Sara Majka - Cities I've Never Lived In - Stories

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In subtle, sensuous prose, the stories in Sara Majka's debut collection explore distance in all its forms: the emotional spaces that open up between family members, friends, and lovers; the gaps that emerge between who we were and who we are; the gulf between our private and public selves. At the center of the collection is a series of stories narrated by a young American woman in the wake of a divorce; wry and shy but never less than open to the world, she recalls the places and people she has been close to, the dreams she has pursued and those she has left unfulfilled. Interspersed with these intimate first-person stories are stand-alone pieces where the tight focus on the narrator's life gives way to closely observed accounts of the lives of others. A book about belonging, and how much of yourself to give up in the pursuit of that,
offers stories that reveal, with great sadness and great humor, the ways we are most of all citizens of the places where we cannot be.
Cities I've Never Lived In
A Public Space
ADVANCE PRAISE FOR “A human and eloquent exploration of isolation.” —Publishers Weekly
“These stories are a marvel that will break your heart. . Majka’s debut is breath-stopping.” —A.N. Devers, Longreads
"These stories are sparse and fierce and move elegantly to the very heart of the reader. The voice remains with me, has left an emotional trace like a person I lived with and loved and often recall.” —Catherine Lacey, author of Nobody is Ever Missing
“A collection that leaves you longing — as one longs to return to much loved, much missed homes and communities and cities — for places that you, the reader have never been. Prodigal with insight into why and how people love and leave, and love again. Humane, dazzling, and knowing.”
— Kelly Link, author of Magic for Beginners
“Like Alice Munro and Raymond Carver, Sara Majka writes stories of people on society’s ragged edge — in money trouble, work trouble, heart trouble — and does so with tremendous subtlety and a grave sophistication all her own. Every one of the spare sentences in this book is heavy with implication and insight. It’s impossible to read these stories too closely.” —Salvatore Scibona, author of The End
“I cannot remember a book that more perfectly achieves the sensation of, as Majka describes, ‘being nowhere, or in someone else’s life, or between lives.’ With each subsequent story, the feeling intensified until, as only the very best writing can do, I felt transformed by the experience. Cities I’ve Never Lived In is a momentous book, and Majka is a writer operating at a very high level of insight.” —Kevin Wilson, author of The Family Fang

is like no other book I’ve read: graceful and poignant, original and wise. Its stories unfold in the bars, thrift stores, and rented rooms of a Maine you won’t find in tourist guidebooks or outdoor catalogs, but their deeper territory is the human heart: loss and loneliness, desire and grief, and the strange beauty to be found in desolation. Like the memories that haunt her watchful, wounded characters, Sara Majka’s exquisite prose stayed with me long after I had turned the last page of this terrific debut.” —Mia Alvar, author of In the Country
“This is a beautiful and destabilizing book filled with ghosts. Majka is a writer I’d read anything by.” —Diane Cook, author of Man Vs. Nature
“The characters in Sara Majka’s haunting collection drift through cities and landscapes like refugees from feeling, searching for something they can’t begin to name. These stories confound all our expectations: they fade in and out like memories or dreams, at once indelible and impossible to grasp. Again and again they broke my heart. Majka is a daring and enormously gifted writer, and this is a thrilling, devastating debut.” —Garth Greenwell, author of What Belongs to You

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Gene was waiting on the island with the kids. The two boys were sitting on the bench together, and he stood behind. She gave him the paper bag of groceries. All her things fit in a second bag. He asked that she start getting plastic for the groceries so they could use them as trash bags. They talked quietly of household things.

The next day they woke, had breakfast, then cleaned the house. They opened the back slider and she took out the chairs and looped curtains over the rods. He swept while she scrubbed the kitchen, scrubbing with her hair falling from its elastic, wearing yellow plastic gloves and a loose dress. He wore a flannel shirt and soft pants, and when he passed she could smell him. She had grown used to living with this gentle man.

They settled on the arrangement after her husband, his son, had left, and it was just her and the kids. Gene was living on the other side of the island. He could have been angry with her; he could have judged her. Everyone else did. They acted as if what happened belonged to the island, and wasn’t something private. What had happened was almost nothing like what it looked like, but people never realize this.

When they had decided, not long after everything had happened, she had been in her living room. Gene had come over to the house. He sat down and asked if she wanted to stay on the island. She hadn’t thought about it, and he said that she would want to think things over, that it might feel soon, but that she would need to think about it. If she wanted to stay here, then one of them would need to work on the mainland. He said that he would do it, and she could look after the kids, if she’d prefer that, but that it would probably be easier for her to get a job. He had talked quietly to her that day, and much of what they decided on ended up being exactly what they did, though at the time it hadn’t felt real to her.

