Darryl Pinckney - Black Deutschland

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Black Deutschland: краткое содержание, описание и аннотация

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Jed-young, gay, black, out of rehab and out of prospects in his hometown of Chicago-flees to the city of his fantasies, a museum of modernism and decadence: Berlin. The paradise that tyranny created, the subsidized city isolated behind the Berlin Wall, is where he's chosen to become the figure that he so admires, the black American expatriate. Newly sober and nostalgic for the Weimar days of Isherwood and Auden, Jed arrives to chase boys and to escape from what it means to be a black male in America.
But history, both personal and political, can't be avoided with time or distance. Whether it's the judgment of the cousin he grew up with and her husband's bourgeois German family, the lure of white wine in a down-and-out bar, a gang of racists looking for a brawl, or the ravaged visage of Rock Hudson flashing behind the face of every white boy he desperately longs for, the past never stays past even in faraway Berlin. In the age of Reagan and AIDS in a city on the verge of tearing down its walls, he clambers toward some semblance of adulthood amid the outcasts and expats, intellectuals and artists, queers and misfits. And, on occasion, the city keeps its Isherwood promises and the boy he kisses, incredibly, kisses him back.
An intoxicating, provocative novel of appetite, identity, and self-construction, Darryl Pinckney's
tells the story of an outsider, trapped between a painful past and a tenebrous future, in Europe's brightest and darkest city.

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Guys were supposed to understand. He’d stopped paying attention to me as soon as she arrived. I ceased to exist. He was focused on her. I didn’t have to take it personally. He’d blocked out everyone else as well. It was important to him that she saw that and believed him. I was watching, but anyone could. The noise gave them the privacy they needed to let talking become sitting there, a waiting for him.

Remnants of the Red Army Faction had attacked a U.S. Army train in retaliation for one of its members receiving a life sentence for the execution of a businessman ten years earlier, during the young leftist terror of the “German Autumn.” Berlin recalled with incredulity the bombings, courtroom shootings, and safe houses, the violence that they said came out of the anti — Vietnam War movement. But it was the Nazis Manfred talked about. They were still the biggest story in town, bigger even than the Russians stationed in the loneliness of East Berlin’s outskirts. Manfred stepped to the side when he stood, and she did not look back as she went ahead of him.

Albert Speer, Hitler’s architect, who was my age when he was hired, said that in 1938, when he showed his father, also an architect, the model of a transformed Berlin, Germania, capital of the Thousand-Year Reich, the colossal dome of the Great Hall and the swollen neoclassicism of the Arch of Triumph and the Palace of the Führer, his father said, “You’ve all gone completely crazy.” I’d seen the Pergamon Altar over in East Berlin that Speer claimed as his inspiration. Manfred had never been to the East.

* * *

I stayed on the city bus past the ChiChi. I got off not far from Savignyplatz and walked back in the direction of Bahnhof Zoo. I saw that The Threepenny Opera was still playing in the big theater along the way and I decided to see it. I was in Berlin, in the grip of a stupid situation. How had I not noticed before that this work was about fools getting what they deserved.

Hayden Birge was reserved at intermission. I stopped wagging my tail and climbed down off his leg. A thick-necked boy beside him excused himself to go to the men’s room. Hayden relaxed. He said I would not believe the number of gymnasts from around the world who were in Berlin and in need of consolation. The muscular, compact Austrian had been knocked out in the early rounds of the international competition that was taking place down at the huge Deutschlandhalle.

I told him I’d left Cello’s place, but I did not mention the cocaine. Though of course I’d been to Europa Center and the ChiChi, I said for effect that I was taking a risk showing myself in Charlottenburg. He said what everyone else said, that I’d lived on Cello for more than a year. Sure it was a big apartment, but not only did Cello need her space, so did I, and I had to accept that. He was so unfazed by my news, I didn’t ask if he’d seen her. He barely answered when I asked how long he’d been back in town. His Tyrolean returned. Hayden again became as smooth and alert as a leopard. He fluttered fingers at me. He and his date headed back to their seats, Hayden lavishing his succulent smile on the boy. He hadn’t bothered to say we should get together or that he’d call.

