Sara Majka - Cities I've Never Lived In - Stories

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In subtle, sensuous prose, the stories in Sara Majka's debut collection explore distance in all its forms: the emotional spaces that open up between family members, friends, and lovers; the gaps that emerge between who we were and who we are; the gulf between our private and public selves. At the center of the collection is a series of stories narrated by a young American woman in the wake of a divorce; wry and shy but never less than open to the world, she recalls the places and people she has been close to, the dreams she has pursued and those she has left unfulfilled. Interspersed with these intimate first-person stories are stand-alone pieces where the tight focus on the narrator's life gives way to closely observed accounts of the lives of others. A book about belonging, and how much of yourself to give up in the pursuit of that,
offers stories that reveal, with great sadness and great humor, the ways we are most of all citizens of the places where we cannot be.
Cities I've Never Lived In
A Public Space
ADVANCE PRAISE FOR “A human and eloquent exploration of isolation.” —Publishers Weekly
“These stories are a marvel that will break your heart. . Majka’s debut is breath-stopping.” —A.N. Devers, Longreads
"These stories are sparse and fierce and move elegantly to the very heart of the reader. The voice remains with me, has left an emotional trace like a person I lived with and loved and often recall.” —Catherine Lacey, author of Nobody is Ever Missing
“A collection that leaves you longing — as one longs to return to much loved, much missed homes and communities and cities — for places that you, the reader have never been. Prodigal with insight into why and how people love and leave, and love again. Humane, dazzling, and knowing.”
— Kelly Link, author of Magic for Beginners
“Like Alice Munro and Raymond Carver, Sara Majka writes stories of people on society’s ragged edge — in money trouble, work trouble, heart trouble — and does so with tremendous subtlety and a grave sophistication all her own. Every one of the spare sentences in this book is heavy with implication and insight. It’s impossible to read these stories too closely.” —Salvatore Scibona, author of The End
“I cannot remember a book that more perfectly achieves the sensation of, as Majka describes, ‘being nowhere, or in someone else’s life, or between lives.’ With each subsequent story, the feeling intensified until, as only the very best writing can do, I felt transformed by the experience. Cities I’ve Never Lived In is a momentous book, and Majka is a writer operating at a very high level of insight.” —Kevin Wilson, author of The Family Fang

is like no other book I’ve read: graceful and poignant, original and wise. Its stories unfold in the bars, thrift stores, and rented rooms of a Maine you won’t find in tourist guidebooks or outdoor catalogs, but their deeper territory is the human heart: loss and loneliness, desire and grief, and the strange beauty to be found in desolation. Like the memories that haunt her watchful, wounded characters, Sara Majka’s exquisite prose stayed with me long after I had turned the last page of this terrific debut.” —Mia Alvar, author of In the Country
“This is a beautiful and destabilizing book filled with ghosts. Majka is a writer I’d read anything by.” —Diane Cook, author of Man Vs. Nature
“The characters in Sara Majka’s haunting collection drift through cities and landscapes like refugees from feeling, searching for something they can’t begin to name. These stories confound all our expectations: they fade in and out like memories or dreams, at once indelible and impossible to grasp. Again and again they broke my heart. Majka is a daring and enormously gifted writer, and this is a thrilling, devastating debut.” —Garth Greenwell, author of What Belongs to You

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MAUREEN

Or another Portland story, one of those heard and almost forgotten, told late at night, when no one has anywhere to be and you’re not sure if anyone is talking. Maureen had been the bartender at the Regency Bar for nearly twenty years. The place was under the highway ramp, and had dark wood, torn covers in the booths, and old lamps, though this wasn’t lovely in the way this might suggest, just generic. Most of the men drank Bud from bottles and sat for a long time, and sometimes, on slow nights, Maureen would lean over and talk to them. She had been beautiful when she started, and most of the men could remember that. One night she told them about being at the beach with the man she had once been married to and their baby daughter. It was easy to see a younger Maureen on the shore, wearing a stretched-out bathing suit and cutoffs, her long hair greasy but shining. Already some of the weight gained, but it would have looked good on her. There would have been something sympathetic in the thickening under her arms. And her husband, thin and bare-chested, a mustached man spread across the blanket, with their baby playing in between. The two of them drinking cups of beer, and afterward walking barefoot through the parking lot, teetering on pavement embedded with small rocks. The shock of the hot car, then lifting the baby in and buckling her, careful not to clip the fat of her legs.

That baby had died later, a few years later, in a car accident. Maureen had been newly divorced when it happened. She had just moved into the apartment and her ex came on Saturdays to pick up the girl, Clarice. That morning Maureen could tell he had been drinking, but still, she helped her daughter into her coat and went back upstairs. She enjoyed the empty apartment. She would do nothing — pick up laundry, smoke a cigarette, take a bath. She had been lying in bed, watching the curtain, smelling her shoulder, when the phone rang.

