Christopher Sorrentino - Trance

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Trance: краткое содержание, описание и аннотация

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1974: A tiny band of self-styled urban guerrillas, calling itself the Symbionese Liberation Army, abducts a newspaper heiress, who then abruptly announces that she has adopted the guerrilla name "Tania" and chosen to remain with her former captors. Has she been brainwashed? Coerced? Could she be sincere? Why would such a nice girl disavow her loving parents, her adoring fiance, her comfortable home? Why would she suddenly adopt the SLA's cri de coeur, "Death to the Fascist Insect that Preys Upon the Life of the People"? Soon most of the SLA are dead, killed in a suicidal confrontation with police in Los Angeles, forcing Tania and her two remaining comrades-the pompous and abusive General Teko and his duplicitous lieutenant, Yolanda-into hiding, where they will remain for the next sixteen months.
"Trance," Christopher Sorrentino's mesmerizing and brilliant second novel, traces this fugitive period, leading the reader on a breathtaking, hilarious, and heartbreaking underground tour across a beleaguered America, in the company of scam artists, visionaries, cultists, and a mismatched gang of middle-class people who typify the guiding conceit of their time, that of self-renovation. Along the way he tells the story of a nation divided against itself-parents and children, men and women, black and white; a story of hidebound tradition and radical change, of truth and propaganda, of cynicism and idealism; a story as transfixing and relevant today as it was then.
Insightful, compassionate, scathingly funny, and moving, "Trance" is a virtuoso performance, placing Christopher Sorrentino in the first rank of American novelists.

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It ended up being exhausting. Like a dope, instead of taking them to task for doing whatever it was they’d done to arouse the interest of the FBI, he’d broadly censured their adult lives. He should have just let Rose write them another letter. They argued for two hours, wandering the downtown streets until, bushed, he allowed them to steer him back to the Hilton. Susan, the official spokesperson, cried.

“Dad, there’s nothing to worry about. We can come down in a few weeks and spend some time with you and Mom.”

“I can’t urge you enough. Call these men. Tell them what you told me.” At least he’d gotten back to the point, but he felt useless, old, contemptible, traitorous. And now he’d have to go back upstairs and tell Nietfeldt that he’d told his kids that the FBI was on to them. If he could only get them all home again, he’d take the old patterned sheets out of the linen closet, cowboys and Raggedy Anns, make the beds himself. Read to them, the forgotten books on the low shelves, until they were asleep, get back to some time when he was supposed to be having an influence.

Thomas Polhaus takes Nietfeldt’s memo and folds it in half. What he wants to do is fold it into fourths, place stiff cardboard covers on both sides, drill a three-quarter-inch hole in the center, and then drive a bolt through the thing and straight into his forehead because if he’s going to walk around looking like a fucking asshole he might as well go whole hog.

“Nietfeldt, what happened?”

“You wouldn’t believe it.”

“I believe it all. I’m doting, overcredulous, and naive.”

“You wouldn’t believe this.”

“Go ahead and test my faith. I’m sitting here on a Sunday.”

“The guy said he wouldn’t meet with the kids if we tailed him. So we didn’t break surveillance, but we hid it a little. I mean, no one in the restaurant. Which is a shame. I hear the fish is very fresh, locally caught. Anyway, they moved around a lot. A bar, the restaurant, then just walked around. The thing is, L.A. gives him this cover; he’s supposed to say he’s up on business. He’s a high school teacher out in the desert, it’s summer vacation. I mean, what kind of business? Good deals on number two pencils? How’s he supposed to not blow it when you give him a cover like that?”

Polhaus let his mouth fall open and allowed the phonemes to escape, two breathy sounds carried on the still air: “L.A.”

“It was L.A.’s idea. I’m sorry. I had a bad feeling.”

“It’s L.A., the whole bright idea for this brilliant family reunion.”

“Should I even mention that we were about a half an hour from Herself? That if the conversation between Rorvik and the kids had gone as planned — to the extent that the conversation was necessary, was a semi-intelligent idea and not something an ape swinging through the jungle would have rejected out of hand — we would have found her and had her right now?”

“Maybe you shouldn’t mention it. So what else happened?”

