abducts a newspaper heiress, who then abruptly announces that she has adopted the guerrilla name "Tania" and chosen to remain with her former captors. Has she been brainwashed? Coerced? Could she be sincere? Why would such a nice girl disavow her loving parents, her adoring fiance, her comfortable home? Why would she suddenly adopt the SLA's cri de coeur, "Death to the Fascist Insect that Preys Upon the Life of the People"? Soon most of the SLA are dead, killed in a suicidal confrontation with police in Los Angeles, forcing Tania and her two remaining comrades-the pompous and abusive General Teko and his duplicitous lieutenant, Yolanda-into hiding, where they will remain for the next sixteen months.
"Trance," Christopher Sorrentino's mesmerizing and brilliant second novel, traces this fugitive period, leading the reader on a breathtaking, hilarious, and heartbreaking underground tour across a beleaguered America, in the company of scam artists, visionaries, cultists, and a mismatched gang of middle-class people who typify the guiding conceit of their time, that of self-renovation. Along the way he tells the story of a nation divided against itself-parents and children, men and women, black and white; a story of hidebound tradition and radical change, of truth and propaganda, of cynicism and idealism; a story as transfixing and relevant today as it was then.
Insightful, compassionate, scathingly funny, and moving, "Trance" is a virtuoso performance, placing Christopher Sorrentino in the first rank of American novelists.

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“You know,” says Tania, offhandedly, “I heard a lot of bullshit about that bank robbery.”

“Did you?” asks Dan, politely.

“It was totally, I don’t know. Much ado about nothing.”

“Well, I mean. I guess people were interested that you seemed to be doing something like a bank robbery. I mean after being kidnapped and stuff.”

“But not that. Stuff about me being like tied to my gun so I couldn’t put it down and go, Help, help, save me. About the others pointing their guns at me. I mean, what is that? I’m so obviously a committed, you know, guerrilla.”

“Well, I guess since you got kidnapped people thought maybe you wouldn’t want to, um, rob the bank with your, you know, kidnappers.”

“Tell people that I said I did the bank robbery out of my own free will.”

“Tell the press,” emphasizes Teko.

“OK,” says Dan.

You can mount these hills, climb toward the stars hanging high in the dark. The canyon roads remind Tania of the coast-bound highways back home, 84 and 92. The winding drives to those foggy, rocky beaches. Teko is hunched over the wheel to take the unfamiliar turns, giving the impression of great physical exertion. 92 she could drive in her sleep, she thinks, and she closes her eyes to greet the phosphene memory of the Denny’s and Charley Brown’s signs that lit the way until the road narrowed where it had been blasted out of the hillsides to form a high, perilous terrace over the coastal valleys of bush lupine and redwood. She thinks of 280, “The World’s Most Beautiful Freeway.” Sometimes, heading to Eric’s apartment after school, when they’d first begun dating, she would downshift on the tight curve of the Sand Hill Road exit ramp, avoiding any contact between her foot and the brake pedal while she cycled through the gearbox as the car climbed to the end of the ramp. Eric had an apartment down the Peninsula in Menlo Park, a cute IMMAC. 1BR, rumpled and full of books and papers, somehow looking collegiate and manly instead of monkish and bookwormy. He was brilliant and handsome and perfect. She was sixteen.

Her parents called him Toothbrush for the mustache; it was the most beautiful mustache in the world. They thought he was poor and after her money, though he was the son of a Palo Alto stockbroker; she would have given him everything or lived with him in a tent. They thought he was a weakling (her mother asked, “Where did all the real men go?”) when he was actually a champion all-around athlete; she saw him as an Adonis. They thought he was effete, an irrelevant aesthete, though he’d been trained in physics; to her he was a practical man of action. They thought he was a radical, a bomb thrower, though he was a McGovern liberal; together they’d change the world.

Then she got tired of proving the point. She sat and watched as he twirled the dial and then fell into silence to begin his indiscriminate TV watching. Every night the same. She heated up food in cans and pouches and poured it onto plates and bowls. Then she talked on the phone, or studied, and watched him watching TV. Every night he would bask in the television’s cold shifting light that lent him the pallid aspect of a corpse. And then one night.

She entered the kitchen, and the doorbell rang. The doorbell rang, and Eric headed for the door. Eric headed for the door and slid it open.