After that time, she felt there was something wrong with her, that she was empty in ways she shouldn’t have been. That emptiness prepared her for what she saw on the town green one day, years later — a little girl who looked like her daughter, in a group with other children, being led down a path. She looked to see if anyone else noticed, thinking perhaps they were an imaginary thing that had come to fill the space. But other people, too, saw the children.

The next time, she followed them to story time at the library. She stood outside the children’s room in the basement, watching the kids, then went to the information desk and asked if she could read. Well, the woman said, it’s usually the librarian or someone at the senior center, but we always like help here. So on Tuesdays she put on her good dress, a thin spring dress she had owned for years, and brushed her hair while watching the old man in the garden out her window, the old man working his tomato patch in a green hat, moving over the earth like a delicate animal. She didn’t look at him when she backed out of the drive, but felt he knew.

Afterward, after reading at the library, she would smoke by the fence and try not to get too close to what was happening. She felt if she moved smoothly enough, without sharpness or rise in her voice, if she didn’t pay attention, or look closely, only watched from the corner of her eyes … The few times she approached the girl were an allowance. Did you like that book? she had asked her. What she must have seemed to the little girl, with her off-voice and stifled insistency. She wasn’t in control, but felt if she moved slowly, almost crept, that nothing would startle and break loose.

When her ex-husband appeared at her door one day, she thought it was a harbinger, the very thing she was trying to avoid. It reminded her of the Saturdays when he had picked up their daughter. Opening the door was like that, too, except he was older and it hadn’t done well for him. It was as if they had agreed on this play, but their aging and lack of reason made it a pitiful thing. She looked past him to see if the man was in the garden, but she didn’t see him. What do you want? she asked her ex-husband. He held up his hands, Just to talk to you. She asked him to wait while she put on shoes. Upstairs she tied her raincoat, put on flats. She looked out the bathroom window for the old man but still didn’t see him and wondered if that was a bad omen.

They walked to the corner bar, slipping inside the door. They stood near each other. It was midday and nearly empty. He was more lost than she was. It occurred to her that he was drunk, but she couldn’t tell. Do you still drink the same? she asked. He offered to get it, but she thought he might not have money, and said, No, I’ll get it, find us a seat. He picked a booth along the side wall; tinted windows showed a yellowed version of the empty street. She bought one drink and sat at the edge of the seat, sliding it to him.

I’m sorry, he said. I didn’t think of what I would say. He wrapped his hands around the glass. Instead of looking at his face, she looked outside. It was raining, what looked like yellow rain on a darker yellow sidewalk. I’m getting married again, he said. We’re going to move to Florida. I’m going to start up a bar there. He waited for her to say something. She said that she had to go. He reached for her, but she slid from the booth.

On the sidewalk, she put a hand in her purse and fumbled with her cigarettes. She lit one, threw it down, walked back to the bar. She stood in the entryway. There was a man in the far booth where they had been. He was tall, lanky, dark haired. She took steps toward him, but his features aligned into those of a stranger’s.

During her shifts she often smoked to steady herself. You could see her out there, holding her sweater closed with one arm and turning away from the wind. She looked like those women you find in rural areas who have kids, do the cooking, and work, who have no femininity in them, but also nothing hard, it was just that life had brought them to having no extra gestures.

NASHUA

When I travel, I often visit another town nearby, someplace I wouldn’t otherwise go. Nashua, I think, was like that. It was after Christmas and I was watching, for a time, a teenager and two dogs for a family west of Boston. I rarely saw the teenager, except to drive her from place to place, but I let the dogs out and walked them and picked up the garbage they had strewn about. I cooked meals I found in the freezer — shrimp, individual-sized lasagna. The house was large enough that cleaning people came every few days, and, when I couldn’t find something, I always thought that the cleaning people had moved it when I had probably just forgotten where it was. One night I drove to an old, unheated cinema to watch a musical. It involved driving unknown roads in the snow and then driving back, hoping I would find the teenager at home, chasing the dogs, trying to get them in their cages. There was, as always, the relief of living within a life that wasn’t mine, of raising the heat and walking barefoot across the bathroom’s stone floor.

Around this time, I realized I had fallen in love again, this time with a man who was a drinker. I remembered a story by Alice Munro in which a woman, sensing she is falling in love, and fearing what had happened the other times, gets in a car and starts to drive and keeps on going. It was a snowy day when I thought about this and I sat in my bedroom and imagined waiting it out, how long it might take. Outside there was the scrape of shovels. But for what other reason are we alive? I thought.

I had driven to Nashua from Boston to look for farmhouses. I was researching abandoned farmhouses and wanted to find a part of New Hampshire with both rural and urban poverty. Once there, I bought a bottle of whiskey at the tax-free shop, then found the Salvation Army. I bought fabric to make curtains and asked the woman behind the register about directions, but she knew the roads by different numbers than were listed on my map.

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