“Rorvik said that he asked them what they were doing these days, and they said working. Susan’s at Plate of Brasse.”

“Until Friday she was.”

“Roger’s still painting houses.”

“You think this is true, or you think it’s more bullshit they’re feeding the old man?”

“Roger shows up with paint on his clothes, anyway.”

“Why does L.A. do this? Why?”

“My suggestion is check out small jobs in the area. Small nonunion painting jobs. I would think the Peninsula. All those complexes in Belmont and such. Probably a lot of work getting bid out. Labor Day’s coming up. Big moving day.”

“So check them out.” He dismisses Nietfeldt.

Eventually you realize that L.A. exists just to be at fault. Not the Bureau office, the whole fucking city. It has an infinite capacity to absorb blame. Whatever goes wrong in the country, there’s always L.A. Used to be New York, but L.A. took over. The cognoscenti understand this. Jew haters still blame New York. Right-wingers blame Berkeley. The unobservant blame Polhaus’s beautiful golden San Francisco. But you want to trace everything that’s wrong in the world, from tits in the movies to niggers in the streets, you look to L.A.

Small nonunion jobs. Maybe they’d get lucky, but things aren’t looking up. The single useful lead that they have in the whole thing of the case, 625 Post, is blown. They could send them electric trains and a salami, they could send a carton of Milky Ways and an ounce of grass — they’d never go near the place again.

Rose hung up the receiver, then stared at the kitchen phone. A beige wall unit, set in the center of a dark corkboard in the shape of a flower, to whose petals were pinned a shopping list, a business card, a prescription, a mechanic’s estimate, something in a slit window envelope. And oh yeah the postcard from her sister, who’d visited Porterville. She wasn’t sure if her sister had been joking around or not. These things said Life Goes On. And how.

She was a woman with a grown child. Two, for all intents and purposes. She was waiting for her husband to return from an out-of-town trip. She would have liked to say that the house felt empty. She would have liked to say that now she could get to all the things she’d been meaning to do. She would have liked to say that she had converted Susan’s bedroom into a sewing room. She would have liked to say that there were Kodachrome snaps arriving in the mail each month, accompanying lengthy, chatty letters of the kind she had always been in the habit of writing. She would have liked to say that she and Howard were going to take a couple of months and visit sunny Italy, a second honeymoon. She would have liked to, but basically it was just quiet around there.

She knew Howard was on his way home because he’d checked out of the Hilton. She knew that because the kids had just called her to say that they’d missed him there but to let him know that they weren’t involved in any kind of trouble. Oh, and hi. Not in any trouble, but don’t be too upset if she doesn’t hear from them for a while. But things should straighten themselves out soon. Then, fire up the barbecue! They’d be home for a nice long visit.

It was when they assured her of the imminent visit home that it occurred to her that her entire life as a mother had been a failure. Because this was a lie as transparent as the lies they were telling about their lack of intimate involvement with armed revolutionary groups, state prisoners, and fugitives from justice. The whole known past had been abruptly dethroned by a hidden counterpart that was monstrous in its secret and unknowable details; that so thoroughly excluded her that it might as well have happened to people she didn’t know. Worse, it worked in only one direction. Her life remained as open to them, as accessible, as it always had been, while they denied her basic knowledge about such things as where they happened to be laying their heads, the hair on which she’d cut herself right here in this kitchen, with newspapers spread over the linoleum. But a mother couldn’t afford to be willfully enigmatic. She’d had her secrets — secret garments, secret devices in the medicine chest and hanging from the showerhead, secret silences — but they were not deceitful secrets. Not even Jocasta deliberately deceived her children. And there weren’t many of them, her secrets. They were things that had happened before they were born. They were things she concealed on and inside her person. They were things she carried alone, in her head, without speaking of them or acting them out, without even dreaming of speaking of them or acting them out. Everything else, her whole life, belonged to her children, or at any rate was there for them to take. But the things her children were supposed to have been up to! Whatever she thought she’d been teaching them all these years, all she’d really taught them was that it wasn’t advisable to tell their own mother the truth. Who did they tell the truth to? They told each other the truth. They told their friends, unfamiliar to her. Probably they thought they were telling the truth whenever a bomb exploded or a gun went off. And she’d given them everything. It wasn’t fair.

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