She had looked at Gene that day. He looked younger, different than he had looked before, when he was simply the father of the man she had married. He was a man who had become suddenly necessary, and that changes them. She said then, Do you want to know more about anything, for me to talk about anything, so that you know? Maybe another time, he said, that might be what happens, but right now we should focus on the smaller things, these things that are going to have to happen.

Now, months later, after they had cleaned the house and after the kids had gone to bed, they poured second drinks. Have you made any friends? he asked her.

God no, she said, and tried to explain how it was there. His shirt was rolled to his forearms, and the fabric was touching the wood of the table, and she thought this was what the table had been expecting all along, him to sit there.

Maybe it would be better if they lived on the mainland, too, he said. With you. If you all lived there full time. We want to keep this certain kind of life, but maybe after a while it just does harm.

She didn’t understand his change, and said, I think that we should keep it this way right now.

She stood to get the radio from the living room. She plugged it in in the kitchen and turned the game on so low they could barely make it out. He continued with what he was saying, which was the intelligence of considering the mainland in not too long, six months, a year.

I don’t want to think past this right now, she said.

Gene had, when his son left for college, never expected him to come back. When Shaun came back with a wife, and they had children, Gene realized that he was trying not to get close to them. He expected them to leave, so there had been a lot that he had missed, that maybe other people had known before him, because he had been thinking of his own survival. He had imagined them both there and not there, so he would be able to continue on without them, and felt he had to understand that they could go and do what’s often done — send Christmas cards from Connecticut with pictures of the kids, or those postcards people are always putting on their fridges. The realization of his daughter-in-law’s inner life had been slow to materialize, had not really started until four months before, on the day she came up his drive alone. He had come out of the house, wiping his hands on a cloth. She wasn’t one for agitation, and she looked around as if she had misplaced something. He was thought commendable in the way he handled the situation, but he knew how useless he had been, trying to preserve himself as if he were anything to think of, when he was just an aging man inside his house, trying to fix a sink. A braver man would have been willing to sacrifice his happiness before that point, seeing as his happiness, and himself, were the slightest things.

She had fallen in love with another man, and her husband had disappeared with the kids. She thought they were still on the island, though, as the ferry captain hadn’t seen them. This is a lot to take in, he had said to her. Well, what should we do? he said. It was uncommon to be standing there, united in this sudden way. We could go over to Matt’s, he said. Matt was the island manager. No, she said, let’s not do that. Why? he said. Just not him, she said. Anyone but him. I see, he said, thinking that it would have been easier if the man she had fallen in love with wasn’t also the man in charge of the island. Well, he said, we’ll go, and you’ll stay in the truck.

Matt’s office was in a low cinder-block building, with the ferry office to one side and the administrative offices on the other. Matt had thick black hair, was himself a thick, strong man. Gene thought of what loneliness could do to you, that Meghan had been lonely in ways no one else had thought of, but this man had.

If he had to pick between knowing all this and not knowing, he would pick the moment when he was fixing his sink, insulated from them, thinking of how he would get cards from them, and that he would grow older alone, that you couldn’t guess at how isolated the self was, and that was what getting old could sometimes be, that it becomes quiet enough to hear it in yourself. But during the ride to Matt’s he learned that his son, who worked in a school on the mainland, had found out about the affair and gone desperate with love for his wife. Gene didn’t understand this way of taking things and wondered where his son had discovered it. Gene would have left his wife and met someone else in time. There was comfort to find everywhere. Gene wondered if it was love for her or just desperation with life. They always looked so much the same. Why do we think we can’t live without a certain person? Then there are others who don’t think this way. He couldn’t begin to understand why his son had taken the children. Maybe he thought if he ran away by himself no one would try to find him.

After talking with Matt, Gene had driven with Meghan to the World War II bunker facing the open ocean. They parked near the scrub, then walked through the dunes, then stood there, listening. He jumped down and she came after, and they stood in the space with the sudden surprise of windows overlooking the water. She looked out the windows, as there was no sense in looking further for the kids. It was clear enough they weren’t there. Well, you learn quickly when looking for something that it isn’t there, and that you’re going to the very places you won’t find it. For instance, if you lose something in your house, you’ll search the same place over and over again, because it has stopped mattering where you look.

They looked next in the abandoned cottages, then went to the homes of people they knew.

On the second night they went home and she fell asleep on the sofa while he waited up. If she had been awake when the kids appeared through the front door, she could have greeted them while he ran to find his son, but in that moment when he had the choice, he picked his grandsons, picked to lower himself so he could see their eyes and try to calm them. Then she woke and he went outside but it was too late. They had spent two days looking even though they knew they wouldn’t find them; this time he admitted there was no sense in trying to find his son. Gene put the front light on and went back to his grandsons and daughter-in-law.

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