Let them stay! The more the merrier! Walrus decides, and his voice echoes right through the stairwell. He's become something like the mayor of the building, second only to President Aziz, who has the right kind of gun to be a president. Walrus wins at Uno against the farmers; I learn the rules by watching.
Our horses have been taken away from us. Our sons would have been taken away from us too if they hadn't already gone to war, sighed the farmers, mourning their horses; they lower their eyes thinking of their sons; they lament for their girls.
They won't stop at our villages, says a man with a twirled mustache. I ask his name. I write “Ibrahim” on a mug and pour him water. The toothless women chew bread with their mouths open. They smell sour and lie down in the corridor to sleep. You have to climb over them; they wake up and curse you feebly. I don't call them refugees, I say: protégées. They themselves have been protecting a girl with such bright hair that I have to ask my father if there's a color word to describe such brightness.
He says: beautiful.
I say: beautiful isn't a color.
Beautiful and her uncle with the twirled mustache eat in the cellar with us. Ibrahim waits until Beautiful has gone to sleep with her head on his lap, and then he quietly tells us about their flight. He and his niece were weak and hungry when they met the other farmers. They fed them and put Beautiful, who wasn't well, in a half Lada that was being pulled by two donkeys. We are the last of our village, says Ibrahim; he thinks for a moment, we are the last of nowhere. Our houses are gone. I'm telling you all this so that you will know who you're dealing with, but first I want to sleep. And then, good people, then I want to shave, my beard is full of memories of the worst night of my life. Ibrahim strokes Beautiful's hair. The child has lost everything, he says, everything and everyone.
He doesn't have to say any more. I'll never let Beautiful out of my sight, I won't let anything happen to her ever again. Beautiful says nothing. Beautiful can sit so still that she's invisible. When Beautiful isn't near me I look for her. Beautiful is clutching a shabby old bag. A dirty, scruffy teddy bear dangles from the strap of the bag.
My name is Aleksandar. I paint unfinished pictures, look, here are books without any dust, there's Yuri Gagarin without Neil Armstrong, there's a dog without a collar. That's Nena Fatima with her hair unbraided. My name is Aleksandar, and there's always something not so beautiful that's left out of the pictures. Do you like boys with big ears?
I'm Asija. They took Mama and Papa away with them. My name means something. Your pictures are horrible.
Where are Asija's parents?
Do I know any of the soldiers out there? Could Uncle Miki be with them?
What do we need? A pocketknife costing fifty marks and a little luck, is that all?
How heavy do memories weigh in a beard?
“5:09 A.M., Tuesday, 12 February 2002.” I've written down all the names of streets in Višegrad, all the children's games. I've made a list of the things that you could find in the school, including the five hundred pencil sharpeners that Edin and I sprinkled over the rubble left by the bombing, like Hansel and Gretel. I want to trace the patterns of the past. There's a box in my grandmother's bedroom containing ninety-nine unfinished pictures. I'll go home and finish painting every one of them.
Out of three hundred and thirty Sarajevo numbers rung at random, about every fifteenth has an answering machine
Good evening, my name is Aleksandar Krsmanovic. I'm calling you because I'm trying to find out something about a childhood friend. She escaped from Višegrad to Sarajevo during the civil war. Her name is Asija. I've tried everything I can, the civil service offices, the Internet — no luck. I can't tell you her last name because unfortunately I'm not sure if I've got it right. If you know anything about anyone by that name, please call me at 00 49 1748 526368. Asija is in her early twenties now, and back then she had extremely bright blonde hair. Thank you very much.
Good evening, my name is Aleksandar Krsmanovic. I'm calling you because I'm trying to find out something about a childhood friend. She escaped from Višegrad to Sarajevo during the civil war. Her name is Asija. I've tried everything else, the civil service offices, the Internet — no luck. I can't tell you her last name because unfortunately I'm not sure if I've got it right. If you know anything about anyone by that name, please call me at 00 49 1748 526368. Asija is in her early twenties now, and back then she had extremely bright blonde hair. Thank you very much.
Hello? Mr. Sutijan? I hope I'm pronouncing your name correctly — I called your number at random because I'm so disappointed by my efforts to date. My name is Aleksandar and I'm calling from Germany, where I've been living since our war. Do you happen to know a woman called Asija? It's not a common name, maybe you've heard it and could give me a clue where to find her. The name means “bringer of peace.” I'm looking for my own Asija and I can't be at peace until I know what's happened to her. That may sound stupid and drunk, and so it is too. Mr. Sutijan, if anything occurs to you, my number is 00 49 1748 526368.
Hello, Asija, this is Aleksandar. You're not there. I've just booked a flight to Sarajevo. I'm arriving on Monday. I'd like it if we could meet. You can reach me at 00 49 1748 526368.
Good evening, this is Aleksandar. Asija. .? Are you there. .? Please pick up the phone. . I miss you, you see, and if you pick up the phone maybe I can tell you what exactly it is I miss about you. Things build up over ten years. How do you do your hair now? Do you like minced meat? I love minced meat. I'll be in Sarajevo on Monday, for three days. 00 49 1748 526368.
Asija? This is Aleksandar. Aleksandar with the big ears from Višegrad. The boy in the cellar. The one who called you Beautiful because there wasn't any better word to describe the color of your hair. Aleksandar who was your brother for a day. Let's meet in Sarajevo or Višegrad and remember what we went through together. 00 49 1748 526368.
Asija? Hi, Aleksandar here. Mondays are the best days to begin something. It's almost ten years since we last met. That makes about five hundred and twenty Mondays, which doesn't sound like much. But if you think about it carefully, it's a whole lot of Mondays when something new could have begun. I'd like to know all the things you've begun in your life. I'm going to spend a few days where I once came to the end of something. 00 49 1748 526368.
I've written six letters, Asija, and I thought up a different last name for you for each envelope, but I always wrote the same one in the end. Bosnia is boundless compared to just six letters. In my imagination I see you as a violinist. You have tough, hardened skin on your fingertips and you wear yourself out at every concert. If someone asks how you're doing, you hardly know where to begin for pride. You run three miles every day, you speak French, but you couldn't care less about France. I'll be in Bosnia from Monday, please call me: 00 49 1748 526368.
Hello, this is Aleksandar Krsmanovic. Asija? It would be nice if we could meet, I'm arriving on the twenty-fifth. There won't be any ripe elderberries and plums and quinces yet, but there'll be stairwells around smelling delicious. You can call me if you like at 00 49 1748 526368.
I'm sorry to trouble you. Once upon a time there was a blonde girl with the Arabic name of Asija and a dark-haired boy with the far from Arabic name of Aleksandar. There was a definite chance of a love story there: their parents might have objected on religious grounds and opposed the connection, convention opposes it anyway, and war makes all those objections even stronger. Terrible, because the heart has its reasons and so on and so forth. I have to disappoint you. Asija and Aleksandar were too young for a love story. They didn't yet have any sense of the tragic potential of their happiness and possible unhappiness. Asija who was protected! Aleksandar who protected her! Ha! The two of them held hands and switched the light on at a time when only lunatics thought of being lighthearted. 00 49 1748 526368. That's my number, in case you'd like to know more. Sorry to trouble you.
Читать дальше