Stephen Dixon - His Wife Leaves Him

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Stephen Dixon, one of America’s great literary treasures, has completed his first novel in five years —
, a long, intimate exploration of the interior life of a husband who has lost his wife.
is as achingly simple as its title: A man, Martin, thinks about the loss of his wife, Gwen. In Dixon’s hands, however, this straightforward premise becomes a work of such complexity that it no longer appears to be words on pages so much as life itself. Dixon, like all great writers, captures consciousness. Stories matter here, and the writer understands how people tell them and why they go on retelling them, for stories, finally, may be all that Martin has of Gwen. Reminders of their shared past, some painful, some hilarious, others blissful and sensual, appear and reappear in the present. Stories made from memories merge with dreams of an impossible future they’ll never get to share. Memories and details grow fuzzy, get corrected, and then wriggle away, out of reach again. Martin holds all these stories dear. They leaven grief so that he may again experience some joy. Story by story then, he accounts for himself, good and bad, moments of grace, occasions for disappointment, promises and arguments. From these things are their lives made. In
, Stephen Dixon has achieved nothing short of the resurrection of a life through words. When asked to describe his latest work, the author said that “it’s about a bunch of nouns: love, guilt, sickness, death, remorse, loss, family, matrimony, sex, children, parenting, aging, mistakes, incidents, minutiae, birth, music, writing, jobs, affairs, memory, remembering, reminiscences, forgetting, repression, dreams, reverie, nightmares, meeting, dating, conceiving, imagining, delaying, loving.”
is Dixon’s most important and ambitious novel, his tenderest and funniest writing to date, and the stylistic and thematic summation of his writing life.

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They were sitting in the balcony of a Broadway theater, waiting for the curtain to go up. Or maybe the curtain was up when they took their seats or there was no curtain, and they were waiting for the houselights to dim and the actors to come on stage. Pinter’s Betrayal , and he thinks it was the St. James Theater. That’s what pops into his head. “Look,” he said, “two available seats in the first row of the orchestra. I know they’re not going to be taken. It’s getting too late to and they’re the last seats to sell because they’re all the way over to the right. Let’s grab them before somebody else does.” “No, I couldn’t do that,” she said. “It wouldn’t be right and I’d be too embarrassed if we were caught,” and he said “It’s done every day, at the opera and here, and we’ll see and hear the actors better and enjoy the play more. And there won’t be any embarrassment. If we’re stopped, I’ll do all of the explaining, and we’ll just go back upstairs or find two other available seats down there that I can’t see from here.” “Suppose the real ticketholders are late and want their seats while the play’s going?” and he said “Slight chance, and they’re two end seats, so easy to leave. Come on, follow me,” and took her hand and led her out of the row and balcony and down a flight of stairs, maybe two, and down the right aisle of the orchestra, not letting go of her till they sat in the seats, she the second one in, he on the aisle. Nobody stopped them. And an usher up the aisle even wanted to give him a playbill, but he showed her the one he already had. The actors came on stage but didn’t speak for a while. He doesn’t think there was an intermission. He could tell by glancing at her every now and then how engrossed she was in the play. After it was over and they were standing by their raised seats to let some people farther in get by them — he’s not sure why they didn’t move out to the aisle to make passing them easier — he said “That was terrific. Play, performances and from where we saw it from. So much better than the balcony. I bet it’d be like seeing a somewhat different play from up there, and all the lines and facial expressions you’d lose. But I’m always giving my opinion first. What’d you think?” and she said “The same; I loved it. And I haven’t sat so close to the stage since I was a little girl and saw Peter Pan . Here, you could see the spit flying. And it was exciting what we did, taking these seats. I never would have done it if it wasn’t for you. I don’t even think I ever thought of doing it before. Good thing you held on to me. My heart was racing when we came down the aisle and I thought for sure we’d be caught, so I doubt I could ever do it again,” and he said “Sure you will, if you stick with me and we get another chance to, and you saw how nothing happened. Maybe sometime when we have enough money to spare we’ll buy our own orchestra seats to a play we really want to go to, though the way Broadway ticket prices keep rising, I don’t know if we’ll ever be able to. Maybe for your birthday or mine, if we’re in town, or our wedding anniversary — then, we’re always here on winter break,” and she said “That’d be nice. Exciting as it was, I’d rather buy them, and every so often we can splurge.”

