Sara Majka - Cities I've Never Lived In - Stories

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In subtle, sensuous prose, the stories in Sara Majka's debut collection explore distance in all its forms: the emotional spaces that open up between family members, friends, and lovers; the gaps that emerge between who we were and who we are; the gulf between our private and public selves. At the center of the collection is a series of stories narrated by a young American woman in the wake of a divorce; wry and shy but never less than open to the world, she recalls the places and people she has been close to, the dreams she has pursued and those she has left unfulfilled. Interspersed with these intimate first-person stories are stand-alone pieces where the tight focus on the narrator's life gives way to closely observed accounts of the lives of others. A book about belonging, and how much of yourself to give up in the pursuit of that,
offers stories that reveal, with great sadness and great humor, the ways we are most of all citizens of the places where we cannot be.
Cities I've Never Lived In
A Public Space
ADVANCE PRAISE FOR “A human and eloquent exploration of isolation.” —Publishers Weekly
“These stories are a marvel that will break your heart. . Majka’s debut is breath-stopping.” —A.N. Devers, Longreads
"These stories are sparse and fierce and move elegantly to the very heart of the reader. The voice remains with me, has left an emotional trace like a person I lived with and loved and often recall.” —Catherine Lacey, author of Nobody is Ever Missing
“A collection that leaves you longing — as one longs to return to much loved, much missed homes and communities and cities — for places that you, the reader have never been. Prodigal with insight into why and how people love and leave, and love again. Humane, dazzling, and knowing.”
— Kelly Link, author of Magic for Beginners
“Like Alice Munro and Raymond Carver, Sara Majka writes stories of people on society’s ragged edge — in money trouble, work trouble, heart trouble — and does so with tremendous subtlety and a grave sophistication all her own. Every one of the spare sentences in this book is heavy with implication and insight. It’s impossible to read these stories too closely.” —Salvatore Scibona, author of The End
“I cannot remember a book that more perfectly achieves the sensation of, as Majka describes, ‘being nowhere, or in someone else’s life, or between lives.’ With each subsequent story, the feeling intensified until, as only the very best writing can do, I felt transformed by the experience. Cities I’ve Never Lived In is a momentous book, and Majka is a writer operating at a very high level of insight.” —Kevin Wilson, author of The Family Fang

is like no other book I’ve read: graceful and poignant, original and wise. Its stories unfold in the bars, thrift stores, and rented rooms of a Maine you won’t find in tourist guidebooks or outdoor catalogs, but their deeper territory is the human heart: loss and loneliness, desire and grief, and the strange beauty to be found in desolation. Like the memories that haunt her watchful, wounded characters, Sara Majka’s exquisite prose stayed with me long after I had turned the last page of this terrific debut.” —Mia Alvar, author of In the Country
“This is a beautiful and destabilizing book filled with ghosts. Majka is a writer I’d read anything by.” —Diane Cook, author of Man Vs. Nature
“The characters in Sara Majka’s haunting collection drift through cities and landscapes like refugees from feeling, searching for something they can’t begin to name. These stories confound all our expectations: they fade in and out like memories or dreams, at once indelible and impossible to grasp. Again and again they broke my heart. Majka is a daring and enormously gifted writer, and this is a thrilling, devastating debut.” —Garth Greenwell, author of What Belongs to You

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No, she said.

You’re a five-year-old girl, he said.

How old are you?

I’m thirty-three.

She stopped paying attention. She followed a leaf fluttering down.

He tried a thrift store, but a pretty girl behind the counter told him they only sold adult clothes. He watched her hands as she motioned outside, toward other stores he could drive to.

For lunch they ate Belgian fries in newspaper cones. Leigh studied them, not sure if she was being tricked or not.

You dip them in mayonnaise, he said.

Why?

That’s what they do in other countries. In Canada they eat them with melted cheese.

The sunlight hit the people at the counter, making them look like they were in a tunnel. Everyone still had their coats on. The light would go down soon. After eating they went out into the light. Leigh closed her eyes. The wind blew her hair; she tugged at it with her fingers. The pads of her fingers glistened. His fingers also glistened and he pressed them into the palm of his hand because they felt slightly damp.

Back at the hotel he read to her. I have seen snowflakes all winter like blurred stars in the air … He sat at the edge of the bed until she fell asleep. Then he slid to the floor and tried to read. The heater turned off. It was too quiet. He got the keys from the dresser and went out. He’d seen a bar down the street with a Schlitz sign in the window.

The next morning they picked up his work then found a pair of boys’ boots for her in a thrift store on the way home. As they drove, the highway emptied and the sky widened. Pines on both sides grew taller and thicker. When Leigh fell asleep, he opened the bottle of whiskey, drank. What did it matter? It was straight road for hundreds of miles. He stopped outside Bangor at a discount food store. Near Orono there was a place that sold expired beer. He looked at a pumpkin beer clouded with sediment. The man working there tipped the bottle in the light, said, Should be fine.

