Santiago Gamboa - Necropolis

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Necropolis: краткое содержание, описание и аннотация

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Upon recovering from a prolonged illness, an author is invited to a literary gathering in Jerusalem that turns out to be a most unusual affair. In the conference rooms of a luxury hotel, as bombs fall outside, at times too close for comfort, he listens to a series of extraordinary life stories: the saga of a chess-playing duo, the tale of an Italian porn star with a socialist agenda, the drama of a Colombian industrialist who has been waging a longstanding battle with local paramilitaries, and many more. But it is José Maturana — evangelical pastor, recovering drug addict, ex-con — with his story of redemption at the hands of a charismatic tattooed messiah from Miami, Florida, who fascinates the author more than any other. Maturana’s language is potent and vital, and his story captivating.
Hours after his stirring presentation to a rapt audience, however, Maturana is found dead in his hotel room. At first it seems likely that Maturana has taken his own life and everybody seems willing to accept this version of the story. But there are a few loose ends that don’t support the suicide hypothesis, and the author-invitee, moved by Maturana’s life story to discover the truth about his death, will lead an investigation that turns the entire plot of this chimerical novel on its end.
In Necropolis, Santiago Gamboa displays the talent and inventiveness that have earned him a reputation as one of the leading figures in his generation of Latin American authors.

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Giorgetta never forgot that day, she probably still remembers it, because what with talking to me and taking her shot she forgot to sit on the toilet and empty her rectum, so in the first anal scene with the African, when he withdrew an avalanche emerged from her orifice, drawn out by the suction, which was all the bigger because of the size of his cock, which really was king size. There was a loud laugh and Giorgetta gave a scream. Clarence was covered from head to foot and had to take a shower. The cameraman, who had been filming in close-up, spent an hour cleaning his glasses and his camera with sponges and cotton balls, while Giorgetta was in the bathroom, hysterical with shame.

What happened next was that Giorgetta, who, as you will have already noted, had a certain tendency to fall into the abyss, started to take more than she should in the syringe before filming and one day the scandal broke, when Vidiadar, the Pakistani actor, stopped the scene and said to Dimitros, look, how can I work with a woman like this? I’d feel more heat if I stuck my dick into a gimlet. Dimitros cursed, because delays cost him money, and went up to Giorgetta. He noticed that her eyes were open and her mouth was emitting moans, but her brain was as far away as the rings of Jupiter. So he lost his temper and said, you fucking junkie, how dare you come to the set like that? I have nothing against the fact that you fill your brains with shit, but if you want to continue with me you have to be clean, do you understand? the streets of this old continent are filled with cunts begging for an opportunity to get into movies, so think about it, that’s if you’re even listening, is there anybody in there? I had to take Giorgetta to the bedroom.

The next day, Dimitros brought in a Romanian named Saskia to replace her and as a punishment put Giorgetta with the fluffers, the girls who are on the set to suck the actors’ cocks before they go on and leave them erect or arouse them in case their tools undergo a sudden shrinkage. It was that night, after the fight, that I told myself for the first time: you have to give up drugs.

My cousin stayed on in Paris, but sank into one of her heavy depressions. She tried to contact the family of the mentally ill guy to offer her services, but when they saw her they almost slammed the door in her face, because she was in an awful state, so one day I said to her, listen to me, I’m giving you a week to get your things together and leave, I know you have nobody but it’s time you got a grip on yourself, I’ve done what I could. Giorgetta cried and told me I hated her and had always envied her and wanted to destroy her, but I said, Giorgetta, you’re the destructive one, you’re the one who wears out the people who protect you, do you know Murphy’s Law? well, you’re one of the people Murphy’s Law was invented for, any situation you find yourself in, if you can make it worse, you will, and you drag the people closest to you down with you, which in this case means me, I’m just as young and inexperienced as you and just as hooked and alone, but I have a tremendous desire to live and succeed, so you have to understand, I’m not asking you to disappear, but I am asking you to let me breathe a little, I need to think and I can only do that when I’m alone, Giorgetta, don’t hate me for this, goodbye.