They were out for a walk. It was Sunday, around five, getting dark, and when they still lived in the Baltimore apartment on West 39th Street. Rosalind was in a sling on his chest. He was holding her head up with one hand and holding Gwen’s hand with the other. They passed a neighborhood Chinese restaurant on the way back — The Poison Dragon, he started calling it after the incident, when its real name was The Golden Dragon — and he said “Like to get takeout tonight? We’ve never had any from this place and we should try it,” and she said “I already have dinner prepared — salmon and a quinoa dish and you said you’d make a salad.” “Then just soup. We’ll have it when we get home. It’ll warm us up. But not egg drop or hot and sour. Something different.” They went into the restaurant and ordered a large container of the “neptune house soup,” with scallops and shrimp and rice noodles and black mushrooms and baby corn. About a half-hour after they ate the soup — maybe fifteen minutes: he knows it was an unusually short time — he got stomach cramps and felt nauseated and he said “Oh, no, shrimp again,” because he’d got sick like this twice before from bad shrimp, and she said “You too? Cramps? Nausea? It has to be the soup. I’m so glad we didn’t give Rosalind any. Both of us have to induce vomiting before it’s completely digested.” “You mean to stick your finger down your throat?” and she said “It’s briefly uncomfortable and disgusting, but it can save days of being sick.” “I can’t do it. Never could. I don’t know what it is, but something stops me, even though I know it’s for my own good.” “Well, I’m certainly going to do it. One of us has to stay well to take care of the other and Rosalind,” and she went into the kitchen bathroom and he heard her throwing up. He waited a minute and said through the bathroom door “Gwen. I’m really not feeling well, so I’m going to lie down,” and she said “I’m sorry, my sweetie. I only wish you had done what I did. I’m already feeling better.” “Just so you don’t think I’m a complete chicken, I did try to in our bathroom, gagged a little but nothing came up,” and she said “Maybe you didn’t go down far enough. Try again. It’s always worked for me,” and he said “I’m just going to have to hope it doesn’t get worse than it is.” “Well,” she said, “yell for me if you need anything. I’m going to wash up, change Rosalind and get her set for the night, and then treat myself to a very weak tea.” He rested on their bed, tried to fall asleep but couldn’t, had to rush to the bathroom several times to vomit or because of the runs. She came in every half-hour or so, felt his head, said “No temperature, but I wouldn’t have expected any,” asked how he was and he said “Much worse,” or just looked at him and said nothing and left. Then she came in and turned on the TV to the public television station. A promo was on for a Masterpiece Theatre series starting next Sunday. He said “What are you doing?” and she said “It’s the final episode of the James Herriot program — the English vet. I know you don’t like it, but I’ve been looking forward to it all week.” “But I’m sick; very sick. Been doing nothing but vomiting and shitting diarrhea the last two hours. The TV noises and flickering — just the voices — will make me feel even worse. I need quiet and rest,” and she said “I hate saying this, but if you had done what I first suggested you do, you wouldn’t be feeling this bad. Now it’s too late, and I don’t think I’m asking too much. An hour, that’s all.” “There’ll probably be a rerun of it sometime this week. Isn’t that what they normally do with a series?” and she said “I checked the monthly program guide. If it were on this coming week I wouldn’t have come to watch it now, but it isn’t scheduled again. I’ll keep the sound low and you could turn over so you don’t see the screen. But what you should do is go into the guest room and try to sleep there.” “I like our bed,” he said. “I feel better on it and in this room,” and she said “Listen, Martin, I’m sorry you’re so sick. But you have to give me a little too. This is the only television I’ve watched since the previous episode last Sunday. If we had another television set in one of the other rooms, I’d watch it there. But we don’t, and now the program’s starting. So, my poor little sweetheart, I’m afraid I’ll have to watch it here. Now please let me.” “Okay,” he said, “go ahead. But I have to say I’ve never seen you act this way to me before. You’ve never shown such inconsiderateness, such…well, you know, lack of sympathy…everything,” and she said “Oh, if you want to call what I am asking for here that, which I don’t think I’m being, then I’ve shown it. Maybe you just didn’t pick up on it before.” “No, you’re wrong,” he said. “I won’t forget this, Gwen, I won’t.” Then he felt sharp pains in his stomach again and got up and rushed to the bathroom. The television volume was much lower when he came back. He got into bed, lay with his back to her and the set and stayed in that position and said nothing to her till the next morning. When she came to bed she said things like “Want me to sleep in another room? Are you feeling any better? Can I get you anything? Do anything for you? I’m sure you’ll be much better in the morning. I certainly hope so. All right. Goodnight, dear.”

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