I hadn’t much sympathy for Brecht/Weill’s Jenny. The lesbian back in Schöneberg was anxious to get me out. She and her new girlfriend took lengthy baths together by scented candlelight. I stayed out of the apartment for as long as I could, walking and walking, learning once more to enjoy the company of my old friends, my footsteps. I was again keeping away from the ChiChi, now that Zippi had become the middleman between Bags and me. The last time I scooted down to him at the bar, he thumbed me back in her direction. She collected the money from me as well.

Hitler promulgated a law that if you were not already blond, you couldn’t dye your hair, Manfred told me. After The Threepenny Opera , I prepared to take myself by foot across town. In front of a late restaurant, comfortable people were having suppers of white asparagus and white wine under soft garden lights. I was not Invisible, I was that worse thing, Unwanted, a sign badly written and stuck with masking tape on my back. I was wearing the wrong thing. I went out anyway, to Kreuzberg, by taxi, left alone in a corner in every gay bar I entered.

* * *

A freshly shaven Manfred was in his car on my corner in the morning. He wanted to take me on another tour behind the meters of trompe l’oeil murals of row houses in Lessingsdorf that were to be either raised up into place or unveiled on existing surfaces.

“It will be ‘Burn, Baby, Burn’ when the whole village is up,” Manfred laughed, a cigarette in his fist on the wheel. For some reason, he saw the whole thing as provocative. He said he confessed to Irma that he could not cope with the opening of the Lessing Project and the rationing of his cigarette intake at the same time. She wanted to burn his clothes.

I wanted to stay in Schöneberg, near Manfred and the cooled-out Saturday market in the church square, but Schöneberg didn’t want me. I answered ads in the back of a community newspaper. The ads were from women who said when I called that they were looking for women. Two were curious to see what an American guy might look like as a roomie, but the interviews didn’t go well. I didn’t get to say much. Of course the gender-empowered of Schöneberg were not racist.

Manfred seemed to know more about fresco-secco pigments than he had the day before. But guys understood: his business was his, not mine. He parked on the street next to the front gate and I heard him running on the gravel.

I choked on air when Rosen-Montag’s wife suddenly banged the car’s hood.

“Where were you.”

She gave the door another bang with her fist and rejoined her husband’s assistants. They let her go first through the gate. I was hoping she wouldn’t cancel the talk I was to give in a week’s time at a nearby hotel, which was an architectural curiosity because it used the remains of the entrance of a bombed hotel as its doorway.

Every week the project hierarchy seemed to intensify. Manfred jumped back into his car with new site passes and threw the engine into gear. The press girl had not been fired. It was too close to the opening for the kinds of scandal Rosen-Montag’s people did not want. What scandal they wanted, they got, and on camera. To start with, a number of academics had been filmed as they were given the news, along with sugary croissants, that there were too many passengers for the bus. They had excluded those most likely to have fits of self-importance.

Apparently Rosen-Montag had not disappointed either. The camera was also rolling when the lecture bus made its first stop, at an intersection of canal and rather unattractive apartments. They stood next to a carnival with a Ferris wheel. The press girl told Manfred that Rosen-Montag said he had nothing to say about these apartments. He said he was not from the Porto School and did not make bunkers for the poor. He imagined city homes of individual character. The problem was that followers of Portugal’s distinguished architects, regarded as the beginning of the Porto School, were on the bus.

Manfred liked for his car to be seen outside a nondescript restaurant abutting the elevated train tracks that had refused to sell to the Lessing Project or join in with its spirit of urban reclamation. There were two score of artisans and electricians, apprentices and street cleaners working frantically on the other side of Lessingstrasse, behind the high wooden fence. But where we stood was fringe West Berlin, weeds in the useless concrete, anarchist graffiti on the sides of the S-Bahn tracks.

Manfred said I’d been rejected as a roommate either because I was not a student or because I’d indicated that after the 750th anniversary celebrations my employment would be precarious.

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