Oh, she thought. This is pretty weird. “Put the chain on,” she said. Eric responded with the slightest dismissive shrug.

Slid it open to confront a girl who said there’d been an accident.

Alice thought that she meant she’d hit her MG and became pissed off.

She said there’s been an accident; can she use the phone? She backed up and hit a car. She pointed down at the ground, to indicate the parking garage beneath.

There was a strange vibe coming from this girl, emotion shredding that voice on the doorstep, a wayward pitch that marked a seeming contradiction between what this girl was saying and what she meant, and what she was doing and what she would prefer to be doing, and this agitation was beyond that warranted by a low-speed fender bender.

She pointed at the ground to indicate the parking garage downstairs. Eric glanced down the hall at the telephone, a green wall model, peering at it as if to see if it was capable of being used by a stranger seeking help on a winter’s evening. When he looked down the hall, he looked right through Alice. It’s her last memory of him.

The girl outside shifted her weight, Eric turned back after checking out the phone, and from deep inside Alice actual expressions from the xenophobic nightmare of her mother’s phrasebook began rising up, free-floating, to seek their application in this circumstance: drop out, druggie, going to hell in a handbasket, hippie, take some responsibility, nigger lover, have they no shame, undesirable elements, each sounding fluent and expressive to her though she felt no anger, only the pull, from the next room, of the neglected television making her impatient with this interlude.

And then the door was shoved open entirely, and the two men came in, with guns.

She tries to imagine, for the hundredth time, Eric aiming a rifle at a living target.

There was a time when Alice thought it was possible that a poem or a song could save every faltering affair in the universe; there was a time when Alice thought she would use it, as she might an incantation, on a night when the TV finally ran out of things to say.

Tania wryly quotes to herself: Death to the Fascist Insect that Preys upon the Life of the People!

NANCY LING PERRY — Fahizah

Fahizah noticed in the rearview that the instant after passing them, the pigs swung into a wide arc to make a U-turn and began following them from about twenty yards behind. It was a quiet and ominously piglike move, and she was sure the pigs’ eyes glowed red at the moment they’d targeted them, like pig androids in a pig killing machine. Fahizah checked her speedometer to make sure she was within the limit, whatever the hell that was around here. Thirty? Eighty-seven? Quarter past three? Huh? She was actually going about forty-two. Holy shit. She realized that she was sort of near Whittier College. The memories came seeping back into her pounded consciousness. Not a happy year, the one she spent there, but it presented her now with a golden opportunity to exercise classic revolutionary deceit: She was on her way to Whittier College, OK, pig? Go ahead and call Pig Central and find out if what she said wasn’t true. She could tell all about the local landmarks: the library, the college theater, the fire-breathing stanwixauropodinoose … and … and … they better believe her, man. The cruiser followed them, flat and menacing. She would shoot their pig faces off. She would steal their pig badges and pig guns from their faceless pig corpses. She thought: Fahizah: the name means one who is victorious. Was her mouth moving? She raised a hand from the steering wheel to touch her lips and found them muttering, in silence, independent of her thoughts, whatever the hell they were.

Cujo turned around again to look at the cops.

“Will you stop?” said Zoya. “You’re just giving them a reason.”

“Pigs don’t need a reason,” said Cujo. “They’re pigs.” He and Fahizah giggled. Zoya looked annoyed.

“Just stop looking back there.”

“I smell bacon,” said Cujo, singsong. He raised his nose and sniffed noisily.

Fahizah looked into the rearview, thinking: There is no flight to freedom except that of an armed projectile. She kept the van at a steady forty, the engine quietly speaking to her, fine fine fine you’re doing fine fine fine , the message traveling from the gas pedal to her foot and up through her spinal cord, as she signaled and eased into the right lane to give the pigs a chance to pass them, to disengage. A fighting chance. To the rear, the cruiser shifted along with them. She thought it might take off any second now. She thought she’d read something about that, flying pigmobiles. Pigs with wings. Heh. They would fly overhead to release the death gas on them, cause them to crash their cars. Then take their bodies to the Dissection Center. Display their brains in some pig trophy case that toured Amerikkka to dissuade the People from attempting to challenge fascist power. They would hook the brains up to a pig Mind Control device that would have them spouting pigisms in their own voices. That was probably something to worry about maybe.

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