They drove 9 toward 193. He had wanted to name her after a small town there called Aurora. The center of town was a gas station with a café, and the town hall, and then two-family apartments with porches. He thought it could be a place to start over. There would be as good as anywhere. He wondered what it would be like, to pull to the side of the road, and enter the café to ask about a place to stay, and the next morning finding a job and building a life without anyone knowing who they were. He didn’t want to bring her back home. He wanted to start again, but it also frightened him, because there would be nothing to keep them from trying again and again, until it became a repetition, each time the surface of them growing dimmer, more transparent, a father and daughter in the entrance of a café. He told her they would be like settlers, like in Oregon with the wagons, and waited for her to ask what that was, but she just looked out the window during the time it took for the town to pass.

картинка 5

When he was married and would take work to the gallery, he used to sleep in the cab of his truck. He preferred it to sleeping at a friend’s place, arriving and standing in the middle of the living room, tall and slim, alien to his surroundings. If they asked, he’d say he was sleeping at a friend’s that they didn’t know. Stepping out of his cab in the morning to the sun low and bright down the tree-lined streets, he’d blink and pound one fist into the other. Then he’d walk to get coffee and rolls at the bakery, walking until he was either warm or at the water. At the water he’d throw bits of bread for the birds. And then often it was to the library or the museum. If it was warm enough to sit in the park, he’d find a shaded place to drink and write descriptions of what he saw. He liked to be a little drunk when calling his wife.

It was harder for him to tell what came next. He had decided they would have to move to Portland so that he could find work. He left Leigh with Sheila so that he could go to Portland to look for a place. Walking in the West End, Paul saw a sign in a window and called. He thought they would be renting the rooms that had the sign, and he imagined the tall windows looking onto the street; that they would have a piano, and if the ceilings weren’t tin, they at least would have molding. Instead the woman took him to rooms behind the building. There were collapsed lawn chairs and a plastic pool someone had tried to grow a garden in. Tall trees lined the back. The woman had trouble with the keys. At last she got the door open and drew back a curtain.

You can plant outside if you want, she said.

Does it get sun?

It does, she said, it’s just too late now. She said it held heat well and he couldn’t imagine much of anything getting out anywhere. She said that someone was coming to look at it at three. He remembered his years of living alone in these kinds of apartments and told the woman he would take it.

When he told Sheila that he needed to return to Portland to look for work, Sheila didn’t question him, so he didn’t have to explain. He had put the new key on the ring, but he didn’t tell her this. They smoked on the stoop while the children played. He wondered what he would grow in the summer, if the window would get enough light to be able to grow seedlings. Leigh would grow marigolds, he thought. There was a school at the end of the street and Leigh would start there next year.

He told me he never decided what he would do. The first few days, it was nice being alone in the apartment. The landlady, Lena, had been right about the morning sun. It hit the frost that accumulated on the window and made it glow. He brought in a table from the street. One morning he took his clothes to the trash out back. He trimmed his beard, littering the sink with bits of his hair. He wet a towel and rubbed his armpits and arms and chest, put on a new shirt, brushed down his jeans.

He walked around. Didn’t do much, really. A month passed easily.

One afternoon Lena knocked at the door. He knew it was her. No one else knew there was a door in back. Where the other residents of the building thought he was always coming and going to he didn’t know.

A woman had come and asked if he lived there. I told her no, Lena said, that I didn’t recognize your name, but she left her name anyways.

He looked at the torn paper Lena laid on the table, then went back to the stove. They didn’t say more about it.

He didn’t call Sheila. Instead he went to the harbor and found a job washing dishes in a restaurant. Four days a week for the dinner shift. At five he ate with the kitchen staff. He wasn’t sure how he spent the rest of his time or how time had passed so quickly. He grew his beard again; he gave up the flattery of slim-fitting shirts. When he had trouble painting, he got glasses. He looked in the mirror and saw he had been changed by what had happened. After it rained, he’d walk out in bare feet, feeling the thawing ground underneath him. He took to novels, still liking the ones he found in boxes, slender books with dried pages. He bought food at the co-op in the center of town, small bags of cashews, bags of dried fruit and fig bars, and would eat them downtown, sitting on benches or curbs.

At work they told him a woman had come in and asked for him. He understood then that he was simply waiting. When Sheila found him working in his garden, he went inside for drinks. They sat in camping chairs near a tree where the moss was so soft she slid off her shoes. She took out a half-smoked cigarette she then had trouble lighting.

They went to a show downtown. She wore one of his cardigans. They sat in the back corner, against a record bin, both of them pulling their legs close. Her breath smelled like the alcohol they were sharing, and what she had eaten, and also a little of flowers, though it might have been her hair. Do you like the show? he asked between sets.

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