Giorgetta left and I spent three days in the hospital, beside Kay, who was my source of consolation, and I told myself, I have to be good for when my love wakes up. I decided to go into detox. The heroin had protected me over the past year, but now things had turned around and I was its hostage. I got up courage and went to a rehab center. I assume everyone knows what detox is, so I shan’t expand. It’s a painful experience, which you remember only vaguely, because the brain blots most of it out as a defense mechanism. Nobody likes to hoard horrible images or such extreme feelings of pain, as if a thin knife slashed right through all the nerves in your body, which becomes your main enemy, that body you become tremendously aware of because every pore in it is screaming, and so the minutes and the hours pass, with all the slowness of pain, and you know that at the end of time, there in the distance, behind a chain of Himalayas and on an invisible horizon, is that morning when you slough off your old, sick skin and your body wakes up and your blood flows clean and you can go out because you’ve been reborn, that’s the challenge, there are those who can’t stand it and their brains melt, they blow a few fuses, and they are the former addicts who wander the world with a stupid smile and dribble hanging from their lips.

That didn’t happen to me, because I hadn’t been addicted for long. I suffered unspeakable pain but came out the other side, unharmed. When I felt well, I called Dimitros and he immediately hired me again, this time for a shoot in Brussels. I liked the idea of traveling so I agreed and it was a great experience. I got to know some Hungarian actors and two very pretty Russian girls, who looked so innocent you’d have thought they were virgins, an impression, obviously, that I forgot when I saw them sucking cocks as if they were eating candies and cream. It was a very professional session, from which I returned with four thousand euros in cash. Then, in the hospital, I told Kay all about the horrors of detox and I said in his ear, you don’t know how lucky you are to have been spared that, when you wake up you’ll be fine, your body will be as clean as a baby’s.

I also told him about the filming of Vixens in Heat, which was the name of the latest Eve Studios production. I said: you’ll get along very well with Dimitros and Petra, they’re fantastic and make a great team. We could work together, you’re a terrific photographer and, you know, during filming they take photographs, that way they generate more income. It would be a brilliant deal and we’d be together, what do you think, my love? But Kay was still silent, breathing softly. Suddenly the room filled with shadows and I went to the window to watch night fall. The city was drifting like a bank of seaweed toward the brightly lighted cafés. It was Saturday. I felt nostalgic for a normal life. I missed what I had, in fact, only experienced with the man lying by my side.

I carried on working and the year ended. I traveled to shoots in Budapest and Prague, and once in London, and the fees were always good, because Eve Studios was doing very well, Dimitros and Petra and other girls like Laura and Saskia and Valérie and Delphine, and guys like Bruno and Anatoli and Hervé and Alec, who worked on most of the movies, were becoming my family. One day the telephone rang and when I answered I almost fell to the floor with emotion. It was the magazine Hot Vision, asking if I would agree to an interview. They had seen Vixens in Heat and seven other Eve movies and thought I had a lot of talent. I put down the telephone, feeling really moved. I had an appointment with them at the Banana Café in Châtelet the next day. I couldn’t believe it. Hot Vision was the best known magazine of its kind in France and every two years awarded the Golden Hot, a prize for the best porn actress. Of course that was a dream, but an interview opened the doors to a possible nomination, oh, I felt so happy that I went with Alec and Delphine to the Casbah Bar and drank a bottle of champagne all by myself. They were all happy about the news and we celebrated in style, until seven in the morning, which confirmed, in passing, that my body was cured, because I didn’t feel at any moment the desire to snort.

The next day — in terms of perception, because it was actually the same day — I got up at three in the afternoon. I still had two hours before the appointment with Hot Vision so I emptied the closet trying to choose what to wear. Delphine had slept over at my place so she was there to help, thank God, and in the end we decided on a combination of garter belts, navy blue nylon stockings, and a shimmery silk dress of the same color, an extremely light outfit that, according to Delphine, brought out my strong personality and a melancholy eroticism. The makeup session lasted forty minutes and at four-thirty exactly we went out on the landing to call the elevator, both nervous and dying of laughter. As the elevator door opened, I heard the telephone ring in the apartment. Delphine said, leave it, you’ll be late, but I said, I’ll only be two seconds, what if they’re calling to cancel or change the appointment? I opened the door and said, hello? who is it? It was the hospital. Kay had woken up.

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