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Nadeem Aslam: The Wasted Vigil

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Nadeem Aslam The Wasted Vigil

The Wasted Vigil: краткое содержание, описание и аннотация

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A Russian woman named Lara arrives in Afghanistan at the house of Marcus Caldwell, an Englishman and widower living in the shadow of the Tora Bora mountains. Marcus' daughter, Zameen, may have known Lara's brother, a Soviet soldier who disappeared in the area many years previously.

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‘What fool drew this?’ the Tsar had demanded to know of a fortress that a student at the Academy of Military Engineering in St Petersburg had drawn inadvertently without doors. The young man was Fyodor Dostoevsky, and Lara wished this house was similarly devoid of entrances as she slowly moved along the corridor, the drops of molten wax sliding down the side of the red candle in her hand.

No one came near the house, Marcus had told her, because the area around the lake is said to contain the djinn. Lake wind, mountain wind, orchard wind collide in the vicinity, but to the Muslims the air is also lastingly alive with the good and bad invisible tribes of the universe. If that was not sufficient, a ghost said to be that of his daughter Zameen had appeared in one of the rooms the day the Taliban came here, the apparition putting them to flight.

After the sound, she was aware of the completeness of the night’s silence.

Perhaps Marcus, fumbling, had dropped an object. The word ‘lame’ described what happened when a foot or leg became damaged or was missing, but she could think of no specific term for when an arm or hand became unavailable, though the body was just as out of balance.

She entered a room and stopped when she saw the book that had detached itself from the ceiling and fallen with the thump she had heard. The disturbed dust of the floor was still in movement around it.

She picked it up and, setting the candle down, wrested out the nail. Opening the book on the floor she began to read, sitting chin-on-knee beside it.

Tell the earth-thieves

To plant no more orchards of death

Beneath this star of ours

Or the fruit will eat them up.

In the garden Marcus opens his eyes, feeling as though someone has drawn near and blocked his sunlight, but there is no one. Letters and messages, and visits, are received from the departed. And so occasionally, and for a fraction of a second, it is not strange to expect such a thing from those who have died. It lasts the shortest of durations and then the mind recalls the facts, remembers that some absences are more absolute than others.

It was in the darkness of the night, in 1980, that the band of Soviet soldiers had broken into the house to pick up Zameen. The cold touch of a gun at his temple was what awoke Marcus. The darkness was cross-hatched with the silver beams of several flashlights. Qatrina, beside him, came out of her sleep on hearing his sounds of confusion. In those initial moments of perplexity she thought this might be a repeat of what had happened the previous week, when a patient was brought to the house in the middle of the night, the victim of a Soviet chemical weapon from the day before, his body already rotting when he was discovered in a field an hour after the attack, his fingers still looped with the rosary he had been holding. He must have been in unimaginable pain, and though he couldn’t speak the stare from him was so strong it verged on sound.

The couple were not allowed to switch on the light but there appeared to be about ten soldiers. From their voices Marcus could tell they were in their teens or early twenties. He wondered if they were deserters, frightened young boys running away from the Soviet Army, running away from the Soviet Union. People from East Germany, even from as far away as Cuba, came to Kabul and then defected to the West. His mind was jolted out of this consideration when they asked for his daughter by name.

Qatrina’s grip on his forearm tightened. There had been reports of Soviet soldiers landing their helicopter to abduct a girl and flying away with her, parents or lovers following the trail of her clothing across the landscape and finally coming across her naked bone-punctured body, where she had been thrown out of the helicopter after the men had been sated.

Two of the soldiers could speak a broken Pashto and they were asking for Zameen and would give no explanation as to how they knew her or why they had come for her. There followed moments of rancour and violence towards Marcus and Qatrina. The men had searched the house before waking them, and had been unable to locate the girl.

A soldier stayed with them while the others spread out through the house once again, their voices low: it was a time of war and they always had to be alert to the possible presence of rebels near by. Some were searching the garden and the orchard, others Marcus’s perfume factory which stood beyond the garden, a voice drifting up now and then. There was great urgency in them, and Marcus thought of the night the previous year when the Soviet Army had entered Kabul, the Spetsnaz commandos running through the corridors of the Presidential Palace looking for the president, whom they immediately put to death when they found him.

Marcus and Qatrina managed to engage the Pashto-speaking soldier in a conversation.

‘Your daughter is sympathetic to the insurgency. Her name is on the list we have been given by an insider.’

‘There must be some mistake,’ Marcus said through the cut mouth.

‘Then where is she at this hour? We are here as part of a big operation in Usha tonight, to capture those who attacked the school earlier this month. We’ll make them pay for the twenty-seven lives we lost.’

The sun was beginning to rise outside when someone came in and said Zameen had been apprehended.

The lapis lazuli of their land was always desired by the world, brushed by Cleopatra onto her eyelids, employed by Michelangelo to paint the blues on the ceiling of the Sistine Chapel, and, from the look of certain sections of the sky above Marcus and Qatrina as they came out into the garden, it could have been Afghanistan’s heights that were mined for lapis lazuli, not its depths.

The couple searched their surroundings and then went into Usha, trying to understand what had happened.

Hours later, as dusk began to fall, Qatrina stood beside an acacia tree, holding with both hands the clothesline tied around the trunk. Marcus thought it was for balance, but then saw that the section of the rope between her hands was tinted indigo, where one of Zameen’s dresses had once seeped colour into it, the dress she must have been wearing when they captured her because it was missing from her room.

He led her back to the house, the perfume from the acacia clinging to her. The djinn were supposed to live in the scent of acacia blossom, making themselves visible only to the young in order to entrap them in otherworldly love.

FOR A LONG TIME before Lara came to the house the kitchen was Marcus’s living quarters. There was no electricity so the refrigerator was used as a clean white cupboard to store clothes. He seldom visited the other interiors, the doors fastened, a muffled thud indicating that a book had detached itself from the ceiling. Qatrina and he had built up this collection over the decades and it contained the known and unknown masterpieces in several languages. Up there Priam begged Achilles for the mutilated body of his son Hector. And Antigone wished to give her brother the correct burial, finding unbearable the thought of him being left unwept, unsepulchred .

He went on a journey whenever he received word about a young man somewhere who could possibly be his lost grandson. Though he feared there was no hope of locating someone whose face you had never seen, whose face you didn’t know. The last excursion was to a city in the south of the country during the Taliban regime, and like the other times it was fruitless. There he saw an abandoned and locked-up school for girls into which, he was told, every book to be found in the city had been thrown on Taliban orders. When he put his ear to the keyhole he could hear the sound of worms eating the millions of pages.

*

While Marcus was digging in the garden one afternoon last month, the sunlight falling deeper into the small pit inch by inch, his implement struck something hard. He pulled out the cassette player wrapped in canvas, interred there during the time of the Taliban. He tried to remember where he had buried the cassettes. Sound fossils! There is hunger that declares itself only while it is being satisfied, and so for the next dozen hours he listened to music without pause, cassettes on every surface around him.

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